Author : Tineke Looijenga
Publisher : BRILL
Page : 434 pages
File Size : 35,44 MB
Release : 2003-01-01
Category : Social Science
ISBN : 9789004123960
This source publication of all older runic inscriptions provides fascinating information about the origin and development of runic writing, together with the archaeological and historical contexts of the objects. Moreover elaborate readings and interpretations are given of the runic texts.
Author : Ronnie Ferguson
Publisher : Italian Perspectives
Page : 0 pages
File Size : 36,8 MB
Release : 2023-11-20
Category :
ISBN : 9781781886427
Carved on stone, painted on canvas, wood or porcelain, stitched on fabric, written on parchment or printed on paper, the 109 inscriptions in this unique collection preserve the surviving public writing of Venice's individuals and collectivities in the Middle Ages and Renaissance. They celebrate the completion, authorship or sponsorship of buildings, sculptures, paintings, reliquaries and shrines. They caption the splendid mappa mundi of Fra Mauro and Jacopo de' Barbari's iconic view of Venice. They declare the ownership of a processional banner, of the recipient of a maiolica plate, and of neighbourhood association properties. They record wills, indulgences and appeals. They mark the graves of confraternities, a barber-surgeon and a master mason. They can be found from Piazza San Marco to the corners of Cannaregio and Castello as well as on the lagoon islands. Written in the vernacular, their weight of presence, unmatched by any other Italian centre, attests to the city's exceptional literacy in our period and provides a wealth of privileged historical information. The corpus, with accompanying photographic record, is the first of its kind. It is thoroughly contextualized and analysed in terms of historical and artistic background, script and language. Ronnie Ferguson is Emeritus Professor of Italian at the University of St Andrews and Cavaliere della Stella d'Italia. He is a Fellow of the Ateneo Veneto di Scienze, Lettere ed Arti and of the Accademia Galileiana. His research interests include medieval and Renaissance epigraphy, the language and culture of Venice, Renaissance comedy and historical linguistics.
Author : Antony Eastmond
Publisher : Cambridge University Press
Page : 281 pages
File Size : 44,29 MB
Release : 2015-04-20
Category : Art
ISBN : 1316241041
Inscriptions convey meaning not just by their contents but also by other means, such as choice of script, location, scale, spatial organisation, letterform, legibility and clarity. The essays in this book consider these visual qualities of inscriptions, ranging across the Mediterranean and the Near East from Spain to Iran and beyond, including Norman Sicily, Islamic North Africa, Byzantium, medieval Italy, Georgia and Armenia. While most essays focus on Late Antiquity and the Middle Ages, they also look back at Achaemenid Iran and forward to Mughal India. Topics discussed include real and pseudo-writing, multilingual inscriptions, graffiti, writing disguised as images and images disguised as words. From public texts set up on mountainsides or on church and madrasa walls to intimate craftsmen's signatures, barely visible on the undersides of precious objects, the inscriptions discussed in this volume reveal their meanings as textual and visual devices.
Author : Erin Maglaque
Publisher : Cornell University Press
Page : 152 pages
File Size : 49,37 MB
Release : 2018-06-15
Category : History
ISBN : 1501721674
Mining private writings and humanist texts, Erin Maglaque explores the lives and careers of two Venetian noblemen, Giovanni Bembo and Pietro Coppo, who were appointed as colonial administrators and governors. In Venice’s Intimate Empire, she uses these two men and their families to showcase the relationship between humanism, empire, and family in the Venetian Mediterranean. Maglaque elaborates an intellectual history of Venice’s Mediterranean empire by examining how Venetian humanist education related to the task of governing. Taking that relationship as her cue, Maglaque unearths an intimate view of the emotions and subjectivities of imperial governors. In their writings, it was the affective relationships between husbands and wives, parents and children, humanist teachers and their students that were the crucible for self-definition and political decision making. Venice’s Intimate Empire thus illuminates the experience of imperial governance by drawing connections between humanist education and family affairs. From marriage and reproduction to childhood and adolescence, we see how intimate life was central to the Bembo and Coppo families’ experience of empire. Maglaque skillfully argues that it was within the intimate family that Venetians’ relationships to empire—its politics, its shifting social structures, its metropolitan and colonial cultures—were determined.
Author : Giulia Zanon
Publisher : BRILL
Page : 373 pages
File Size : 10,85 MB
Release : 2024-06-13
Category : History
ISBN : 9004695605
In this volume Giulia Zanon sheds new light on our grasp of social hierarchy and the possibilities for social mobility in pre-modern Italy. By adopting an interdisciplinary approach that combines deep archival research with a multitude of artistic and architectural artefacts, this work breaks new ground by contextualizing the part played by social relationships and the arts in publicly affirming and displaying the prestige of the middling sorts, the cittadini, in early modern Venice.
