Vietnam Journal Reflections and Personal Memories


Book Description

A SOLDIER'S JOURNEY TO A LAND OF WAR AND THEN A TIME OF HEALING AND REFLECTION




Thar Ain't a Tater in the House


Book Description

“I live in a holler, and I’ve heard some folks talk that holler bunch won’t amount to a hill of beans, and I’ve heard others say that the sun never shines in those hollers.” “My mother let me know I was as good as anyone. ‘Ralph, don’t walk with your head down. There’s nothing shameful about running out of taters.’” “My daddy said, ‘Ralph, don’t quit. Quitting follows you to the grave.’” The philosophy in these words was with Ralph from the time of his childhood. He heard them from relatives and witnessed the people around him live them.




Nothing Ever Dies


Book Description

Finalist, National Book Critics Circle Award Finalist, National Book Award in Nonfiction A New York Times Book Review “The Year in Reading” Selection All wars are fought twice, the first time on the battlefield, the second time in memory. From the author of the Pulitzer Prize–winning novel The Sympathizer comes a searching exploration of the conflict Americans call the Vietnam War and Vietnamese call the American War—a conflict that lives on in the collective memory of both nations. “[A] gorgeous, multifaceted examination of the war Americans call the Vietnam War—and which Vietnamese call the American War...As a writer, [Nguyen] brings every conceivable gift—wisdom, wit, compassion, curiosity—to the impossible yet crucial work of arriving at what he calls ‘a just memory’ of this war.” —Kate Tuttle, Los Angeles Times “In Nothing Ever Dies, his unusually thoughtful consideration of war, self-deception and forgiveness, Viet Thanh Nguyen penetrates deeply into memories of the Vietnamese war...[An] important book, which hits hard at self-serving myths.” —Jonathan Mirsky, Literary Review “Ultimately, Nguyen’s lucid, arresting, and richly sourced inquiry, in the mode of Susan Sontag and W. G. Sebald, is a call for true and just stories of war and its perpetual legacy.” —Donna Seaman, Booklist (starred review)




Echoes and Reflections


Book Description

This study examines tales from The Metamorphoses by the Roman poet Ovid (43 BC-18 AD) and from The Lais by the French poet Marie de France (fl. mid-to late twelfth century) to explore a paradox: how can a vibrant, complex, and timeless vision be conveyed in convention-informed and time-bound language? Marie plays against Ovid’s tales to probe the dilemma, thereby echoing Ovid who does the same to the canonical literary monuments of his day. Both poets suggest that poetry can avoid the flattening effect of monumental canonizing not only by the creative use of literary echoes, but also by shifting perspectives on the conventional, which in turn, can encourage readers to see reflections of many stories in any given tale. Ovid and Marie suggest and encourage in this manner by presenting literary love’s topoi and traditional lovers from a variety of metaliterary perspectives, thereby eliciting active readerly memory as well as providing the opportunity to see the conventional afresh, activity that allows even canonical texts to become living memorials.




The Vietnam War in American Memory


Book Description

From the beginning in the 1770s, singing was an important part of Shaker worship. In 1812-13 the Shakers published their first hymnal, 'Millennial Praises', which included texts without music. This scholarly edition of the hymnal joins the texts to original Shaker tunes. The CD includes historical recordings of six Shaker songs.




Close Quarters


Book Description

From the moment his first novel was published, Larry Heinemann joined the ranks of the great chroniclers of the Vietnam conflict--Philip Caputo, Tim O’Brien, and Gustav Hasford. In the stripped-down, unsullied patois of an ordinary soldier, draftee Philip Dosier tells the story of his war. Straight from high school, too young to vote or buy himself a drink, he enters a world of mud and heat, blood and body counts, ambushes and firefights. It is here that he embarks on the brutal downward path to wisdom that awaits every soldier. In the tradition of Naked and the Dead and The Thin Red Line, Close Quarters is the harrowing story of how a decent kid from Chicago endures an extraordinary trial-- and returns profoundly altered to a world on the threshold of change.




