Vermeer's Lady in Waiting
Author : Lolly Anderson
Publisher :
Page : 287 pages
File Size : 43,84 MB
Release : 2012
Category :
ISBN : 9780981937694
Author : Lolly Anderson
Publisher :
Page : 287 pages
File Size : 43,84 MB
Release : 2012
Category :
ISBN : 9780981937694
Author : Marjorie E. Wieseman
Publisher : Yale University Press
Page : 227 pages
File Size : 12,28 MB
Release : 2011
Category : Art
ISBN : 9780300178999
A visually stunning and seductive book that celebrates the mysterious and enigmatic world created by Vermeer in some of the best-loved and most characteristic works from late in his career.
Author : Stephan Koja
Publisher :
Page : 264 pages
File Size : 43,99 MB
Release : 2021-09-10
Category :
ISBN : 9783954986118
The Girl Reading a Letter at an Open Window by Johannes Vermeer is one of the most famous works of seventeenth-century Dutch art. Preserved at the Gemaldegalerie Alte Meister in Dresden, the painting has been restored, in an elaborate process lasting from 2017 to 2021. The removal of a large section of overpainting dating from a later period has profoundly altered the work's appearance and revealed the original composition. To showcase the discovery, the Dresden Gemaldegalerie is now presenting the Girl Reading a Letter along with other masterpieces by Vermeer and a selection of exceptional Dutch genre paintings that reveal parallels and reciprocities between the art of Vermeer and that of his peers. This catalog brings together texts by renowned scholars as they explore not only the restoration of this pivotal work but also fundamental questions on the visual vernacular and essence of Vermeer's painting, his optical realism, his iconography of love, and the lived realities of women in the Dutch Golden Age.
Author : Jørgen Wadum
Publisher :
Page : 48 pages
File Size : 45,61 MB
Release : 1994
Category : Painting, Dutch
ISBN :
Author : Martine van Elk
Publisher : Springer
Page : 308 pages
File Size : 21,14 MB
Release : 2017-01-09
Category : Literary Criticism
ISBN : 3319332228
This book is the first comparative study of early modern English and Dutch women writers. It explores women’s rich and complex responses to the birth of the public sphere, new concepts of privacy, and the ideology of domesticity in the seventeenth century. Women in both countries were briefly allowed a public voice during times of political upheaval, but were increasingly imagined as properly confined to the household by the end of the century. This book compares how English and Dutch women responded to these changes. It discusses praise of women, marriage manuals, and attitudes to female literacy, along with female artistic and literary expressions in the form of painting, engraving, embroidery, print, drama, poetry, and prose, to offer a rich account of women’s contributions to debates on issues that mattered most to them.
Author : Vincent O'Sullivan
Publisher : Victoria University Press
Page : 84 pages
File Size : 48,64 MB
Release : 2007
Category : Literary Criticism
ISBN : 9780864735515
Blame Vermeer is another fine collection of Vincent O'Sullivan's poems. He is the author of two novels, many plays, collections of short stories and poems. His 2001 collection of poetry Lucky Table (Victoria University Press) was short listed in the poetry section of the 2001 The Montana NZ Book Awards. Nice morning for it, Adam was published to acclaim in 2004 and it won the Poetry category of the 2005 Montana New Zealand Book Awards.
Author : Walter A. Liedtke
Publisher : Metropolitan Museum of Art
Page : 38 pages
File Size : 21,91 MB
Release : 2009
Category : Painting, Dutch
ISBN : 1588393445
In this catalogue for the exhibition, Walter Liedtke, Curator of Paintings at the Metropolitan, drawing on the Museum's five Vermeers, scenes by other Dutch masters in the Museum's collection, including Pieter de Hooch, Gabriel Metsu, Nicolaes Maes, and Emanuel de Witte, and several works on paper, places the picture in the context of the artist's brief career and relates it to contemporary developments in Dutch art. In addition to an extended discussion of the painting's provenance, he provides a detailed study of the composition, the several revisions made during the course of execution, and the subtle relationships between light and shadow, color, contour, and shape. And he proposes a most intriguing argument for an erotic subtext, pointing out that, like maids and kitchen maids in earlier Netherlandish art, the figure in The Milkmaid was meant to attract the male viewer, to rouse in him temptation and restraint, desire and reservation, while the kitchen maid herself, endowed with traits typically reserved for higher-class women and surrounded by references to romance both literal and oblique, is presented as having amorous thoughts of her own.
Author : Wayne E. Franits
Publisher : Getty Publications
Page : 94 pages
File Size : 45,52 MB
Release : 2006
Category : Art
ISBN : 0892368446
In the hush of early morning, a dutiful mother butters bread for her young son, who patiently stands at her side. This splendid painting captures a trivial moment in a family's daily routine and makes it almost sacrosanct. A Woman Preparing Bread and Butter for a Boy was executed by the Dutch painter Pieter de Hooch (1629-1684) between 1661 and 1663. The J. Paul Getty Museum's canvas is one of the artist's many pictures depicting women and children engaged in daily activities. This book examines the painting in relation to the artist's life and work, exploring his stylistic development and his complex relationship to other painters in the Dutch Republic. The author places the subject matter of the painting within the broader context of seventeenth-century Dutch concepts of domesticity and child rearing and ties it to social and cultural developments in the Netherlands during the second half of the seventeenth century.
Author : Eddy Schavemaker
Publisher : Yale University Press
Page : 0 pages
File Size : 22,97 MB
Release : 2017
Category : ART
ISBN : 9780300222937
A landmark exploration of the engaging network of relationships among genre painters of the Dutch Golden Age The genre painting of the Dutch Golden Age between 1650 and 1675 ranks among the highest pinnacles of Western European art. The virtuosity of these works, as this book demonstrates, was achieved in part thanks to a vibrant artistic rivalry among numerous first-rate genre painters working in different cities across the Dutch Republic. They drew inspiration from each other's painting, and then tried to surpass each other in technical prowess and aesthetic appeal. The Delft master Johannes Vermeer (1632-1675) is now the most renowned of these painters of everyday life. Though he is frequently portrayed as an enigmatic figure who worked largely in isolation, the essays here reveal that Vermeer's subjects, compositions, and figure types in fact owe much to works by artists from other Dutch cities. Enlivened with 180 superb illustrations, Vermeer and the Masters of Genre Painting highlights the relationships - comparative and competitive - among Vermeer and his contemporaries, including Gerrit Dou, Gerard ter Borch, Jan Steen, Pieter de Hooch, Gabriel Metsu, and Frans van Mieris. Published in association with the National Gallery of Ireland Exhibition Schedule: Musee du Louvre 02/20/17--05/22/17 National Gallery of Ireland 06/17/17--09/17/17 National Gallery of Art, Washington D.C. (10/22/17--01/21/18)
Author : Louise Schleiner
Publisher : Indiana University Press
Page : 330 pages
File Size : 50,10 MB
Release : 1994-11-22
Category : Literary Criticism
ISBN : 9780253115102
"... a nuanced, carefully argued work that reveals how women writers of the Renaissance, whether upper-class aristocrats close to court, daughters of successful merchants, Protestants, or Catholics, are inevitably affected by the gender biases that infuse all levels of Renaissance society and letters." -- Sixteenth Century Journal "... quite effective at developing a critical vocabulary for analyzing the formal traits of early modern women's writing." -- Tulsa Studies in Women's Literature From the perspectives of feminism, Marxism, sociology, and cultural semiotics, Louise Schleiner examines both familiar and obscure Tudor and Stuart women writers in a comprehensive study of those women who managed to go beyond translations or diaries and find a more individual voice in their public texts.