Velazquez and Murillo


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Velazquez and Murillo. A Descriptive and Historical Catalogue of the Works of Don Diego de Silva Velazquez and Bartolomé Estéban Murillo, Comprising a Classified List of Their Paintings, with Descriptions; Their History from the Earliest Known Dates ... Also, Lists of Lost Or Unidentified Pictures, a Brief Account of the Lives and Works of the Disciples of These Artists, a Bibliography ... With Original Etchings


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Velazquez and Murillo


Book Description

Excerpt from Velazquez and Murillo: A Descriptive and Historical Catalogue of the Works of Don Diego De Silva Velazquez and Bartolome Esteban Murillo, Comprising a Classified List of Their Paintings, With Descriptions In cataloguing the contents of my portfolios it became interesting to ascertain the ownership of the pictures, to trace their history, and to note their correspondence with, or variance from, other works similar in subject or composition. These comparisons were greatly aided by the photographs, drawings, etc., which made it possible to detect differences or resemblances, too slight to be carried in the eye or stored in the memory. After a time, greatly to my surprise, I found that I had made tolerably complete catalogues of the works of some of the more important Spanish masters, - at least I had the materials for such catalogues. All that was needed was to arrange these materials, and to write out the notes in proper form for publication. This I have done, with the hope of adding something to the existing knowledge on the subject, and the further hope of encouraging some more capable person to do well what I have done but imperfectly. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.




The Prado


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Velazquez and Murillo


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VELAZQUEZ & MURILLO


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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.







Velazquez and Murillo


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This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.




Velazquez and Murillo


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The Expressionist Turn in Art History


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During the period in which Expressionist artists were active in central Europe, art historians were producing texts which also began to be characterized evocatively as ?expressionist?, yet the notion of an expressionist art history has yet to be fully explored in historiographic studies of the discipline. This anthology offers a cross-section of noteworthy art history texts that have been described as expressionist, along with critical commentaries by an international group of scholars. Written between 1912 and 1933, the primary sources have been selected from the published scholarship of both recognized and less-familiar figures in the field's Germanic tradition: Wilhelm Worringer, Fritz Burger, Ernst Heidrich, Max Dvor? Heinrich W?lfflin, and Carl Einstein. Translated here for the first time, these examples of an expressionist turn in art history, along with their secondary analyses and the book's introduction, offer a productive lens through which to re-examine the practice and theory of art history in the early twentieth century.