Reflections of a Warrior


Book Description

Reflections of a Warrior is a Medal of Honor winner's true story—a Green Beret's six deadly years in the killing fields of Vietnam. PFC Franklin Miller arrived in Vietnam in March 1966, and saw his first combat in a Reconnaissance Platoon. So began an odyssey that would make him into one of the most feared and respected men in the Special Forces elite, who made their own rules in the chaos of war. In the exclusive world of the Military Assistance Command, Vietnam, Studies and Observation Group, Miller ran missions deep into enemy territory to gather intelligence, snatch prisoners, and to kill. Leading small bands of battle-hardened Montagnard and Meo tribesmen, he was fierce and fearless—fighting army policy to stay in combat for six tours. On a top-secret mission in 1970, Miller and a handful of men, all critically injured, held off the NVA in an incredible Alamo-like stand—for which he was awarded the Congressional Medal of Honor. When his time in Southeast Asia ended, he had also received the Silver Star, two Bronze Stars, an Air Medal, and six Purple Hearts. This is his incredible story.




American Stories


Book Description

This book is ideal for any introductory American history instructor who wants to make the subject more appealing. It's designed to supplement a main text, and focuses on "personalized history" presented through engaging biographies of famous and less-well-known figures from 1865 to the present. Historical patterns and trends appear as they are seen through individual lives, and the selection of profiled individuals reflects a cultural awareness and a multicultural perspective.




Ru


Book Description

A runaway bestseller in Quebec, with foreign rights sold to 15 countries around the world, Kim Thúy's Governor General's Literary Award-winning Ru is a lullaby for Vietnam and a love letter to a new homeland. Ru. In Vietnamese it means lullaby; in French it is a small stream, but also signifies a flow - of tears, blood, money. Kim Thúy's Ru is literature at its most crystalline: the flow of a life on the tides of unrest and on to more peaceful waters. In vignettes of exquisite clarity, sharp observation and sly wit, we are carried along on an unforgettable journey from a palatial residence in Saigon to a crowded and muddy Malaysian refugee camp, and onward to a new life in Quebec. There, the young girl feels the embrace of a new community, and revels in the chance to be part of the American Dream. As an adult, the waters become rough again: now a mother of two sons, she must learn to shape her love around the younger boy's autism. Moving seamlessly from past to present, from history to memory and back again, Ru is a book that celebrates life in all its wonder: its moments of beauty and sensuality, brutality and sorrow, comfort and comedy.




We Gotta Get Out of This Place


Book Description

“The diversity of voices and songs reminds us that the home front and the battlefront are always connected and that music and war are deeply intertwined.” —Heather Marie Stur, author of 21 Days to Baghdad For a Kentucky rifleman who spent his tour trudging through Vietnam’s Central Highlands, it was Nancy Sinatra’s “These Boots Are Made for Walkin’.” For a black marine distraught over the assassination of Martin Luther King Jr., it was Aretha Franklin’s “Chain of Fools.” And for countless other Vietnam vets, it was “I Feel Like I’m Fixin’ to Die” or the song that gives this book its title. In We Gotta Get Out of This Place, Doug Bradley and Craig Werner place popular music at the heart of the American experience in Vietnam. They explore how and why U.S. troops turned to music as a way of connecting to each other and the World back home and of coping with the complexities of the war they had been sent to fight. They also demonstrate that music was important for every group of Vietnam veterans—black and white, Latino and Native American, men and women, officers and “grunts”—whose personal reflections drive the book’s narrative. Many of the voices are those of ordinary soldiers, airmen, seamen, and marines. But there are also “solo” pieces by veterans whose writings have shaped our understanding of the war—Karl Marlantes, Alfredo Vea, Yusef Komunyakaa, Bill Ehrhart, Arthur Flowers—as well as songwriters and performers whose music influenced soldiers’ lives, including Eric Burdon, James Brown, Bruce Springsteen, Country Joe McDonald, and John Fogerty. Together their testimony taps into memories—individual and cultural—that capture a central if often overlooked component of the American war in Vietnam.