No Tomorrow


Book Description

A Bilingual New York Review Books Original Vivant Denon's No Tomorrow is one of the masterpieces of eighteenth-century French libertine literature, a book to set beside Choderlos de Laclos' Les Liaisons dangereuses, except that where Laclos' icy novel tells of hellish depravity, Denon's ravishing novella is a paradisal diversion. This tale of seduction is itself a seduction, with a plot that could be said to slowly unveil itself before arriving at last at an unexpected consummation. Summoned by Madame de T—— to her country house, the young hero of Denon's novella is taken on a tour of the grounds, only the beginning of a night that not only will be full of unanticipated delights but will give rise to unforeseen, perhaps unanswerable, questions. Lydia Davis's definitive translation of Denon's slim masterpiece is accompanied by the French text. Peter Brooks's illuminating introduction explores the mysteries of No Tomorrow's original publication and the subtleties of Denon's ethics of pleasure.




Baron Dominique Vivant Denon (1747-1825)


Book Description

Takes a scholarly approach to bring Denon to life and to the attention of contemporary readers. To make his acquaintance is to recapture the aristocracy and the world of art and letters at the turn of the 19th century in several European capitals.










Napoleon's Sorcerers


Book Description

During Napoleon's rule, Freemasonic circles in France invented rituals that allegedly first took place in the temple structures of ancient Egypt. This book looks at the cultural environment and intellectual background of one such pseudo-Egyptian secret society, the Sacred Order of the Sophisians.







No Tomorrow


Book Description

Point de lendemain (No Tomorrow) is the English translation of a French 18th century masterpiece, Point de Lendemain by Dominique Vivant Denon. Written in 1777 and re-edited in 1812, Point de Lendemain is a record of the initiation of a young man and a member of a secret society. Giovanna Summerfield's preface and notes will offer a new way of reading Point de Lendemain, marginalizing the triviality of sex and the love triangle, which has been thus far seen as a physical need rather than as an expression of supremacy and challenge of God.




Christian-Muslim Relations. A Bibliographical History Volume 21. South-western Europe (1800-1914)


Book Description

Christian-Muslim Relations, a Bibliographical History 21 (CMR 21), covering South-western Europe in the period 1800-1914, is a further volume in a general history of relations between the two faiths from the 7th century to the early 20th century. It comprises a series of introductory essays and the main body of detailed entries. These treat all the works, surviving or lost, that have been recorded. They provide biographical details of the authors, descriptions and assessments of the works themselves, and complete accounts of manuscripts, editions, translations and studies. The result of collaboration between numerous new and established scholars, CMR 21, along with the other volumes in this series, is intended as a fundamental tool for research in Christian-Muslim relations. Section Editors: Ines Aščerić-Todd, Clinton Bennett, Luis F. Bernabé Pons, Jaco Beyers, Emanuele Colombo, Lejla Demiri, Martha T. Frederiks, David D. Grafton, Stanisław Grodź, Alan M. Guenther, Vincenzo Lavenia, Arely Medina, Diego Melo Carrasco, Alain Messaoudi, Gordon Nickel, Claire Norton, Reza Pourjavady, Douglas Pratt, Charles Ramsey, Peter Riddell, Umar Ryad, Cornelia Soldat, Charles Tieszen, Carsten Walbiner, Catherina Wenzel.




Discovery of Egypt


Book Description

Dominique-Vivant Denon was a lover of the Empress Josephine, a compulsive collector, the first director of the Louvre museum and Bonaparte's adviser on artistic matters. Indeed, Denon was known as 'Napoleon's eye'. But the man who impressed the emperor with his courteous manners and his talent for pornographic drawing was also the primary force behind revealing Egypt's civilisation to an astonished Europe. Invited to accompany Bonaparte during the French Expedition to Egypt - a staging post in Napoleon's campaign to wrest India from the British - Denon was forcibly struck by Egypt's architecture. With often only a few minutes to record the scene before him, he would sketch under fire. On one occasion he worked for sixteen hours, while the windblown sand caused his eyelids to bleed. Upon his return to France, Denon published Travels in Upper and Lower Egypt. His insightful and deeply humane volume became an instant bestseller. Hitherto no one had suspected that Egypt's rich and mature civilisation existed. In this book Terence M. Russell unfolds Denon's colourful, extraordinary and contradictory character. While Denon was the first to present to Europe a true and honest image of ancient Egypt and the first European traveller to spend months exploring the desert and recording the monuments he found there, he was also a hard-headed collector. Throughout his travels he made plans for the wonders of Egypt to be crated up and shipped back to Paris.The Discovery of Egypt is a story of heroic endurance and accomplishment set against a bloody military campaign. Illustrated with Vivant Denon's incomparable drawings and the works of others who accompanied Napoleon to the deserts of Egypt, it gives an insight into the mind of one of the first Egyptologists: an adventurer, an artist of consummate ability and a compulsive collector.




Delicious Decadence ?The Rediscovery of French Eighteenth-Century Painting in the Nineteenth Century


Book Description

The history of collecting is a topic of central importance to many academic disciplines, and shows no sign of abating in popularity. As such, scholars will welcome this collection of essays by internationally recognised experts that gathers together for the first time varied and stimulating perspectives on the nineteenth-century collector and art market for French eighteenth-century art, and ultimately the formation of collections that form part of such august institutions as the Louvre and the National Gallery in London. The book is the culmination of a successful conference organised jointly between the Wallace Collection and the Louvre, on the occasion of the acclaimed exhibition Masterpieces from the Louvre: The Collection of Louis La Caze. Exploring themes relating to collectors, critics, markets and museums from France, England and Germany, the volume will appeal to academics and students alike, and become essential reading on any course that deals with the history of collecting, the history of taste and the nineteenth-century craze for the perceived douceur de vivre of eighteenth-century France. It also provides valuable insight into the history of the art markets and the formation of museums.