Violentology


Book Description

Based upon two decades of in-depth investigative reporting in Colombia's conflict zones, this explosive volume integrates text, photography, and design to communicate the horrors that paramilitary groups, such as the "United Self-Defense Forces of Colombia" (as well as the other sides of the conflict in response to the violence), inflicted and continue to inflict on Colombia. An instant classic of journalism and South American political history.




Violentologies


Book Description

Violentologies explores how different forms of violence shape identity and political vision in both familiar and unexpected ways using Latina/o writers and performers as case-studies.




Throwing Stones at the Moon


Book Description

For nearly five decades, Colombia has been embroiled in internal armed conflict among guerrilla groups, paramilitary militias, and the country’s own military. Civilians in Colombia have to make their lives despite the threat of torture, kidnapping, and large-scale massacres—and more than four million have had to flee their homes. The oral histories in Throwing Stones at the Moon describe the most widespread of Colombia’s human rights crises: forced displacement. Speakers recount life before displacement, the reasons for their flight, and their struggle to rebuild their lives. Among the narrators: JULIA, a hospital union leader whose fight against corruption led to a brutal attempt on her life. In 2009, assassins tracked her to her home and stabbed her seven times in the face and chest. Since the attack, Julia has undergone eight facial reconstructive surgeries, and continues to live in hiding. DANNY, who at eighteen joined a right-wing paramilitary’s enormous training camp in the Eastern Plains of Colombia. Initially lured by the promise of quick money, Danny soon realized his mistake and escaped to Ecuador. He describes his harrowing escape and his struggle to survive as a refugee with two young children to support.




Heart of Violence


Book Description

Violence is the plague of our civilization. Its many tentacles – domestic violence, criminal violence, sexual abuse, terrorism, state violence, revolution, war and genocide tentacles – threaten us. The new discipline of traumatology amply describes the consequences of violence. But there is as yet no corresponding discipline of violentology to explain why violence occurs in the first place. Inexorably, Paul Valent was drawn professionally to take the leap from healing the minds of victims to trying to understand the minds of perpetrators. Valent unpicks the minds of perpetrators in each field of violence. He develops a lens for illuminating violence, whether individual or international, primitive or spiritual. We come to understand how aggressions that helped our species to survive now threaten it with extinction. Valent explains his thesis by recounting many stories. One story interwoven throughout is his own. A child who survived the Holocaust, he examines the minds of his perpetrators in his quest to prevent future violence. Violence, for Valent, is not an isolated feature of the human condition. Surprisingly close to violence are struggles for love. Readers also learn about that aspect of humanity.




Pacifism, Politics, and Feminism


Book Description

This anthology explores the many and varied connections between pacifism, politics, and feminism. Each topic is often thought about in academic isolation; however, when we consider how they intersect and interact, it opens up new areas for discussion and analysis.




Dwellers of Memory


Book Description

Dwellers of Memory is an ethnographic study of how urban youth in Colombia came to be at the intersection of multiple forms of political, drug-related, and territorial violence in a country undergoing forty years of internal armed conflict. It examines the ways in which youth in the city of Medellin reconfigure their lives and, cultural worlds in the face of widespread violence. This violence has transgressed familiar boundaries and destroyed basic social supports and networks of trust. This volume attempts to map and understand its patterns and flows. The author explores how Medellin's youth locate themselves and make, sense of violence through contradictory and shifting memory practices. The violence has not completely taken over their cultural worlds or their subjectivities. Practices of remembering and forgetting are key methods by which these youth rework their identities and make sense of the impact of violence on their lives. While the experience of violence is rooted in urban space and urban youth, the memory dwellers use a sense of place, oral histories of death, and narratives of fear as survival strategies for inhabiting violent neighborhoods. The book also examines fissures in memory, the contradictory constructions of young people's subjective selves, and practices of gendered violence and terror. All have and continue to pose risks to the historical memory and cultural survival of the residents of Medellin. Dwellers of Memory offers an alternative ethnographic approach to the study of memory and violence, one that calls into question whether the, role of the ethnographer of violence is to be a mere witness of terror, or to oppose it by writing against it. It will be of interest to sociologists, anthropologists, and students of, ethnography.




Evil Hour in Colombia


Book Description

Colombia is the least understood of Latin American countries. Its human tragedy, which features terrifying levels of kidnapping, homicide and extortion, is generally ignored or exploited. In this urgent new work Forrest Hylton, who has extensive first-hand experience of living and working in Colombia, explores its history of 150 years of political conflict, characterized by radical-popular mobilization and reactionary repression. Evil Hour in Colombia shows how patterns of political conflict, from the mid-nineteenth century to today's guerilla narco-traffickers and paramilitaries, explain the wear currently destroying Colombian lives, property, communities and territory. In doing so, it traces how Colombia's "coffee capitalism" gave way to the cattle and cocaine republic of the 1980s, and how land, wealth and power have been steadily accumulated by the light-skinned top of the social pyramid through a brutal combination of terror, expropriation and economic depression.




Pragmatic Nonviolence: Working toward a Better World


Book Description

Drawing on the philosophy of nonviolence, the American pragmatist tradition, and recent empirical research, Pragmatic Nonviolence demonstrates that, rather than being merely theoretical, nonviolence is a truly practical approach toward personal and community well-being.




Doris Salcedo


Book Description

In Context: Violence and Contemporary Art in Colombia -- Salcedo's Influences: Artists, Works, Practices -- The Six Visual Strategies -- Organic and Ephemeral: Materiality in Salcedo's Most Recent Works -- Inherent Vice and the Ship of Theseus / Narayan Khandekar -- Artist Biography and Exhibition History




A World Torn Apart


Book Description

This collection of essays derives from a conference on Violence, Culture and Identity held in St Andrews in June 2003. It is a contribution to the understanding of representations of violence in Latin American narrative. The collected essays are dedicated to the study of the problematic history of violence as a means of 'civilizing' the region: violence used by dictatorial regimes to eradicate the collective memory of their actions; violence as a result of the history of marginalizing segments of the population; sexual violence as an attempt at complete control of the victim. The essays establish a clear link between historical, political and literary constructs spanning the past five hundred years of Latin American history. Close readings of political texts, historical documents, prose, poetry and films employ identity theories, postcolonial discourse, and the principles of mimetic and sacrificial violence. The volume adds to the ongoing critical investigation of the relationship between Latin American history and narrative, and to the key role of representations of violence within that narrative tradition.