Violin II part of "Die Fledermaus" for String Quartet


Book Description

The Violin II part of "The Flittermouse" overture, originally by Johann Strauss II and elegantly transcribed by Enrico Zullino for string quartet, serves as a captivating component of this renowned musical masterpiece. Tailored for musicians of advanced or intermediate skill levels, this transcription is set in the key of A major and spans an approximate duration of 8 minutes and 30 seconds. It is part of a series that includes the full arrangement for Violin I, Violin II, Viola, and Cello, with both individual parts and the collective score readily available. Accompanying this exquisite musical arrangement are detailed prefaces in a variety of languages—English, French, German, Spanish, Italian, and Portuguese.




Violin I part of "Die Fledermaus" for String Quartet


Book Description

The Violin I part of "The Flittermouse" overture, composed by Johann Strauss II and expertly transcribed by Enrico Zullino for string quartet, offers a rich and intricate exploration of Strauss's celebrated work. Designed for advanced or intermediate level players, this arrangement in the key of A major, with an approximate duration of 8 minutes and 30 seconds, presents both a challenging and rewarding experience for musicians. The full ensemble consists of Violin I, Violin II, Viola, and Cello, with both individual parts and the complete score available in the series. To enhance the musical journey, the arrangement is accompanied by informative prefaces, provided in multiple languages including English, French, German, Spanish, Italian, and Portuguese.




Viola part of "Die Fledermaus" for String Quartet


Book Description

The Viola part of "The Flittermouse" overture, masterfully composed by Johann Strauss II and transcribed with precision by Enrico Zullino for string quartet, represents a pivotal piece of this celebrated composition. Crafted for musicians at an advanced or intermediate proficiency level, this arrangement is set in the resonant key of A major and unfolds over an estimated duration of 8 minutes and 30 seconds. This piece is a segment of a comprehensive series that encompasses the full ensemble arrangement for Violin I, Violin II, Viola, and Cello, with both individual parts and the complete score made available. Enhancing the experience of this musical arrangement, the edition is accompanied by enlightening prefaces available in several languages, including English, French, German, Spanish, Italian, and Portuguese.




Cello part of "Die Fledermaus" for String Quartet


Book Description

The Cello part of "The Flittermouse" overture, a masterpiece originally by Johann Strauss II, has been meticulously transcribed by Enrico Zullino for string quartet. This transcription, designed for musicians of advanced or intermediate levels, is set in the vibrant key of A major and spans approximately 8 minutes and 30 seconds. It forms an integral part of a series that brings together the entire quartet arrangement—Violin I, Violin II, Viola, and Cello—with both the individual parts and the collective score available for performers. To complement this refined musical arrangement, the edition is enriched with detailed prefaces written in multiple languages, including English, French, German, Spanish, Italian, and Portuguese.




Die Fledermaus (overture) string quartet score


Book Description

Score of "The Flittermouse" overture by Johann Strauss II. Transcription by Enrico Zullino for string quartet ( Violin I, Violin II, Viola, Cello). advanced/intermediate level - key A / duration 8.30 (+-). Parts and score available in series.




Die Fledermaus


Book Description




Focal Impulse Theory


Book Description

Music is surrounded by movement, from the arching back of the guitarist to the violinist swaying with each bow stroke. To John Paul Ito, these actions are not just a visual display; rather, they reveal what it really means for musicians to move with the beat, organizing the flow of notes from beat to beat and shaping the sound produced. By developing "focal impulse theory," Ito shows how a performer's choices of how to move with the meter can transform the music's expressive contours. Change the dance of the performer's body, and you change the dance of the notes. As Focal Impulse Theory deftly illustrates, bodily movements carry musical meaning and, in a very real sense, are meaning.










New York Magazine


Book Description

New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.