Visions and Ecstasies


Book Description

H.D’s writing continues to inspire generations of readers. Bringing together a number of never-before-published essays, this new collection of H.D.’s writings introduces her compelling perspectives on art, myth, and the creative process. While H.D. is best known for her elemental poetry, which draws heavily on the imagery of natural and ancient worlds, her critical writings remain a largely underexplored and unpublished part of her oeuvre. Crucial to understanding both the formative contexts surrounding her departure from Imagism following the First World War and her own remarkable creative vision, Notes on Thought and Vision, written in 1918, is one of the central works in this collection. H.D. guides her reader to the untamed shores of the Scilly Isles, where we hear of powerful, transformative experiences and of her intense relationship with the paintings of Leonardo da Vinci. The accompanying essays, many published here for the first time, help color H.D.’s astute critical engagement with the past, from the city of Athens and the poetry of ancient Greece. Like Letters to a Young Painter (2017), also published in the ekphrasis series, this collection is essential reading for anyone interested in the creative process.




Prayer


Book Description

Paying homage to prayer traditions from around the world and throughout history, this celebration of prayer covers everything from Pentacoastalist revivals to the sacred pipe to the Catholic rosary.




Man Is a Spirit; a Collection of Spontaneous Cases of Dream, Vision and Ecstasy


Book Description

This historic book may have numerous typos and missing text. Purchasers can usually download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1918 edition. Excerpt: ... chapter V visions of the dead after considering these out-of-the-body experiences, and assuming for the moment that they represent something real, it is natural to suppose that death is the same thing, save that the withdrawal becomes permanent. Thus we no longer have the testimony of the one who has had the experience. He does not return to the body to tell the tale. But may it not be that someone left on this side, happening to have the "sixth sense," or whatever it is that is required, may see the departed spirit, or its spiritual body, or astral vehicle, or whatever we like to call it, as the returning experient saw his own in the first-hand cases? Such visions are fairly common. I will quote a few, first discussing shortly the question of terminology. There is no completely satisfactory word for the kind of phenomena which we now come to. "Visions" will do for some of them, but they are not limited to things seen; sometimes they are things heard. "Sensory Automatisms" prejudges the question, involving the assumption that the phenomena are self-produced. "Hallucination" is almost equally objectionable, for to most people it implies subjectivity. Some attempt has been made to remove this impression, and, as used by some S.P.R. workers, it is non-committal; but Gurney's definition supports the popular view, for he calls a hallucination a "percept which lacks, but which can only by distinct reflection be recognized as lacking, the objective basis which it suggests." But that is just the point. Some hallucinations, though lacking a basis material enough to impress other people's senses, do undoubtedly point to an objective basis of some sort, as Myers himself thought. They are not entirely subjective. Yet it is not always possible to...




Visions and Ecstasies, A Mass


Book Description

Visions and Ecstasies, A Mass was commissioned by the Saint Martha Concerts® for the Saint Martha-Yamaha Concert Series in Miami, Florida made possible by a grant from Alfred Allan Lewis and Ralph Lutrin. The composition is a setting of the Latin Ordinary Mass with additional text by early Catholic women mystic writers, and is scored for SATB choir, mezzo-soprano soloist and two pianos. The composition is 50 minutes in duration. Dr. Karen Kennedy and the Frost Chorale will premiere the work on April 22, 2016 at Barry University's Broad Performing Arts Center, with mezzo-soprano soloist Robynne Redmon. This essay gives background to the early mystic writers, discusses the non-liturgical text, places the work in historical context of other modern Mass settings, provides an analysis of the composition as a whole and an in-depth analysis of movement II and movements X -XI. The complete score and libretto of the composition are included in the appendices.







On Hallucinations


Book Description

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.




Lying Awake


Book Description

Mark Salzman's Lying Awake is a finely wrought gem that plumbs the depths of one woman's soul, and in so doing raises salient questions about the power-and price-of faith. Sister John's cloistered life of peace and prayer has been electrified by ever more frequent visions of God's radiance, leading her toward a deep religious ecstasy. Her life and writings have become examples of devotion. Yet her visions are accompanied by shattering headaches that compel Sister John to seek medical help. When her doctor tells her an illness may be responsible for her gift, Sister John faces a wrenching choice: to risk her intimate glimpses of the divine in favor of a cure, or to continue her visions with the knowledge that they might be false-and might even cost her her life.




A History of Dreams, Visions, Apparitions, Ecstasy, Magnetism, and Somnabulism - Primary Source Edition


Book Description

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.







A History of Dreams, Visions, Apparitions, Ecstasy, Magnetism, and Somnabulism


Book Description

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.