Virtuoso by Nature


Book Description

Francis Willughby, together with John Ray revolutionized the study of natural history. Together they were motivated by the new philosophy of the mid 1600s and transformed natural history in to a rigorous area of study. Because Ray lived longer and more of his writings have survived, his reputation subsequently eclipsed that of Willughby. Now, with access to previously unexplored archives and new discoveries we are able to provide a comprehensive evaluation of Francis Willughby’s life and works. What emerges is a polymath, a true virtuoso, who made original and imaginative contributions to mathematics, chemistry, linguistics as well as natural history. We use Willughby’s short life as a lens through which to view the entire process of seventeenth-century scientific endeavor.




Virtuoso by Nature: The Scientific Worlds of Francis Willughby FRS (1635-1672)


Book Description

Francis Willughby together with John Ray revolutionized the study of natural history. They were motivated by the new philosophy of the mid 1600s and transformed natural history in to a rigorous area of study. Because Ray lived longer and more of his writings have survived, his reputation subsequently eclipsed that of Willughby. Now, with access to previously unexplored archives and new discoveries we are able to provide a comprehensive evaluation of Francis Willughby’s life and works. What emerges is a polymath, a true virtuoso, who made original and imaginative contributions to mathematics, chemistry, linguistics as well as natural history. We use Willughby’s short life as a lens through which to view the entire process of seventeenth-century scientific endeavor. Contributors are Tim Birkhead, Isabelle Charmantier, David Cram, Meghan Doherty, Mark Greengrass, Daisy Hildyard, Dorothy Johnston, Sachiko Kusukawa, Brian Ogilvie, William Poole, Chris Preston, Anna Marie Roos, Richard Serjeantson, Paul J. Smith and Benjamin Wardhaugh.




John Locke


Book Description

Early modern Europe was the birthplace of the modern secular outlook. During the seventeenth century nature and human society came to be regarded in purely naturalistic, empirical ways, and religion was made an object of critical historical study. John Locke was a central figure in all these events. This study of his philosophical thought shows that these changes did not happen smoothly or without many conflicts of belief: Locke, in the role of Christian Virtuoso, endeavoured to resolve them. He was an experimental natural philosopher, a proponent of the so-called 'new philosophy', a variety of atomism that emerged in early modern Europe. But he was also a practising Christian, and he professed confidence that the two vocations were not only compatible, but mutually sustaining. He aspired, without compromising his empirical stance, to unite the two vocations in a single philosophical endeavour with the aim of producing a system of Christian philosophy.




Christianity, Antiquity, and Enlightenment


Book Description

The volume will consist of a series of interpretative studies of Locke’s philosophical and religious thought in historical context and consider his contributions to the Enlightenment and modern liberal thought.




The English Virtuoso


Book Description

This study aims to overturn 20th-century criticism that cast the English virtuosi of the 17th and early 18th centuries as misguided dabblers, arguing that they were erudite individuals with solid grounding in the classics, deep appreciation for the arts and sincere curiosity about the natural world.




Virtuoso


Book Description

Starred review for The Soldier: "Captivating. . .Burrowes' sensual love story is intelligent and tender." Publishers Weekly (starred review) A genius with a terrible loss. . . Gifted pianist Valentine Windham, youngest son of the Duke of Moreland, has little interest in his father's obsession to see his sons married, and instead pours passion into his music. But when Val loses his music, he flees to the country, alone and tormented by what has been robbed from him. A widow with a heartbreaking secret. . . Grieving Ellen Markham has hidden herself away, looking for safety in solitude. Her curious new neighbor offers a kindred lonely soul whose desperation is matched only by his desire, but Ellen's devastating secret could be the one thing that destroys them both. Together they'll find there's no rescue from the past, but sometimes losing everything can help you find what you need most. Praise for The Heir: "Sweet, sexy, tender romance between two characters so vibrant they seem to leap off the page." Meredith Duran, author of Wicked Becomes You "Burrowes' enchanting romance charms from the beginning!" RT Book Reviews, 4 starts "Refreshing. . .a luminous and graceful erotic Regency." Publishers Weekly




Virtuoso


Book Description

Longlisted for the Swansea University Dylan Thomas Prize 2020 'A hint of Lynch, a touch of Ferrante, the cruel absurdity of Antonin Artaud, the fierce candour of Anaïs Nin, the stylish languor of a Lana del Rey song ... Moskovich writes sentences that lilt and slink, her plots developing as a slow seduction and then clouding like a smoke-filled room.' Guardian Zorka. She had eyebrows like her name. 1980s Prague. For Jana, childhood means ration queues and the smell of boiled potatoes on the grey winter air. But just before Jana's seventh birthday, a new family moves in to their building: a bird-eyed mamka in a fox-fur coat, a stubble-faced papka - and a raven-haired girl named Zorka. As the first cracks begin to appear in the communist regime, Zorka teaches Jana to look beyond their building, beyond Prague, beyond Czechoslovakia ... and then, Zorka just disappears. Jana, now an interpreter in Paris for a Czech medical supply company, hasn't seen her in a decade. As Jana and Zorka's stories slowly circle across the surreal fluctuations of the past and present, the streets of 1980s Prague, the suburbs of 1990s Wisconsin and the lesbian bars of present-day Paris, they lead inexorably to a mysterious door on the Rue de Prague ... Written with the dramatic tension of Euripidean tragedy and the dreamlike quality of a David Lynch film, Virtuoso is an audacious, mesmerising novel of love in the post-communist diaspora.




The Virtuoso


Book Description

First published in 1676, The Virtuoso set a standard for theatrical satire. It was the most extensive dramatic treatment of modern science since Jonson's The Alchemist and took as its target no less than the Royal Society of London. Shadwell's barbs hit their targets often and cleanly. In 1689 he became Poet Laureate of England, a position he held until his death in 1692. The virtuoso of the title is Sir Nicholas Gimcrack, who like many after him confuses the extent of a collection with the depth of a science. Sir Gimcrack is fascinated by the geography of the moon, the worlds in his microscope, and the possibilities of human flight. More seriously and?for Shadwell's audience?more comically, his obsession with his arrays of worms and spiders proceeds at the expense of his wife and two beautiful nieces. The play also introduces Sir Formal Trifle, a pedantic ciceronian orator and coxcomb. His character established thereafter the theatrical type of the know-it-all blowhard. Famous for its wit and high-speed changes, The Virtuoso is also a display of the prestige of modern science and the pomposity of its ameteurs.




Black to Nature


Book Description

In Black to Nature: Pastoral Return and African American Culture, author Stefanie K. Dunning considers both popular and literary texts that range from Beyoncé’s Lemonade to Jesmyn Ward’s Salvage the Bones. These key works restage Black women in relation to nature. Dunning argues that depictions of protagonists who return to pastoral settings contest the violent and racist history that incentivized Black disavowal of the natural world. Dunning offers an original theoretical paradigm for thinking through race and nature by showing that diverse constructions of nature in these texts are deployed as a means of rescrambling the teleology of the Western progress narrative. In a series of fascinating close readings of contemporary Black texts, she reveals how a range of artists evoke nature to suggest that interbeing with nature signals a call for what Jared Sexton calls “the dream of Black Studies”—abolition. Black to Nature thus offers nuanced readings that advance an emerging body of critical and creative work at the nexus of Blackness, gender, and nature. Written in a clear, approachable, and multilayered style that aims to be as poignant as nature itself, the volume offers a unique combination of theoretical breadth, narrative beauty, and broader perspective that suggests it will be a foundational text in a new critical turn towards framing nature within a cultural studies context.