Veni, Vidi, Video


Book Description

A funny thing happened on the way to the movies. Instead of heading downtown to a first-run movie palace, or even to a suburban multiplex with the latest high-tech projection capabilities, many people's first stop is now the neighborhood video store. Indeed, video rentals and sales today generate more income than either theatrical releases or television reruns of movies. This pathfinding book chronicles the rise of home video as a mass medium and the sweeping changes it has caused throughout the film industry since the mid-1970s. Frederick Wasser discusses Hollywood's initial hostility to home video, which studio heads feared would lead to piracy and declining revenues, and shows how, paradoxically, video revitalized the film industry with huge infusions of cash that financed blockbuster movies and massive marketing campaigns to promote them. He also tracks the fallout from the video revolution in everything from changes in film production values to accommodate the small screen to the rise of media conglomerates and the loss of the diversity once provided by smaller studios and independent distributors.




Veni Vidi Amavi – I Came I Saw I Loved


Book Description

For Sangharsh Vashisht, life is a series of challenges. He loses some—such as scoring poorly in the class tenth Board exams, failing to crack the CAT, and being unable to progress academically due to miserable graduation marks. His girlfriend walks out on him because of his immaturity and he loses his job - twice. He wins some—such as leading his team to win an important corporate cricket tournament, surpassing IIM Graduates at a foreign bank by getting double promotion – twice in a row. In the middle of all this, he accidentally meets an 'angel in silver shoes’. And falls in love within a third of a second. However, this is the toughest challenge Sangharsh has faced—she vanishes from his life after promising a ‘karmic reunion’. He keeps looking for her and miraculously finds her after seven long years. Will she honour her ‘promise’? Will he win her heart by writing a book? Or will he sabotage his chances yet again? Will there ever be a 'happily ever after' in his story?




Veni, Vidi, Vici


Book Description

Veni, Vidi, Vici taps into the human desire to connect with the animal world nicely. Jackson knows her subject intimately, and that comes through loud and clear in Venis story. BlueInk Review Four Stars (out of Five) Jackson uses a simple, straightforward writing style to convey Venis thoughts. There are no fancy words or detailed thought processes, but the absence of these elements only highlights the simple-minded nature most dogs have, without suggesting that Veni isnt smart in a very canine way. Foreword-Clarion Reviews Veni is larger than life, and her voice makes for fun reading. Kirkus Reviews Veni is a Pumi puppy from Hungary, but she has recently been adopted by a new family from the United States and moves to their ranch in California. In this collection of letters, Veni describes her new life for her auntie back home. At first, she doesnt think its fair that she has to leave her old home, learn English, and learn to get along with her new doggie housematesLevi, another Pumi who teases her, and Demi, a standard poodle who hates her right from the start. Whats more, it seems her new human mom trains dogs for a living, and now Veni has to learn to be on her best behavior all the time. And thats not easy for a dog who likes to get into so much trouble! She also exchanges letters with some puppy pen pals and runs the risk of getting sent to Soledog Dog Prison due to her wicked ways. Written with humor from a puppys perspective, Veni, Vidi, Vici shares the crazy events of one dogs first years with her new family.




Videoland


Book Description

Videoland offers a comprehensive view of the "tangible phase" of consumer video, when Americans largely accessed movies as material commodities at video rental stores. Video stores served as a vital locus of movie culture from the early 1980s until the early 2000s, changing the way Americans socialized around movies and collectively made movies meaningful. When films became tangible as magnetic tapes and plastic discs, movie culture flowed out from the theater and the living room, entered the public retail space, and became conflated with shopping and salesmanship. In this process, video stores served as a crucial embodiment of movie culture’s historical move toward increased flexibility, adaptability, and customization. In addition to charting the historical rise and fall of the rental industry, Herbert explores the architectural design of video stores, the social dynamics of retail encounters, the video distribution industry, the proliferation of video recommendation guides, and the often surprising persistence of the video store as an adaptable social space of consumer culture. Drawing on ethnographic fieldwork, cultural geography, and archival research, Videoland provides a wide-ranging exploration of the pivotal role video stores played in the history of motion pictures, and is a must-read for students and scholars of media history.




Veni, Vidi, Vero


Book Description

Smart and wickedly funny … a ribald, rollicking mid-life coming-of-age story. When Tara discovers that her husband’s late nights in the city are hiding an affair with a younger woman, the illusion of her perfect little world is shattered in an instant. Determined to reclaim her dreams, she relocates to Vero Beach, a posh seaside community abutting the Atlantic. There, she purchases an older home on the barrier island, never imagining that this charming enclave hides a seamy underbelly where dark intrigue lurks. ... an intricately woven story of love, friendship, and metamorphosis Retained as piano instructor to young Harry, Tara soon finds herself entangled in the affairs of his mysterious father, the wealthy tycoon, Nathan McCourt. As Tara's home is being renovated, a strange thing happens: she undergoes a transformation of her own. She is stronger, more confident, and happier than she ever imagined possible. Only one thing is missing from this rosy picture: the man of her dreams. It isn't until a category 4 hurricane blows into town, that all the divergent plot lines are knit up, and Tara finally gets her happily ever after.




