Early English Viols: Instruments, Makers and Music


Book Description

Winner of the Nicholas Bessaraboff Prize Musical repertory of great importance and quality was performed on viols in sixteenth- and early seventeenth-century England. This is reported by Thomas Mace (1676) who says that ’Your Best Provision’ for playing such music is a chest of old English viols, and he names five early English viol makers than which ’there are no Better in the World’. Enlightened scholars and performers (both professional and amateur) who aim to understand and play this music require reliable historical information and need suitable viols, but so little is known about the instruments and their makers that we cannot specify appropriate instruments with much precision. Our ignorance cannot be remedied exclusively by the scrutiny or use of surviving antique viols because they are extremely rare, they are not accessible to performers and the information they embody is crucially compromised by degradation and alteration. Drawing on a wide variety of evidence including the surviving instruments, music composed for those instruments, and the documentary evidence surrounding the trade of instrument making, Fleming and Bryan draw significant conclusions about the changing nature and varieties of viol in early modern England.




Instrumentalists and Renaissance Culture, 1420-1600


Book Description

This is the first in-depth study in any language exploring the vast cultural range of instrumental music during the Renaissance.




The Early History of the Viol


Book Description

This book traces the development of the viol from its late medieval Spanish origins to the sixteenth century, when it became the most widely played bowed instrument in western Europe. Ian Woodfield examines the two most important ancestors of the instrument, the Moorish rahab and the vihuela de mano. From these two instruments emerged an early form of viol, the Valencian vihuela de arco, which spread rapidly across the Mediterranean during the papacy of Rodrigo Borgia. The viol was enthusiastically accepted by the d'Este and Gonzaga families and other Italian arbiters before migrating across the Alps and into the rest of Europe. The author discusses all aspects of the viol during its Renaissance hey-day: the growing perfection of viol design at the hands of Italian craftsmen; the gradual evolution of tuning systems; the development of advanced playing techniques and the wide range of music, both solo and consort. The final chapter examines the growth of a viol playing tradition in sixteenth-century England, in particular in the London choir-schools. Dr Woodfield brings iconographic evidence and an interesting approach to this study which will be of interest to musicologists, iconographers, organologists and viol players.




The Music Treatises of Thomas Ravenscroft


Book Description

Thomas Ravenscroft is best-known as a composer of rounds owing to his three published collections: Pammelia and Deuteromelia (both 1609), and Melismata (1611), in addition to his harmonizations of the Whole Booke of Psalmes (1621) and his original sacred works. A theorist as well as a composer and editor, Ravenscroft wrote two treatises on music theory: the well-known A Briefe Discourse (1614), and 'A Treatise of Practicall Musicke' (c.1607), which remains in manuscript. This is the first book to bring together both theoretical works by this important Jacobean musician and to provide critical studies and transcriptions of these treatises. A Briefe Discourse furthermore introduces an anthology of music by Ravenscroft, John Bennet, and Ravenscroft's mentor, Edward Pearce, illustrating some of the precepts in the treatise. The critical discussion provided by Duffin will help explain Ravenscroft's complicated consideration of mensuration, in particular.




Music in Shakespeare


Book Description

With an A-Z of over 300 entries, Music in Shakespeare is the most comprehensive study of all the musical terms found in Shakespeare's complete works. It includes a definition of each musical term in its historical and theoretical context, and explores the diverse extent of musical imagery across the full range of Shakespeare's dramatic and poetic work, as well as analysing the usage of instruments and sound effects on the Shakespearean stage. This is a comprehensive reference guide for scholars and students with interests in the thematic and allegorical relevance of music in Shakespeare, and the history of performance. Identifying all musical terms found in the Shakespeare canon, it will also be of use to the growing number of directors and actors concerned with recovering the staging conditions of the early modern theatre.




William Byrd, a Guide to Research


Book Description

First published in 2006. Routledge is an imprint of Taylor & Francis, an informa company.




William Byrd


Book Description

This comprehensive research guide surveys the most significant published materials relating to William Byrd. This new edition includes research since the publication of the last edition.




Food Hawkers


Book Description

Street vendors are ubiquitous across the world and throughout history. They are part of almost any distribution chain, and play an important role in the marketing of consumer goods particularly to poorer customers. Focusing on the food trades, this multi-disciplinary volume explores the dynamics of street selling and its impact on society. Through an investigation of food hawking, the volume both showcases the latest results from a subject that has seen the emergence of a significant body of innovative and adventurous scholarship, and advances the understanding of street vending and its impact on society by stimulating interdisciplinary and cross-disciplinary discussions. Covering a time span of approximately two millennia, from antiquity to the present, the book includes chapters on Europe and Asia, and covers a diverse range of themes such as the identity of food sellers (in terms of gender, ethnicity, and social status); the role of the street seller in the distribution of food; the marketing of food; food traders and the establishment; the representation of food hawkers; and street traders and economic development. By taking a dynamic approach, the collection has enabled its contributors to cross disciplinary boundaries and engage in discussions which extend beyond the limits of their own academic fields, and thus provide a fresh appreciation of this ancient phenomenon.




Music in Elizabethan Court Politics


Book Description

Music and musical entertainments are here shown to be used for different ends, by both monarch and courtiers.