Vive Le Québec Libre


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LIFE


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LIFE Magazine is the treasured photographic magazine that chronicled the 20th Century. It now lives on at LIFE.com, the largest, most amazing collection of professional photography on the internet. Users can browse, search and view photos of today’s people and events. They have free access to share, print and post images for personal use.




The Gaullist Attack on Canada, 1967-1997


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What lay behind Charles de Gaulle's "Vive le Québec libre!" speech in Montreal on 24 July 1967, Philippe Rossillon's activities in New Brunswick, Belgium, and Africa, and the sinking of Greenpeace's Rainbow Warrior in New Zealand in 1985? J.F. Bosher argues that the motivation behind all these incidents was a policy of underhanded imperial ambition on the part of France. In The Gaullist Attack on Canada, he contends that French nationalists have been at work behind the screen of harmless fraternising of international francophonie in order to stimulate French revolutionary nationalism in Quebec and elsewhere, and that the Gaullist ideology behind these attempts rests on a set of myths about past events, age-old resentment of the English-speaking nations, and a deep-rooted belief in the superiority of France, its language, and its culture. The Gaullist Attack on Canada reveals a phase of French imperialism that poses a threat to Canadian Confederation. Since the 1960s, Bosher argues, de Gaulle and his followers have conspired to stimulate Quebec separatism as part of their larger goal to revive France's role as a great power. He bases his case on the evidence of France's actions in other former French colonies, especially in Africa, as well as the writings of such leading Gaullist conspirators as Bernard Dorin, Pierre–Claude Mallen, Pierre de Menthon, and Philippe Rossillon, who have boasted about their efforts to win Quebec away from Canada for France. Bosher criticises the Canadian government for its failure to respond to, or even to recognise, the Gaullist threat. The Under–Secretary of State for External Affairs in the 1960s, Marcel Cadieux, wanted to take vigorous steps against the Gaullist mafia but was overruled by his political superiors. Bosher argues that, even now, by standing up to French aggression the government might weaken the separatist movement in Quebec, or at least turn the tide of political support for it.




With Friends Like These


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One of the most enduring images of Quebec’s Quiet Revolution is of Charles de Gaulle proclaiming “Vive le Québec libre!” from the balcony of Montreal City Hall in 1967. The French president’s provocative act laid bare Canada’s unity crisis and has dominated interpretations of the Canada-Quebec-France triangle ever since. With Friends like These demystifies this cri du balcon by shifting the focus from de Gaulle to the broader domestic and international forces at play. Meren traces the evolution of Quebec’s special relationship with France after the Second World War and reveals that the resulting clash of nationalisms – French, Québécois, and Canadian -- was fuelled not only by personalities and events but also by the efforts to respond to the power and influence of the United States in an increasingly interconnected world. By seeking to understand, rather than simply condemn, aspects of Quebec, Gaullist, and Canadian nationalism, Meren casts doubt on established interpretations of events and exposes the complexity of a growing international interest in Canadian affairs.




National Performance


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In National Performance, Erin Hurley examines the complex relationship between performance and national identity. How do theatrical performances represent the nation in which they were created? How is Quebecois performance used to define Quebec as a nation and to cultivate a sense of 'Quebec-ness' for audiences both within and outside the province? In exploring Expo 67, the critical response to Michel Tremblay's Les Belles Soeurs, Carbone 14's image-theatre, Marco Micone's writing practices, Celine Dion's popular music, and feminist performance of the 1970s and 80s, Hurley reveals the ways in which certain performances come to be understood as 'national' while others are relegated to sub-national or outsider status. Each chapter focuses on a particular historical moment in Quebec's modern history and a genre of performance emblematic of the moment, and uses these to elaborate the nature of the national performances. Winner of the Northeast Modern Language Association's Book Prize, National Performance is sophisticated yet accessible, seeking to enlarge the parameters of what counts as 'Quebecois' performance, while providing a thorough introduction to changing discourses of nation-ness in Quebec.




Newscan


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Francophone Film


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Covering the rich film production of Belgium, Switzerland, Quebec, the Caribbean, North Africa, and Sub-Saharan Africa, this book brings together films that might otherwise be divided by questions of race, gender, genre, period, or nation, in a valuable comparative study of a diverse corpus. Individual countries, film-makers, and films are treated separately in order to emphasize their specific identities or those which are represented in their films, and key films are examined within a well-developed historical context. Clearly written and accessible to the specialist and general reader alike, this informative book is a valuable reference source.




The History of Canada Series: The Best Place To Be


Book Description

A pivotal event in Canada’s history For six months in 1967, from late April until the end of October, Canada and its world's fair, Expo 67, became the focus of national and international attention in a way the country and its people had rarely experienced. Expo 67 crystallized the buoyant mood and newfound sense of confidence many felt during Canada's centennial. It becomes clearer, though, as its forty-fifth anniversary approaches in spring 2012, that Expo was something more than just a great world's fair. For many Canadians, it became a touchstone, a popular event that penetrated the collective psyche. The Best Place to Be takes a look at Expo and at the social and political contexts in which it occurred. It is above all a story of people: the young men and women who worked at Expo, the visitors, and the cameo appearances from the titled and celebrated, such as Elizabeth II, President Lyndon Johnson, President Charles de Gaulle (whose visit to Expo and Montreal became infamous), U.S. Senator Robert F. Kennedy, Jacqueline Kennedy, Princess Grace of Monaco, Princess Margaret, Marshall McLuhan, Sidney Poitier, Laurence Olivier, Cary Grant, Twiggy, and Pierre Trudeau.




Pearson


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Hillmer (history, Carleton U.) and a host of other scholars, journalists, and government officials assess the legacy of Lester B. Pearson--Canada's Prime Minister during the 1960s--to mark the centenary of his birth. Pearson was tremendously successful during his diplomatic career; even winning a Nobel Peace Prize. He was also a controversial prime minister, and the authors examine all of the paradoxes and controversies of his tenure. Topics include Canadian national unity, Pearson's world view and theories of politics, his relationship with the media, and his legacy. Annotation copyrighted by Book News, Inc., Portland, OR




The Government and Politics of France


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First published in 1973 The Government and Politics of France: Volume Two provides a comprehensive overview of French political history from 1958-1973. Dorothy Pickles writes with her characteristic elegance and the major themes are fully discussed and clearly related to their roots in earlier periods and to their consequences in later ones. The book covers the Algerian war and its aftermath; the notion of ‘participation’; educational reform; economic problems; regionalism; the changing nature of Gaullism; and in the field of foreign policy – attitudes of European Community; relations with the Atlantic powers and France’s attempts at achieving a world role. This book is a must read for students of French politics, political science, political institutions, and European politics.