Vita Nova


Book Description

Winner of the Nobel Prize in Literature In Vita Nova, Pulitzer-Prize winning poet Louise Glück manages the apparently impossible: a terrifying act of perspective that brings into resolution the smallest human hope and the vast forces that shape and thwart it Since Ararat in 1990, Louise Glück has been exploring a form that is, according to the poet, Robert Hass, her invention. Vita Nova--like its immediate predecessors, a booklength sequence--combines the ecstatic utterance of The Wild Iris with the worldly dramas elaborated in Meadowlands. Vita Nova is a book that exists in the long moment of spring: a book of deaths and beginnings, resignation and hope; brutal, luminous, and far-seeing. Like late Yeats, Vita Nova dares large statement. By turns stern interlocutor and ardent novitiate, Glück compasses the essential human paradox. In Vita Nova, Louise Glück manages the apparently impossible: a terrifying act of perspective that brings into resolution the smallest human hope and the vast forces that thwart and shape it.




La Vita Nuova


Book Description

La Vita Nuova (1292–94) has many aspects. Dante’s libello, or “little book,” is most obviously a book about love. In a sequence of thirty-one poems, the author recounts his love of Beatrice from his first sight of her (when he was nine and she eight), through unrequited love and chance encounters, to his profound grief sixteen years later at her sudden and unexpected death. Linked with Dante’s verse are commentaries on the individual poems—their form and meaning—as well as the events and feelings from which they originate. Through these commentaries the poet comes to see romantic love as the first step in a spiritual journey that leads to salvation and the capacity for divine love. He aims to reside with Beatrice among the stars. David Slavitt gives us a readable and appealing translation of one of the early, defining masterpieces of European literature, animating its verse and prose with a fluid, lively, and engaging idiom and rhythm. His translation makes this first major book of Dante’s stand out as a powerful work of art in its own regard, independent of its “junior” status to La Commedia. In an Introduction, Seth Lerer considers Dante as a poet of civic life. “Beatrice,” he reminds us, “lives as much on city streets and open congregations as she does in bedroom fantasies and dreams.”




Dante's Vita Nuova, New Edition


Book Description

"A fresh, new version of a 1962 translation that has had enormous popularity in comparative literature classes. The Vita Nuova (the New Life) is a small book which relates in prose and often very beautiful verse the story of the youthful Dante's love for Beatrice. The esay which follows the translation provides new insights into this puzzling thirteenth-century work. Musa regards Dante's intention in this so-called "Book of Memory" as a cruel and comic commentary on the youthful lover. He argues that Dante, using the tradition of love poetry current in his time, points up the foolishness and shallowness of his protagonist, a self-centered and self-pitying youth who only occasionally in the progress of his suffering catches even a glimpse of the true nature of Love or his beloved. "The sensitive man who would realize a man's destiny must ruthlessly cut out of his heart the canker at its center [i.e. self-pity], the canker that the heart instinctively tends to cultivate." According to Musa, this is one of Dante's central ideas. Dante scholars, libraries, and students of the Italian classics will welcome this distinguished translation and its provocative commentary"--Back cover.




The Preparation of the Novel


Book Description

Completed just weeks before his death, the lectures in this volume mark a critical juncture in the career of Roland Barthes, in which he declared the intention, deeply felt, to write a novel. Unfolding over the course of two years, Barthes engaged in a unique pedagogical experiment: he combined teaching and writing to "simulate" the trial of novel-writing, exploring every step of the creative process along the way. Barthes's lectures move from the desire to write to the actual decision making, planning, and material act of producing a novel. He meets the difficulty of transitioning from short, concise notations (exemplified by his favorite literary form, haiku) to longer, uninterrupted flows of narrative, and he encounters a number of setbacks. Barthes takes solace in a diverse group of writers, including Dante, whose La Vita Nuova was similarly inspired by the death of a loved one, and he turns to classical philosophy, Taoism, and the works of François-René Chateaubriand, Gustave Flaubert, Franz Kafka, and Marcel Proust. This book uniquely includes eight elliptical plans for Barthes's unwritten novel, which he titled Vita Nova, and lecture notes that sketch the critic's views on photography. Following on The Neutral: Lecture Course at the Collège de France (1977-1978) and a third forthcoming collection of Barthes lectures, this volume provides an intensely personal account of the labor and love of writing.




Memoria


Book Description

Two planets are on the brink of war in Memoria, the thrilling second book in an action-packed space opera trilogy, The Nova Vita Protocol. The Kaiser Family helped the Nova Vita system avoid a catastrophic multi-planet war, one that the Kaisers might have accidentally caused in the first place. In their wake, two planets have been left devastated by ancient alien technology. Now, the Kaisers try to settle into their new lives as tenuous citizens of the serene water planet, Nibiru, but Scorpia Kaiser can never stay still. So, she takes another shady job. One that gives her a ship where spaceborn like her belong. But while Scorpia is always moving forward, Corvus can't seem to leave his life as a soldier behind. Every planet in the system is vying to strip his razed home planet Titan of its remaining resources, and tensions are high. The Kaisers will need to discover the truth behind what happened on Gaia and Titan, or Corvus will be forced again to fight in an unwinnable war -- and this time, all of Nova Vita is at stake. The Nova Vita Protocol:FortunaMemoria




La Vita Nuova (Vita Nova - The New Life)


Book Description

La Vita Nuova - in English The New Life - is a poem by Dante Alighieri which expresses the virtues of Medieval courtship and love. First published in 1295 during the dawn of the Italian Renaissance period, this work discusses the praiseworthy aspects of courtship which first appeared during the Medieval era. Dante was a great admirer of this practice, feeling that the tradition elevated both love and courteous behaviour in a manner befitting an experience of such emotive depth. Dante first authored this book during his own association with Beatrice Portinari, a paramour who was to symbolise human love for the artist in both life and death. La Vita Nuova is distinct from other, later works by Dante in that it was authored in his native Italian, rather than the Latin he employed in The Divine Comedy and other works.




