Book Description
Summarises what is currently known about Otello and interprets its significance within Verdi's career.
Author : James A. Hepokoski
Publisher : Cambridge University Press
Page : 224 pages
File Size : 17,49 MB
Release : 1987-06-18
Category : Biography & Autobiography
ISBN : 9780521277495
Summarises what is currently known about Otello and interprets its significance within Verdi's career.
Author : Giuseppe Verdi
Publisher : Opera Journeys Publishing
Page : 136 pages
File Size : 35,81 MB
Release : 2005
Category : Music
ISBN : 0977145522
A comprehensive guide to Verdi's OTELLO, featuring Principal Characters in the opera, Brief Story Synopsis, Story Narrative with Music Highlight Examples, a complete, newly translated LIBRETTO with Italian/English translation side-by-side and music examples, selected Discography and Videography, Dictionary of Opera and Musical Terms, and an insightful and in depth Commentary and Analysis by Burton D. Fisher, noted opera author and lecturer.
Author : Giuseppe Verdi
Publisher : University of Chicago Press
Page : 412 pages
File Size : 24,29 MB
Release : 1994-07-25
Category : Biography & Autobiography
ISBN : 9780226853048
These 301 letters between Verdi and Bioto show a picture of daily life of European art and artists during the last decades of the 19th century.
Author : Giuseppe Verdi
Publisher : Alma Books
Page : 83 pages
File Size : 13,39 MB
Release : 2018-01-01
Category : Music
ISBN : 071454499X
The subject cannot fail!' exulted Verdi, when recommending Victor Hugo's play Le Roi s'amuse to his librettist. But the censors made every effort to stop it, and the baritone was not easily convinced that a hunchback role would suit him. Jonathan Keates gives a vivid insight into the composition of a masterpiece. Verdi long afterwards thought it his best work, and Roger Parker explains why. Peter Nichols, author of several bestselling books in Italy, picks out some of the peculiarly Italian attitudes and characters in the opera which make it timeless - and incredibly modern.Contents: Introduction, Jonathan Keates; Musical Commentary, Roger Parker; The Timelessness of 'Rigoletto', Peter Nichols; Rigoletto: Text by Francesco Maria Piave after Victor Hugo's 'Le Roi s'amuse'; Rigoletto: English translation by James Fenton
Author : Burton D. Fisher
Publisher : Opera Journeys Publishing
Page : 73 pages
File Size : 10,14 MB
Release : 2001-09-01
Category :
ISBN : 1102020885
Author : Carolyn Abbate
Publisher : Univ of California Press
Page : 468 pages
File Size : 38,78 MB
Release : 2023-11-10
Category :
ISBN : 0520310810
Analyzing Opera: Verdi and Wagner explores the latest developments in opera analysis by considering, side by side, the works of the two greatest opera composers of the nineteenth century. Although the juxtaposition is not new, comparative studies have tended to view these masters as radically different both as musicians and as musical dramatists. Wagner and his "symphonic opera" set against Verdi "the melodist" is one of many familiar antitheses, and it serves to highlight the particular terms from which comparisons are often made. In this book some of the leading and most innovative music scholars challenge this view, suggesting that as we become more distant from the nineteenth century, we may see that Verdi and Wagner confronted largely similar problems, and even on occasion found similar solutions. But more than this, Analyzing Opera sets out to demonstrate the richness and variety of modern analytical approaches to the genre. As the editors point out in their introduction, today's musical scholars increasingly question the usefulness of organicist theories in analytical studies, and, as they do so, opera seems to become an ever more central area of investigation. Opera is peculiar: its clash of verbal, musical, and visual systems can produce incongruities and extravagant miscalculations. It invites a multiplicity of approaches, challenges orthodoxy, and embraces ambiguity. The sheer variety of essays presented here is witness to this fact and suggests that analyzing opera is one of the liveliest (and most polemical) areas in modern-day musical scholarship. Contributors: Philip Gossett, John Deathridge, James A. Hepokoski, Joseph Kerman, Thomas S. Grey, Matthew Brown, Anthony Newcomb, Martin Chusid, David Lawton, and Patrick McCreless. This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1989.
Author : David Trippett
Publisher : Cambridge University Press
Page : 399 pages
File Size : 25,43 MB
Release : 2019-08-22
Category : Music
ISBN : 1107111250
Explores the rich and varied interactions between nineteenth-century science and the world of opera for the first time.
Author : Catherine Clement
Publisher : U of Minnesota Press
Page : 228 pages
File Size : 28,43 MB
Release : 1988
Category : Music
ISBN : 9780816635269
This was the first work to have applied a systematised feminist theory to opera. It concentrates on the stories & text of opera, that perhaps have more relevence today in a growing literature than it had when it was the "sacrilegious" pioneering work.
Author : Harrison Birtwistle
Publisher : Boosey & Hawkes Incorporated
Page : 80 pages
File Size : 14,3 MB
Release : 2008
Category : Drama
ISBN :
Retelling of the myth of the Cretan Minotaur, this book considers the inner world of the Minotaur himself, and suggests a dark and compelling reason for Ariadne's intense relationship with Theseus.
Author : Naomi Andre
Publisher : University of Illinois Press
Page : 306 pages
File Size : 22,38 MB
Release : 2012-03-01
Category : Music
ISBN : 0252093895
Blackness in Opera critically examines the intersections of race and music in the multifaceted genre of opera. A diverse cross-section of scholars places well-known operas (Porgy and Bess, Aida, Treemonisha) alongside lesser-known works such as Frederick Delius's Koanga, William Grant Still's Blue Steel, and Clarence Cameron White's Ouanga! to reveal a new historical context for re-imagining race and blackness in opera. The volume brings a wide-ranging, theoretically informed, interdisciplinary approach to questions about how blackness has been represented in these operas, issues surrounding characterization of blacks, interpretation of racialized roles by blacks and whites, controversies over race in the theatre and the use of blackface, and extensions of blackness along the spectrum from grand opera to musical theatre and film. In addition to essays by scholars, the book also features reflections by renowned American tenor George Shirley. Contributors are Naomi André, Melinda Boyd, Gwynne Kuhner Brown, Karen M. Bryan, Melissa J. de Graaf, Christopher R. Gauthier, Jennifer McFarlane-Harris, Gayle Murchison, Guthrie P. Ramsey Jr., Eric Saylor, Sarah Schmalenberger, Ann Sears, George Shirley, and Jonathan O. Wipplinger.