VERTIGO - call of the void


Book Description

Vertigo corresponds to a disturbance of perception and is associated with disruption of gaze stabilization, of posture control and of the autonomic nervous system. As a loss of orientation in space, it is mostly characterized by neurovegetative signs and unpleasant feelings as nausea, sweating, blood pressure swings, anxiety, dysequilibrium of the sensory systems of reference: eye, balance, and somatosensory perception in the space of reference. It is typically worsened when the head is moved. The most common diseases that result in vertigo are benign paroxysmal positional vertigo, Ménière's disease, and labyrinthitis. Less common causes include stroke, brain tumors, brain injury, multiple sclerosis, and migraine.




Short Voyages to the Land of the People


Book Description

This work reads a series of texts and journeys across class lines and shows how the image of "the people" functions in them as a point of reference unto which the observer projects a conceptual framework - based on the observer's own circumstances.




The Concept of Anxiety: A Simple Psychologically Oriented Deliberation in View of the Dogmatic Problem of Hereditary Sin


Book Description

The first new translation of Kierkegaard's masterwork in a generation brings to vivid life this essential work of modern philosophy. Brilliantly synthesizing human insights with Christian dogma, Soren Kierkegaard presented, in 1844, The Concept of Anxiety as a landmark "psychological deliberation," suggesting that our only hope in overcoming anxiety was not through "powder and pills" but by embracing it with open arms. While Kierkegaard's Danish prose is surprisingly rich, previous translations—the most recent in 1980—have marginalized the work with alternately florid or slavishly wooden language. With a vibrancy never seen before in English, Alastair Hannay, the world's foremost Kierkegaard scholar, has finally re-created its natural rhythm, eager that this overlooked classic will be revivified as the seminal work of existentialism and moral psychology that it is. From The Concept of Anxiety: "And no Grand Inquisitor has such frightful torments in readiness as has anxiety, and no secret agent knows as cunningly how to attack the suspect in his weakest moment, or to make so seductive the trap in which he will be snared; and no discerning judge understands how to examine, yes, exanimate the accused as does anxiety, which never lets him go, not in diversion, not in noise, not at work, not by day, not by night."




Man, Play, and Games


Book Description

According to Roger Caillois, play is an occasion of pure waste. In spite of this - or because of it - play constitutes an essential element of human social and spiritual development. In this study, the author defines play as a free and voluntary activity that occurs in a pure space, isolated and protected from the rest of life.




Masculinity, Psychoanalysis, Straight Queer Theory


Book Description

Using Lacanian psychoanalysis and queer theory to explore the unstable relationship between heterosexual masculine identity and cultural representation, this book examines the ways straight men are queered and abjected in literature, theory, and film.




Void Indigo


Book Description




The Imp of the Perverse


Book Description

Ever wondered how to combat the deep-seated urge to do wrong? Maybe Edgar Allen Poe can help. In "The Imp of the Perverse" (1845) Poe sets out to explain the Imp – the archetype responsible for persuading us to do what we know in our minds we shouldn’t. Poe, supposedly distraught with his own self-destructive impulses, lets the story take place primarily in the narrator’s mind as he frets the day he will have to come clean. At the heart of this short story is the question of how far we can justify our wrongdoings. It explores our self-destructive impulses and urges, the abandonment of reason and our inherent wickedness. Join Poe as he takes the reader from the sunny valleys of reason to the darkest regions of the human soul. A descent into madness. Edgar Allan Poe (1809-1849) was an American poet, author, and literary critic. Most famous for his poetry, short stories, and tales of the supernatural, mysterious, and macabre, he is also regarded as the inventor of the detective genre and a contributor to the emergence of science fiction, dark romanticism, and weird fiction. His most famous works include "The Raven" (1945), "The Black Cat" (1943), and "The Gold-Bug" (1843).




The Existentialist's Guide to Death, the Universe and Nothingness


Book Description

The Existentialist's Guide to Death, the Universe and Nothingness is an entertaining philosophical guide to life, love, hate, freedom, sex, anxiety, God and death; a guide to everything and nothing. Gary Cox, bestselling author of How to Be an Existentialist and How to Be a Philosopher, takes us on an exciting journey through the central themes of existentialism, a philosophy of the human condition. The Existentialist's Guide fascinates, informs, provokes and inspires as it explores existentialism's uncompromising view of human reality. It leaves the reader with no illusions about how hard it is to live honestly and achieve authenticity. It has, however, a redeeming humour that sets the wisdom of the great existentialist philosophers alongside the wit of great musicians and comedians. A realistic self-help book for anyone interested in personal empowerment, The Existentialist's Guide offers a wealth of profound philosophical insight into life, the universe and everything.




Generative Worlds


Book Description

Generative Worlds. New Phenomenological Perspectives on Space and Time accounts for the phenomenological concept of generativity. In doing so, this book brings together several recent phenomenological studies on space and time. Generative studies in phenomenology propose new ways of conceiving space, time, and the relation between them. Edited by Luz Ascarate and Quentin Gailhac, the collection reveals new dimensions to topics such as the generation of life, birth, historicity, intersubjectivity, narrativity, institution, touching, and places, and in some cases, the contributors invert the classical definitions of space and time. These transformative readings are fruitful for the interdisciplinary exchange between philosophy and fields such as cosmology, psychology, and the social sciences. The contributors ask if phenomenology reaches its own concreteness through the study of generation and whether it manages to redefine certain dimensions of space and time which, in other orientations of the Husserlian method, remain too abstract and detached from the constitutive becoming of experience.




Early Writings


Book Description

No history of literature could afford to overlook Gustave Flaubert, the meticulous craftsman whose Madame Bovary and Sentimental Education are enduring classics. His finished novels are easily available, but his earliest works have been the private province of professional scholars. Early Writings is the first English translation of Flaubert?s astonishing juvenilia, astonishing not only because of its glimmers of genius but also because of its fantasy. Now readers will be able to see the contours of Flaubert?s career more fully; no note how much effort he took to learn and unlearn, to overcome and suppress. The eleven essays ad tales in this collection include about half of Flaubert?s early experiments in writing. They reveal the eye of a precocious artist who used everything from routine newspaper accounts to the psychopathology of his everyday life as material for fiction. His transformation of reality is best exemplified by ?Diary of a Madman,? based on a chance encounter of the pubescent Gustave with Elisa Schlesinger at Trouville during the summer of 1836. The range of his youthful imagination is illustrated by pieces in the Byronic mold, by caricature of philistine values, epic scenes, metaphysical themes, the fantastic genre of the ?wild tale,? and psychological studies that anticipate his larger portrayals of character. Early Writings reveals the young writer working toward more complex tableaux, increasingly preoccupied with the tension between language and art, medium and ideal. From the beginning Flaubert was obsessed by the daunting task of making language eternalize fleeting perceptions.