Japanese Film and the Challenge of Video


Book Description

This book explores the phenomenon of V-Cinema, founded in Japan in 1989 as a distribution system for direct-to-video movies which film companies began making having failed to recoup their investment in big budget films. It examines how studios and directors worked quickly to capitalize on niche markets or upcoming and current trends, and how as a result this period of history in Japanese cinema was an exceptionally diverse and vibrant film scene. It highlights how, although the V-Cinema industry declined from around 1995, the explosion in quantity and variety of such movies established and cemented many specific genres of Japanese film. Importantly the book argues that film scholars who have long looked down on video as a substandard medium without scholarly interest have been wrong to do so, and that V-Cinema challenges accepted notions of cultural value, providing insight into the formation of cinematic canons and inviting us to rethink what is meant by "Japanese cinema".




Immortal Films


Book Description

Casablanca is one of the most celebrated Hollywood films of all time, its iconic romance enshrined in collective memory across generations. Drawing from archival materials, industry trade journals, and cultural commentary, Barbara Klinger explores the history of Casablanca's circulation in the United States from the early 1940s to the present by examining its exhibition via radio, repertory houses, television, and video. By resituating the film in the dynamically changing industrial, technological, and cultural circumstances that have defined its journey over eight decades, Klinger challenges our understanding of its meaning and reputation as both a Hollywood classic and a cult film. Through this single-film survey, Immortal Films proposes a new approach to the study of film history and aesthetics and, more broadly, to cinema itself as a medium in constant interface with other media as a necessary condition of its own public existence and endurance.




Nasty Business


Book Description

The history of the 'video nasties' has been recounted many times and the films that caused so much offence have themselves been endlessly examined. However, the industry that gave rise to the category has received scant little attention. Earlier histories have tended to foreground issues of censorship, and as such, offer only glimpses of an under explored industrial history of British video. This book focuses explicitly on an industry that is still portrayed in heavily caricatured terms, that is frequently presented as immoral or corrupt, and that continues to be understood through the rhetoric of the tabloid press, as 'merchants of menace'.




Maverick Movies


Book Description

A free ebook version of this title is available through Luminos, University of California Press’s Open Access publishing program. Visit www.luminosoa.org to learn more. Maverick Movies tells the improbable story of New Line Cinema, a company that cut a remarkable path through the American film industry and movie culture. Founded in 1967 as an art film distributor, New Line made a small fortune running John Waters's Pink Flamingos at midnight screenings in the 1970s and found reliable returns with the Nightmare on Elm Street franchise in the 1980s. By 2001, the company competed with the major Hollywood studios and reached global box office success with the Lord of the Rings franchise. Blurring boundaries between high and low culture, between independent film and Hollywood, and between the margins and the mainstream, New Line Cinema epitomizes Hollywood's shift in focus from the mass audience fostered by the classic studios to the multitude of niche audiences sought today.




Going Broke


Book Description

Over the last four decades, debt, bankruptcy, and home foreclosures have risen to epidemic levels, and the personal savings rate has sunk dangerously low. Why, in the richest nation on earth, can't Americans hold on to their money? First published in 2008, Stuart Vyse's Going Broke described the epidemic of personal debt that existed in the years leading up to the Great Recession, and anticipated the home mortgage crisis that started it. Ten years later, a fully-updated new edition tackles the post-recession era of economic recovery. Today total household debt has actually surpassed pre-recession levels, and some of the same problems that preceded the crash are back again. But the shape of our troubles has changed: the new face of financial failure features auto repossession, bankruptcy, eviction, wage garnishment, and being sued for unpaid bills. Vyse offers a unique psychological perspective on the financial behavior of the many Americans today who find they cannot make ends meet, illuminating these and other causes of our wildly self-destructive spending habits. But he doesn't entirely blame the victim, arguing instead that the mountain of debt burying so many of us is the inevitable byproduct of America's turbo-charged economy together with social and technological trends that undermine our self-control. This new edition illuminates everything from the rise of the credit card and ballooning student loan debt, to the expansion of new shopping opportunities provided by social media, revealing how vast changes in American society over the last 40 years have greatly complicated our relationship with money. Vyse concludes with both personal advice for the individual who wants to achieve greater financial stability and with pointed recommendations for economic and social change that will help promote the financial health of all Americans.