Virgin Sacrifice in Classical Art


Book Description

The Trojan War begins and ends with the sacrifice of a virgin princess. The gruesome killing of a woman must have captivated ancient people because the myth of the sacrificial virgin resonates powerfully in the arts of ancient Greece and Rome. Most scholars agree that the Greeks and Romans did not practice human sacrifice, so why then do the myths of virgin sacrifice appear persistently in art and literature for over a millennium? Virgin Sacrifice in Classical Art: Women, Agency, and the Trojan War seeks to answer this question. This book tells the stories of the sacrificial maidens in order to help the reader discover the meanings bound up in these myths for historical people. In exploring the representations of Iphigeneia and Polyxena in Greek, Etruscan, and Roman art, this book offers a broader cultural history that reveals what people in the ancient world were seeking in these stories. The result is an interdisciplinary study that offers new interpretations on the meaning of the sacrificial virgin as a cultural and ideological construction. This is the first book-length study of virgin sacrifice in ancient art and the first to provide an interpretive framework within which to understand its imagery.




Out of One, Many


Book Description

A sweeping new account of ancient Greek culture and its remarkable diversity Covering the whole of the ancient Greek experience from its beginnings late in the third millennium BCE to the Roman conquest in 30 BCE, Out of One, Many is an accessible and lively introduction to the Greeks and their ways of living and thinking. In this fresh and witty exploration of the thought, culture, society, and history of the Greeks, Jennifer Roberts traces not only the common values that united them across the seas and the centuries, but also the enormous diversity in their ideas and beliefs. Examining the huge importance to the Greeks of religion, mythology, the Homeric epics, tragic and comic drama, philosophy, and the city-state, the book offers shifting perspectives on an extraordinary and astonishingly creative people. Century after century, in one medium after another, the Greeks addressed big questions, many of which are still very much with us, from whether gods exist and what happens after we die to what political system is best and how we can know what is real. Yet for all their virtues, Greek men set themselves apart from women and foreigners and profited from the unpaid labor of enslaved workers, and the book also looks at the mixed legacy of the ancient Greeks today. The result is a rich, wide-ranging, and compelling history of a fascinating and profoundly influential culture in all its complexity—and the myriad ways, good and bad, it continues to shape us today.




Sacred Prostitution in the Ancient Greek World. From Aphrodite to Baubo to Cassandra and Beyond.


Book Description

This book does not intend to demonstrate that Greeks and other ancient Mediterranean peoples, men and women, married and unmarried, sought and participated in sex for its own sake. That is, it is taken as obvious, a given, that they were able to separate sex for pleasure from sex for reproduction. There never were human beings who concerned themselves only with “fertility”. Neither, does this study seek to demonstrate that some ancient Greeks were willing to provide sexual services to partners in return for the receipt of nonsexual benefits. Again, this is self-evident. Nor does this study intend to show that the ancient Mediterranean world was familiar with individuals and enterprises that regularly earned incomes by selling sexual services. Clearly, the ancient world knew prostitution as an occupation and as a form of enterprise. In an article published by Ugarit-Forschungen in 2008, Silver (2006a) challenged the view that temple/sacred prostitution did not exist in the ancient Near East. Contrary to such scholars as Julia Assante (1998, 2003), Martha T. Roth (2006) and Vinciane Pirenne-Delforge (2010), ample evidence indicates that it did. For the convenience of readers this article is included as a Supplement to the present volume. The original article has been reformatted to correct some typographical errors and to make it blend seamlessly into the present volume but otherwise it is unchanged. More recent materials from the ancient Near East are considered mostly in footnotes, however. The present study seeks to leap beyond this finding by showing that temple prostitution also flourished in the ancient Mediterranean. That it did is of course an “old” view, but the old supporting arguments often lack rigor and even clarity and the supporting evidence is fragmentary, contradictory and often facially absurd (e.g. Herodotus 1.199.1–5). Work of this kind has been discredited by scholars such as Fay Glinister (2000) and Stephanie Lynn Budin (2008).




Artist-Parents in Contemporary Art


Book Description

This book examines the increasing intersections of art and parenting from the late 1990s to the early 2010s, when constructions of masculine and feminine identities, as well as the structure of the family, underwent radical change. Barbara Kutis asserts that the championing of the simultaneous linkage of art and parenting by contemporary artists reflects a conscientious self-fashioning of a new kind of identity, one that she calls the ‘artist-parent.’ By examining the work of three artists—Guy Ben-Ner, Elżbieta Jabłońska, and the collective Mothers and Fathers— this book reveals how these artists have engaged with the domestic and personal in order to articulate larger issues of parenting in contemporary life. This book will be of interest to scholars in art and gender, gender studies, contemporary art, and art history.