Author : John Ruskin
Publisher : Cosimo, Inc.
Page : 453 pages
File Size : 45,51 MB
Release : 2013-01-01
Category : Architecture
ISBN : 1602067023
"More than simply a survey of an ancient city's most significant buildings, The Stones of Venice first published in three volumes between 1851 and 1853 is an expression of a philosophy of art, nature, and morality that goes beyond art history, and has inspired such thinkers as Leo Tolstoy, Marcel Proust, and Mahatma Gandhi. Volume II, examining the Byzantine era and the architectural developments of Venice s Gothic period, includes the oft-anthologized chapter The Nature of Gothic, one of the author s most important discussions of his key theme, the relation of the art of Venice to her moral temper. For Ruskin, the Gothic style embodied the same moral truths sought by great art. Informative, aesthetic, and spiritual, this architectural exploration will be appreciated by students and scholars alike. The preeminent art critic of his time, British writer JOHN RUSKIN (1819 1900) had a profound influence upon European painting, architecture, and aesthetics of the 19th and 20th centuries. His immense body of literary works include Modern Painters, Volume I IV (1843 1856); The Seven Lamps of Architecture (1849); Unto This Last (1862); Munera Pulveris (1862 3); The Crown of Wild Olive (1866); Time and Tide (1867); and Fors Clavigera (1871-84)."
Author : John Ruskin
Publisher :
Page : 498 pages
File Size : 44,88 MB
Release : 1853
Category :
ISBN :
Author : Edward Augustus Freeman
Publisher :
Page : 460 pages
File Size : 19,37 MB
Release : 1881
Category : Architecture, Italian
ISBN :
Author : Janet Sethre
Publisher : Strategic Book Publishing & Rights Agency
Page : 360 pages
File Size : 18,27 MB
Release : 2020-01-08
Category : History
ISBN : 1951530241
This richly textured work examines Venetians’ “Venice-ness” and the city’s humanity. A cultural history wide in scope and original in conception, it explores how people have been shaped by Venice and, in turn, have shaped the city. Meet culture heroes whose defects have helped Venice define its myth and fugitives from the city’s splendor, such as El Greco. Venice’s prisoners numbered cloistered women, the mad, and Jews of the Ghetto. People living in close, durable symbiosis with Venice included Titian, and those fugitives from self who sought wholeness in Venice included Stravinsky.
Author : Tony Tanner
Publisher : Harvard University Press
Page : 428 pages
File Size : 48,61 MB
Release : 1992
Category : Literary Criticism
ISBN : 9780674933125
If there is one city that might be said to embody both reason and desire, it would surely be Venice: a thousand-year triumph of rational legislation, aesthetic and sensual self-expression, and self-creation--powerful, lovely, serene. Unique in so many ways, Venice is also unique in its relation to writing. London has Dickens, Paris has Balzac, Saint Petersburg has Dostoevsky, Dublin has Joyce, but there is simply no comparable writer for, or out of, Venice. Venice effectively disappeared from history altogether in 1797 after its defeat by Napoleon. From then on, it seemed to exist as a curiously marooned spectacle. Literally marooned--the city mysteriously growing out of the sea, the beautiful stone impossibly floating on water--but temporally marooned as well, stagnating outside history. Yet as spectacle, as the beautiful city par excellence, the city of art, the city as art and as spectacular example, as the greatest and richest republic in the history of the world, now declined and fallen, Venice became an important site for the European imagination. Watery, dark, silent, a place of sensuality and secrecy; of masks and masquerading; of an always possibly treacherous beauty; of Desdemona and Iago, Shylock, Volpone; of conspiracy and courtesans in Otway; an obvious setting for many Gothic novels--Venice is not written from the inside but variously appropriated from without. Venice--the place, the name, the dream--seems to lend itself to a whole variety of appreciations, recuperations, and and hallucinations. In decay and decline, yet saturated with secret sexuality--suggesting a heady compound of death and desire--Venice becomes for many writers what is was for Byron: both "the greenest island of my imagination" and a "sea-sodom." It also, as this book tries to show, plays a crucial role in the development of modern writing. Tanner skillfully lays before us the many ways in which this dreamlike city has been summoned up, depicted, dramatized--then rediscovered or transfigured in selected writings through the years.
