Virgil's last dream of Aeneas and Homer


Book Description

Virgil’s Last Dream of Aeneas and Homer by Art Aeon is a fictional narrative poem in the tercet stanza. It unfolds the imaginary dialogues between Augustus (63 BCE-14 CE), the first Roman emperor, and Varius Rufus (74-14 BCE), a literary executor of the great Roman poet, Publius Vergilius Maro (70-19 BCE), known as Virgil. Varius reports Virgil’s untimely death to Augustus and reveals that he keeps Virgil’s unpublished manuscript of The Aeneid. At Augustus’s request, Varius relates a succinct gist of the first six books of The Aeneid and what Virgil told him at his death about his numinous last dream on how the spirit of Aeneas guided Virgil to Dis to meet with the spirit of Homer, and what they discussed on the epic poetry: In his dream, Virgil prayed to muse Calliope for inspiration to bring his Aeneid to a meaningful conclusion. Calliope suggested that Virgil invoke Aeneas to guide him for a supernatural adventure to meet Homer in Dis and ask for expert advice in improving his new epic. At Virgil’s sincere invocation, Aeneas’s spirit appeared to him. Eventually, Aeneas guided Virgil to the palace of the queen of the dead, Proserpina. In an impromptu symposium, held by Proserpina at the plea of Aeneas, Virgil met Homer-Meles, the author of The Iliad, and Homer-Outis, the author of The Odyssey. Virgil recited his Aeneid for his revered Greek poets. After their earnest and enlightening discussions, the Greek bards convinced Virgil that his Aeneid was as good as a human could achieve. Proserpina announced that Virgil’s visit to Dis was overdue; he should return to the world of the living. At that point, Virgil awakes from his numinous dream and finds his dear friend Varius, waiting by his bed. He realizes that the time has come for him to depart from this world to Dis. Virgil requests Varius to publish The Aeneid as it is and impart his dream of Aeneas and Homer to others. Then Virgil gently passes away in peace.




Aeneid


Book Description

Monumental epic poem tells the heroic story of Aeneas, a Trojan who escaped the burning ruins of Troy to found Lavinium, the parent city of Rome, in the west.




The Humanness of Heroes


Book Description

NOW 60 % PRICE REDUCTION




Ronald Knox’s Lectures on Virgil’s Aeneid


Book Description

This book makes available Ronald Knox's hitherto unpublished lectures on Virgil's Aeneid delivered at Trinity College, Oxford, as part of a lecture course on Virgil in 1912. Written with Knox's customary incisiveness and with frequent allusions to contemporary life, the lectures are devoted to the appreciation of the Aeneid and focus on what he called the 'essential and dominant characteristics' that make up its greatness. They deal with Virgil's political and religious outlook, ideas of the afterlife, sense of romance and pathos, narrative style, sources, versification and appreciation of scenery. His interpretation of the relationship between Dido and Aeneas renders redundant the question, much debated to this day, of whether Aeneas loved Dido, and also portrays Aeneas more sympathetically than is currently fashionable. The additional introductory and critical essays by the contributors place the lectures in their historical and scholarly context, bring out their enduring relevance and illustrate how Ronald Knox's distinctive approach might be still developed to advantage. As Robert Speaight noted in his presidential address to the Virgil Society in 1958, 'many of us who love our Virgil will now understand him better because Ronald Knox loved and understood him so well'.




In Search of the Classic


Book Description

The &"classical,&" Steven Shankman argues, should not be confused with a particular historical period of Western antiquity, although it may owe its original articulation to the literary and philosophical explorations of ancient Greek authors. Shankman's book searches for and attempts to formulate the shape of the continuing presence&—as embodied in particular literary works mainly from Western antiquity and the neoclassical and modern periods&—of what the author calls a &"classical&" understanding of literature. For Shankman, literature, defined from a classical perspective, is a coherent, compelling, and rationally defensible representation that resists being reduced either to the mere recording of material reality or to the bare exemplification of an abstract philosophical precept. He derives his definition largely from his reading of Greek literature from Homer through Plato, from the history of literary criticism, and from the Greco-Roman tradition in English, American, and French literature. Shankman reveals unsuspected yet convincing connections among authors of such widely disparate times and places. His idea of the &"classic&" that authorizes these connections is presented as normative, thus making possible the evaluation of literary works and, in turn, forthright discussion of what constitutes the &"literary&" as distinct from other kinds of discourse. Shankman's study runs counter to a strong tendency of contemporary criticism that argues precisely against any distinct category of the &"literary.&" He offers a series of interpretations that cumulatively advance theoretical discussion by challenging scholars to rethink the critical paradigms of postmodernism. At the center of the book is a discussion of the quintessentially classic Val&éry poem Le Cimeti&ère marin and the classic qualities it shares with Pindar's third Pythian ode, from which Val&éry derives the epigraph for his poem.




Greek Literature and Philosophy


Book Description

This volume is available on its own or as part of the seven volume set, Greek Literature. This collection reprints in facsimile the most influential scholarship published in this field during the twentieth century. For a complete list of the volume titles in this set, see the listing for Greek Literature [ISBN 0-8153-3681-0]. A full table of contents can be obtained by email: [email protected].







Livy


Book Description

First published in 1971, Livy is a collection of essays that deals with Livy’s work and its influence on the scholarship of Western Europe. The monumental nature of Livy’s History makes it a source of material for all those interested in the means by which Rome grew into an Imperial power and in the institutions that made her great. Later generations have also sought in Livy’s pages for some magic formula that they could apply to the management of their own cities. The volume includes three chapters on the surviving portions of Livy, one on the history of Livian scholarship in Germany, and – commemorating the Machiavelli quincentenary – one on Livy and Machiavelli. There are also chapters on Livy’s influence on Montesquieu, on the use made of Livy by Macaulay, and on the Florentine Manuscripts of Livy which were such prized possessions in the sixteenth century. This book will be of interest to students of classical literature, history and philosophy.




Shaggy Crowns


Book Description

Goldschmidt looks at the relationship between Rome's two great epic poems, Ennius' Annales and Virgil's Aeneid. Focusing on the intersections between intertextuality and the appropriations of cultural memory, Goldschmidt considers how Virgil's poem appropriates and re-writes the myths and memories which Ennius had enshrined in Roman epic.




Virgil's Aeneid


Book Description

In this collection of twelve of his essays, distinguished Virgil scholar Michael Putnam examines the Aeneid from several different interpretive angles. He identifies the themes that permeate the epic, provides detailed interpretations of its individual books, and analyzes the poem's influence on later writers, including Ovid, Lucan, Seneca, and Dante. In addition, a major essay on wrathful Aeneas and the tactics of Pietas is published here for the first time. Putnam first surveys the intellectual development that shaped Virgil's poetry. He then examines several of the poem's recurrent dichotomies and metaphors, including idealism and realism, the line and the circle, and piety and fury. In succeeding chapters, he examines in detail the meaning of particular books of the Aeneid and argues that a close reading of the end of the epic is crucial for understanding the poem as a whole and Virgil's goals in composing it.