A Visual Course of Sculpting Techniques: 270 Photographs to Learn how to Model Clay Busts in the Round


Book Description

A visual Course of Sculpting techniques270 photographs to learn how to model clay busts in the roundThis is the second in a series of thematic visual courses in which I will share with the readers my long sculpting and designing experience.Through 270 commented colour pictures, I will guide curious and passionate readers in the realization of an all-round clay portrait, starting with the pictures of a face.The text provides all the information about the most suitable kind of clay, the tools to work it and the advice to bake it in the oven. It also provides instructions on how to take excellent pictures of the subject, from which we will take inspiration for the portrait.The pictures effectively demonstrate the correct positions and movements of the hands and tools, in order to correctly and profitably model clay.The course is not aimed at expert sculptors but at those who wish to start learning about the art of sculpture. The techniques shown here are the result of the author's 40-year-long experience as a sculptor, as well as of his experience as a teacher in the Italian High School and in his private courses.From his life-long experience, the author has learnt that, if you want to teach something, images are much more effective than words.By consequence, this manual is mainly made up of photographs followed by short explanantions.In the e-book edition the pictures are in colour, while in the paper book they are black and white, to reduce printing expenses. All the same, as the colour of clay is grey, this has no negative impact on the effectiveness of the course.I cannot guarantee you will reach perfection at your first attempt, but I can assure that the method shown in this manual is the quickest one to achieve excellent results.




Prebles' Artforms


Book Description

Text and accompanying photographs present art theory, practices, and history from ancient Egypt through the early twenty-first century.







Introduction to Art: Design, Context, and Meaning


Book Description

Introduction to Art: Design, Context, and Meaning offers a deep insight and comprehension of the world of Art. Contents: What is Art? The Structure of Art Significance of Materials Used in Art Describing Art - Formal Analysis, Types, and Styles of Art Meaning in Art - Socio-Cultural Contexts, Symbolism, and Iconography Connecting Art to Our Lives Form in Architecture Art and Identity Art and Power Art and Ritual Life - Symbolism of Space and Ritual Objects, Mortality, and Immortality Art and Ethics




Beginning Sculpture


Book Description

A visually dynamic and extensive resource covering all sculpture media. Beginning Sculpture explores traditional sculpting methods as well as the latest tools and techniques. It covers a diverse range of media including wood, metal, stone, paper, clay and mixed media. Studios are designed to enhance student learning and nurture self-discovery. With an easy to follow format, students: * Learn the elements and principles of design and sculpture * Photographs and illustrations sequentially detail fundamental techniques and skills. * Examples of master artworks reflect diverse times and perspectives * Student create art and master concepts and skills through carefully crafted lessons




Art for All


Book Description

Artist and teacher Liz Byron demonstrates how to design lessons and instruction in the visual arts using the inclusive principles of Universal Design for Learning (UDL). Readers learn to set meaningful goals, measure progress, customize instruction, and engage all learners across grades.




Portrait Sculpting


Book Description

Step-by-step techniques for modeling the portrait in clay, firing meethods and mold making.




Distributed Blackness


Book Description

Winner, 2021 Harry Shaw and Katrina Hazzard-Donald Award for Outstanding Work in African-American Popular Culture Studies, given by the Popular Culture Association Winner, 2021 Nancy Baym Annual Book Award, given by the Association of Internet Researchers An explanation of the digital practices of the black Internet From BlackPlanet to #BlackGirlMagic, Distributed Blackness places blackness at the very center of internet culture. André Brock Jr. claims issues of race and ethnicity as inextricable from and formative of contemporary digital culture in the United States. Distributed Blackness analyzes a host of platforms and practices (from Black Twitter to Instagram, YouTube, and app development) to trace how digital media have reconfigured the meanings and performances of African American identity. Brock moves beyond widely circulated deficit models of respectability, bringing together discourse analysis with a close reading of technological interfaces to develop nuanced arguments about how “blackness” gets worked out in various technological domains. As Brock demonstrates, there’s nothing niche or subcultural about expressions of blackness on social media: internet use and practice now set the terms for what constitutes normative participation. Drawing on critical race theory, linguistics, rhetoric, information studies, and science and technology studies, Brock tabs between black-dominated technologies, websites, and social media to build a set of black beliefs about technology. In explaining black relationships with and alongside technology, Brock centers the unique joy and sense of community in being black online now.




Gateways to Art


Book Description

Flexible organization, inclusive illustration program, expanded media resources.




Art and Text


Book Description

This volume covers the development of the textual medium in art from the early combinations of text, lettering and image in the work of seminal artists such as El Lissitzky and Kurt Schwitters right up to the present day. The use of written language has been one of the most defining developments in visual art of the twentieth century. The use of text can be seen in some of the most avant-garde artwork of the twentieth century; René Magritte and dadaist artists used it to describe anti-art and anti-aesthetic sentiment. The work of some of the most famous conceptual artists of the 1960s began to use written language as an artwork in itself. Artists such as John Baldessari, Lawrence Weiner and Bruce Nauman, who are still today some of the world's most respected artists, helped push the boundaries of what constitutes art at the time and it has continued to develop since that period. The expansive Art & Language group of artists and theorists, including Joseph Kosuth, also reconsidered the possibilities of "linguistic art."