Vergil and Early Latin Poetry


Book Description







Vergil’s Eclogues


Book Description

Between 42 and 39 BC, Vergil composed the first Latin pastoral collection, entitled Eclogues, and consisting of ten poems in the form in which it has come down to us. Vergil’s Eclogues represent the introduction of a new genre, the pastoral, to Latin literature, and recall the Hellenistic poet Theocritus who invented this genre. The fact that the Roman author inserts into the text elements from other Greek and Latin texts modifying them through innovations and changes (constitutes an attractive field of research. This book shows that Vergil’s dialogue with the earlier Greek and Latin tradition is not only typical of the way in which Latin literature was written in the 1st century BC; rather, it is also a dynamic literary method used to affect and define the character of each Eclogue.




Vergil's Aeneid: Selected Readings from Books 1, 2, 4, and 6


Book Description

This text--an updated and revised version of selected passages from Pharr's Vergil's Aeneid, Books I-VI--is designed for college and high school Advanced Placement* courses. It includes all the required Latin selections from Vergil's Aeneid for the 2012–2013 AP* Latin Curriculum.Aeneid unadapted Latin passages (923 lines): Book 1.1–209, 418– 440, 494–578; Book 2.40–56, 201–249, 268–297, 559–620; Book 4.160–218, 259– 361, 659–705; Book 6.295–332, 384–425, 450–476, 847–899 with same-page vocabulary and notes.




Virgil's Eclogues


Book Description

Publius Vergilius Maro (70-19 B.C.), known in English as Virgil, was perhaps the single greatest poet of the Roman empire—a friend to the emperor Augustus and the beneficiary of wealthy and powerful patrons. Most famous for his epic of the founding of Rome, the Aeneid, he wrote two other collections of poems: the Georgics and the Bucolics, or Eclogues. The Eclogues were Virgil's first published poems. Ancient sources say that he spent three years composing and revising them at about the age of thirty. Though these poems begin a sequence that continues with the Georgics and culminates in the Aeneid, they are no less elegant in style or less profound in insight than the later, more extensive works. These intricate and highly polished variations on the idea of the pastoral poem, as practiced by earlier Greek poets, mix political, social, historical, artistic, and moral commentary in musical Latin that exerted a profound influence on subsequent Western poetry. Poet Len Krisak's vibrant metric translation captures the music of Virgil's richly textured verse by employing rhyme and other sonic devices. The result is English poetry rather than translated prose. Presenting the English on facing pages with the original Latin, Virgil's Eclogues also features an introduction by scholar Gregson Davis that situates the poems in the time in which they were created.




Aeneid Book 1


Book Description

These books are intended to make Virgil's Latin accessible even to those with a fairly rudimentary knowledge of the language. There is a departure here from the format of the electronic books, with short sections generally being presented on single, or double, pages and endnotes entirely avoided. A limited number of additional footnotes is included, but only what is felt necessary for a basic understanding of the story and the grammar. Some more detailed footnotes have been taken from Conington's edition of the Aeneid.




Early Latin Poetry


Book Description

This study offers an introduction to the fragmentary record of early Roman poetry. In focus are the contexts, practitioners, and reception of early Roman drama (excluding comedy), epic, and satire, along with the challenges which our evidence for these entails.




Latin Via Ovid


Book Description

Using an introduction to mythology by the master storyteller Ovid himself, the authors have prepared a unique teaching tool designed to achieve proficiency at Latin in one year at the college level, two years at the high school or intermediate level. The volume provides students with imaginative, connected reading, beginning with introductory prose versions of Ovid's simple myth tales and progressing to the rich poetry of Ovidian Latin (with appropriate teaching aids) within forty lessons. The grammatical approach is traditional, but the central emphasis is on reading. In each chapter the reading appears first, followed by the vocabulary, the grammar, exercises, and etymology relating to the vocabulary. The exercises begin with a group of questions in Latin (based on the reading), to be answered in Latin. Each tale is preceded by a brief discussion in English of the story and its mythological significance. The myths retold by Ovid and the attractive format are conceived to impel the student into acquiring the skill to read the author in the original language. For additional complimentary materials on this topic, please see Latin Via Ovid Audio materials (available via downloadable flash drive and cassette tapes) by Norma Goldman and Jacob E. Nyenhuis and the accompanying text Practice, Practice: A Latin Via Ovid Workbook by Norma Goldman and Michael Rossi.




The Eclogues


Book Description

Virgil (70-19 B.C.) needs no formal introduction, as he has long been considered Ancient Rome's greatest poet and is globally renowned for The Aeneid, one of the most famous epic poems in history. Virgil's other greatest works are considered to be the Eclogues (or Bucolics), and the Georgics, although several minor poems collected in the Appendix Vergiliana are also attributed to him. Similar to Homer's Iliad and Odyssey, Virgil's Aeneid was considered Rome's national epic and legend, and it was immediately popular within the empire. It is said Virgil recited parts of it to Caesar Augustus, and it's believed the epic poem was unfinished when Virgil died in 19 B.C. The works of Virgil also had a dramatic effect on other Latin poetry. The Eclogues, Georgics, and above all the Aeneid became standard texts in school curricula with which all educated Romans were familiar. In the millennium following Virgil, poets often cited his work. For example, Ovid parodies the opening lines of the Aeneid in Book 14 of the Metamorphoses, and Lucan's epic, the Bellum Civile, has been considered an anti-Virgilian epic, disposing with the divine mechanism, treating historical events, and diverging drastically from Virgilian epic practice. Even Gregory of Tours, who admired Virgil, quotes Rome's poet, and Virgil famously guides Dante through Hell in the Italian's great work.




Generic Enrichment in Vergil and Horace


Book Description

S. J. Harrison sets out to sketch one answer to a key question in Latin literary history: why did the period c.39-19 BC in Rome produce such a rich range of complex poetical texts, above all in the work of the famous poets Vergil and Horace? Harrison argues that one central aspect of this literary flourishing was the way in which different poetic genres or kinds (pastoral, epic, tragedy, etc.) interacted with each other and that that interaction itself was a prominent literary subject. He explores this issue closely through detailed analysis of passages of the two poets' works between these dates. Harrison opens with an outline of generic theory ancient and modern as a basis for his argument, suggesting how different poetic genres and their partial presence in each other can be detected in the Latin poetry of the first century BC.