Discordia


Book Description

In this explosive final book of the action-packed Nova Vita Protocol trilogy, The Kaisers are on the run from the planetary leaders who seek to bury the knowledge of the alien artifacts that could save the star system—or destroy it. “Merbeth’s engrossing final book of the trilogy is filled with disaster, family moments, and high-stakes action.”―Library Journal Scorpia is finally back among the stars, far away from the memories of the war she and her family started—and ended—on Nibiru. Her first order as captain of the Memoria is to keep her crew safe, and she is all too happy not to get involved in dangerous political games for once. Corvus is haunted by what he experienced at the hands of the Titan attack, and he's just as eager for a new beginning. He knows that not all Titans are built for war, and that the system can find peace, even as Deva and Pax begin to rattle their sabers. Though the Kaisers may be responsible for diverting a multi-planet war, the planetary leaders are wary of the knowledge they hold. Better to lock them up and keep their dark secrets hidden. But the Kaisers are the only ones who know the truth about the threat of the ancient world-ending alien weapons rooted in each planet—and they may be the only ones who can save the system from total annihilation. "Merbeth is a voice to watch in space opera!" —K. B. Wagers The Nova Vita Protocol: Fortuna Memoria Discordia




Vita Nuova


Book Description

A sparkling translation that gives new life in English to Dante’s Vita Nuova, his transcendent love poems and influential statement on the art and power of poetry, and the most widely read of his works after the Inferno A Penguin Classic Dante was only nine years old when he first met young Beatrice in Florence. Loving her for the rest of his life with a devotion undiminished by even her untimely death, he would dedicate himself to transfiguring her, through poetry, into something far more than a muse—she would become the very proof of love as transcendent spiritual power, and the adoration of her a radiant path into a “new life.” Censored by the Church, written in the Tuscan vernacular rather than Latin, exploding the courtly love tradition of the medieval troubadours, and employing an unprecedented hybrid form to link the thirty-one poems with prose commentary, Vita Nuova, first published in 1294, represents both an innovation in the literature of love and the work of Dante’s that brings this extraordinary poet into clearest view. This limpid new translation, based on the latest authoritative Italian edition and featuring the Italian on facing pages, captures the ineffable quality of a work that has inspired the likes of Ralph Waldo Emerson, Charles Baudelaire, T. S. Eliot, Jorge Luis Borges, Robert Penn Warren, and Louise Glück, and sustains the long afterlife of a masterpiece that is itself a key to the ultimate poetic journey into the afterlife, The Divine Comedy. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.




Aspects of the Performative in Medieval Culture


Book Description

The volume assesses performative structures within a variety of medieval forms of textuality, from vernacular literature to records of parliamentary proceedings, from prayer books to musical composition. Three issues are central to the volume: the role of ritual speech acts; the way in which authorship can be seen as created within medieval texts rather than as a given category; finally, phenomena of voice, created and situated between citation and repetition, especially in forms which appropriate and transform literary tradition. The volume encompasses articles by historians and musicologists as well as literary scholars. It spans European literature from the West (French, German, Italian) to the East (Church Slavonic), vernacular and Latin; it contrasts modes of liturgical meditation in the Western and Eastern Church with secular plays and songs, and it brings together studies on the character of ‛voice’ in major medieval authors such as Dante with examples of Dante-reception in the early twentieth century.




Vita Nova


Book Description

Recepient, 2013 Guggenheim Fellowship Dante’s Vita Nova (circa 1292–1295) depicts the joys and sorrows, the discoveries and conflicts of Dante’s early love for Beatrice—who would achieve later and even greater fame in Commedia—starting with his first sighting of her and culminating in his prevision of Beatrice among the beatified in heaven. Award-winning translator and poet Andrew Frisardi channels the vigor and nuance of Dante’s first masterpiece for a modern audience. The “little book,” as Dante calls it, consists of thirty-one lyric poems—mostly sonnets—embedded in a prose narrative, which both recounts an apparently autobiographical set of events also evoked in the poems and offers analysis of the poems’ construction in the medieval critical tradition of divisio textus, or division of the text. Dante selected poetry he had written before age twenty-eight or so and wrote the prose to shape it into a story. The poems anthologize Dante’s growth as a poet, from the influence of his earliest mentors to the stylistic and thematic breakthroughs of his poetic coming-of-age. The interplay of poetry and prose in Vita Nova, along with the further distinction in the latter between autobiography and critical divisioni, presents a particular challenge for any translator. Frisardi faithfully voices the complex meter and rhyme schemes of the poetry while capturing the tone of each of the prose styles. His introduction and in-depth annotations provide additional context for the twenty-first-century reader.