Vast Midnight


Book Description

Madeline is a poor, young pediatrician; she marries Liam Akerman, the son of a multimillionaire. Young and naive, and obsessed with musicals, she felt as though she were living her own Cinderella story. The storybegins with loving letters Madeline writes to Liam after he tragically dies. But her life is further turned upside down when she is accused of having a part in her husband's murder. She is suddenly alone, penniless, and newly pregnant. Journal entries chronicling her ordeal alternate with letters to her unborn children. While battling feelings of guilt and insecurity she frequently questions herself and what it means to be a mother and a woman. Although innocent of the crime, she has been harboring her own deep dark secret throughout this journey.







Seven Summers


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At Day's Close: Night in Times Past


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Beautifully illuminated by a color insert and with black-and-white illustrations throughout, this compelling narrative of night is panoramic in scope yet fashioned on an intimate scale and enriched by personal stories.




The Theatre of Tennessee Williams


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This book is open access and available on www.bloomsburycollections.com. It is funded by Knowledge Unlatched. Perfect for students of English Literature, Theatre Studies and American Studies at college and university, The Theatre of Tennessee Williams provides a lucid and stimulating analysis of Willams' dramatic work by one of America's leading scholars. With the centennial of his birth celebrated amid a flurry of conferences devoted to his work in 2011, and his plays a central part of any literature and drama curriculum and uibiquitous in theatre repertoires, he remains a giant of twentieth century literature and drama. In Brenda Murphy's major study of his work she examines his life and career and provides an analysis of more than a score of his key plays, including in-depth studies of major works such as A Streetcar Named Desire, The Glass Menagerie, Cat on a Hot Tin Roof and others. She traces the artist figure who features in many of Williams' plays to broaden the discussion beyond the normal reference points. As with other volumes in Methuen Drama's Critical Companions series, this book features too essays by Bruce McConachie, John S. Bak, Felicia Hardison Londré and Annette Saddik, offering perspectives on different aspects of Williams' work that will assist students in their own critical thinking.




The Speaker


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St. Nicholas


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