Transnational Perspectives on Feminism and Art, 1960-1985


Book Description

Transnational Perspecives on Feminism and Art, 1960–1985 is a collection of essential essays that bring transnational feminist praxis into conversation with histories of feminist art in the 1960s, 1970s, and early 1980s. The artistic practices and processes examined within these pages all centre on gender and sexual politics as they variously intersect with race, class, sovereignty, Indigeneity, citizenship, and migration at particular historical moments and within specific geopolitical contexts. The book’s central premise is that reconsidering this period from transnational feminist perspectives will enable new thinking about the critical commonalities and differences across heterogeneous and geographically dispersed practices that have contributed to the complex and multifaceted relationship between feminism and art today. The book will be of interest to scholars working in art history, cultural studies, visual culture, material culture, and gender studies.




Female Body Image in Contemporary Art


Book Description

Numerous contemporary artists, particularly female artists, have chosen to examine the idealization of the female body. In this crucial book, Emily L. Newman focuses on a number of key themes including obesity, anorexia, bulimia, dieting, self-harm, and female body image. Many artists utilize their own bodies in their work, and in the act of trying to critique the diet industry, they also often become complicit, as they strive to lose weight themselves. Making art and engaging eating disorder communities (in real life and online) often work to perpetuate the illnesses of themselves or others. A core group of artists has worked to show bodies that are outside the norm, paralleling the rise of fat activism in the 1990s and 2000s. Interwoven throughout this inclusive study are related interdisciplinary concerns including sociology, popular culture, and feminism.




Emma Hamilton and Late Eighteenth-Century European Art


Book Description

This book offers a renewed look at Emma Hamilton, the eighteenth-century celebrity who was depicted by many major artists, including Angelica Kauffman, George Romney, and Élisabeth Vigée-Le Brun. Adopting an art historical and feminist lens, Ersy Contogouris analyzes works of art in which Hamilton appears, her performances, and writings by her contemporaries to establish her impact on this pivotal moment in European history and art. This pioneering volume shows that Hamilton did not attempt to present a coherent or polished identity, and argues instead that she was a kaleidoscope of different selves through which she both expressed herself and presented to others what they wanted to see. She was resilient, effectively asserted her agency, and was a powerful inspiration for generations of artists and women in their own search for expression and self-actualization.




Feminist Subjectivities in Fiber Art and Craft


Book Description

This book interprets the fiber art and craft-inspired sculpture by eight US and Latin American women artists whose works incite embodied affective experience. Grounded in the work of Gilles Deleuze and Félix Guattari, John Corso-Esquivel posits craft as a material act of intuition. The book provocatively asserts that fiber art—long disparaged in the wake of the high–low dichotomy of late Modernism—is, in fact, well-positioned to lead art at the vanguard of affect theory and twenty-first-century feminist subjectivities.




Confessions of a Virgin Sacrifice


Book Description

Sound the alarm! Saddle the horses! Wake up the Village Elders! The Sacrificial Virgin has escaped! Jezebelle's cousin Diz is slated for a sacrificial swan dive into the local volcano. Not if Jez can help it! But, things go horribly wrong, and now the gals are on the run, with the furious Village Elders in hot pursuit! Jez sweeps her cousin on a whirlwind adventure through the jungle and beyond, with nothing but her sardonic wit and bronze brassiere at her disposal. Along the way the two attract a motley cast of characters including a brooding barbarian with decidedly unheroic phobias, an ill-tempered troll looking for love, and a deadly Blue Wolf with a soft spot for Jezebelle.Throughout their travel, Jez untangles the clues to her True Destiny. She discovers a Forbidden Secret that threatens to unravel the very fabric of her world - or at least ruin her day.




Play Among Books


Book Description

How does coding change the way we think about architecture? This question opens up an important research perspective. In this book, Miro Roman and his AI Alice_ch3n81 develop a playful scenario in which they propose coding as the new literacy of information. They convey knowledge in the form of a project model that links the fields of architecture and information through two interwoven narrative strands in an “infinite flow” of real books. Focusing on the intersection of information technology and architectural formulation, the authors create an evolving intellectual reflection on digital architecture and computer science.