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Virgil's Garden


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Virgil's book of bucolic verse, the Eclogues, defines a green space separate from the outside worlds both of other Roman verse and of the real world of his audience. However, the boundaries between inside and outside are deliberately porous. The bucolic natives are aware of the presence of Rome, and Virgil himself is free to enter their world. Virgil's bucolic space is, in many ways, a poetic replication of the public and private gardens of his Roman audience - enclosed green spaces which afforded the citizen sheltered social and cultural activities, temporary respite from the turbulence of public life, and a tamed landscape in which to play out the tensions between the simple ideal and the complexities of reality. This book examines the Eclogues in terms of the relationship between its contents and its cultural context, making connections between the Eclogues and the representational modes of Roman art, Roman concepts of space and landscape, and Roman gardens.




Catalogue


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Find Virgil


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Martin Muntor has it in for the tobacco industry. He's dying of lung cancer and he's a dangerous man: he's smart and he's mad and he has nothing to lose. Muntor has it in for the tobacco industry. He doesn't give a damn who gets sacrificed as long as he can hurt the billion-dollar profits of Big Tobacco. The twisted journalist's plan is simple. He'll poison cigarettes with cyanide and slip them into convenience stores, restaurants and vending machines all over the U.S. He'll even leave deadly cigarettes in the playground of an elementary school. He knows the inevitable media frenzy will further his cause. But there's a complication: Nicholas Pratt, the CEO of Old Carolina Tobacco, Inc., has a bigger problem. He's trying to cover up his role in the disappearance of a company researcher who was preparing to go to the Department of Justice -- with evidence that Old Carolina was spiking the nicotine level of its cigarettes. Muntor's plot brings an unwanted spotlight to Pratt's illegal activities. Pratt hires an equally self-destructive man, Tommy Rhoads -- a man battling his own gambling and drinking demons. Chasing Muntor changes Rhoads, and as he gets closer to Muntor, he begins to see the madman's logic isn't so insane. Rhoads realizes Muntor kills people with cigarettes the same way tobacco companies do -- only Muntor expedites the process. When Rhoads finally gets Muntor's scent, there's no stopping him. But then there's no stopping Martin Muntor, either.




Aeneid Book 1


Book Description

These books are intended to make Virgil's Latin accessible even to those with a fairly rudimentary knowledge of the language. There is a departure here from the format of the electronic books, with short sections generally being presented on single, or double, pages and endnotes entirely avoided. A limited number of additional footnotes is included, but only what is felt necessary for a basic understanding of the story and the grammar. Some more detailed footnotes have been taken from Conington's edition of the Aeneid.




Sibylline Sisters


Book Description

The history of Virgil and his receptions is long and varied. His twentieth-century career transformed his appearance as an anaemic imitator of Homer into the 'Father of the West', speaking above all for the marginalized and exiled. At the turn of the millennium it is women writers who, having been largely absent from the story of Virgil's reception, are for the first time shaping a new aetas Vergiliana by drawing on his poems to speak of their own preoccupations and concerns. Through an analysis of Virgil's presence in the work of contemporary women writers from North America (Joyce Carol Oates, Janet Lembke, Ursula Le Guin), Britain (Margaret Drabble, A. S. Byatt, Ruth Fainlight, Michèle Roberts, Carol Ann Duffy, U. A. Fanthorpe, Josephine Balmer), Ireland (Eavan Boland), and continental Europe (Christa Wolf, Hélène Cixous, Charlotte Delbo and Monique Wittig), this book identifies a new Virgil: one who speaks in female tones of the anxieties, exclusions, pleasures, and threats of the contemporary world. While each of the female writers included in this volume draws upon her own distinct cultural heritage, Cox focuses on a number of shared themes and values which emerge through their work. Through the works of these modern versions of the Sibyl, Virgil speaks both of explicitly female concerns and wider cultural issues and threats that shadow modern life.