Visions of Mughal India


Book Description

Howard Hodgkin has been a passionate collector of Indian paintings since his schooldays, and his collection has long been considered one of the finest of its kind in the world. At times he has devoted as much effort to developing his collection as to his




Paintings from Mughal India


Book Description

A unique style of painting developed in India during the reigns of the Mughal emperors (sixteenth-eighteenth century), which blended Indian, Persian and Islamic styles. Usually confined to book illustrations, these elegant works came to be known as Mughal miniatures. They reflect the splendour of the Mughal empire, depicting its art and architecture, from court scenes to legendary stories, in striking, vivid colours.This book reproduces some of the finest surviving examples of Mughal paintings drawn from a unique collection in the Bodleian Library, many of which have never been seen before in print. They include court paintings from the reign of Akbar to the fall of Shah Jehan (1560-1660), generally regarded as the most inspired century of Mughal painting, and images from the celebrated Bah§rist§n manuscript of 1595, which was prepared for the Emperor Akbar and illustrated by leading artists of the time.Each image is presented as a large-format colour plate on a single page with facing text describing its historical and cultural significance, while the introduction situates the works in the context of the period and its art generally.




Visions of Mughal India


Book Description

The Mughal Empire, which conquered and ruled virtually all of today's India, Pakistan and Bangladesh over several centuries, created one of the richest and most colourful of all historical eras. Peoples of different cultures - including Muslims, Christians, Hindus, and others, originating from Iran, Central Asia, Europe, and South Asia itself - worked, traded and travelled throughout the Empire, contributing to its dynamism and power. A few of the Europeans who began criss-crossing the roads of Mughal India wrote, in the forms of diaries, letters and travelogues, about the people and lands they encountered. This illuminating and carefully chosen anthology contains a collection of among the best writings by European travellers from England, Italy, Russia, France, Spain and Portugal as they journeyed the length and breadth of the Empire over a 200 year period (1471-1671). Their experiences and observations form fascinating and informative visions of travel and life in India during this period and provide invaluable contributions to our understanding of life at the time.




An Imperial Vision


Book Description




Culture of Encounters


Book Description

Culture of Encounters documents the fascinating exchange between the Persian-speaking Islamic elite of the Mughal Empire and traditional Sanskrit scholars, which engendered a dynamic idea of Mughal rule essential to the empire's survival. This history begins with the invitation of Brahman and Jain intellectuals to King Akbar's court in the 1560s, then details the numerous Mughal-backed texts they and their Mughal interlocutors produced under emperors Akbar, Jahangir (1605–1627), and Shah Jahan (1628–1658). Many works, including Sanskrit epics and historical texts, were translated into Persian, elevating the political position of Brahmans and Jains and cultivating a voracious appetite for Indian writings throughout the Mughal world. The first book to read these Sanskrit and Persian works in tandem, Culture of Encounters recasts the Mughal Empire as a polyglot polity that collaborated with its Indian subjects to envision its sovereignty. The work also reframes the development of Brahman and Jain communities under Mughal rule, which coalesced around carefully selected, politically salient memories of imperial interaction. Along with its groundbreaking findings, Culture of Encounters certifies the critical role of the sociology of empire in building the Mughal polity, which came to irrevocably shape the literary and ruling cultures of early modern India.




An Imperial Vision


Book Description

This book looks at the relationship between culture and power expressed in architectural forms employed by the British in India. These buildings reflect the choices made by the British in their politics as imperial rulers.




Garland of Visions


Book Description

Garland of Visions explores the generative relationships between artistic intelligence and tantric vision practices in the construction and circulation of visual knowledge in medieval South Asia. Shifting away from the traditional connoisseur approach, Jinah Kim instead focuses on the materiality of painting: its mediums, its visions, and especially its colors. She argues that the adoption of a special type of manuscript called pothi enabled the material translation of a private and internal experience of "seeing" into a portable device. These mobile and intimate objects then became important conveyors of many forms of knowledge—ritual, artistic, social, scientific, and religious—and spurred the spread of visual knowledge of Indic Buddhism to distant lands. By taking color as the material link between a vision and its artistic output, Garland of Visions presents a fresh approach to the history of Indian painting.




The Emperors' Album


Book Description

Fifty leaves that form the sumptuous Kevorkian Album, one of the world's greatest assemblages of Mughal art. -- Metropolitan Museum of Art website.




Visions of Paradise


Book Description

Visions of Paradise presents the National Gallery of Victoria's collection of Indian court paintings, including its internationally important holdings of Rajput paintings, and opens up the world of opulent palaces, sumptuous lifestyles and cultural activities of the famed maharanas and maharajas of Rajasthan.




Wonder of the Age


Book Description

Published in conjunction with an exhibition held at the Metropolitan Museum of Art, New York, Sept. 28, 2011-Jan. 8, 2012.