Jazz Piano Voicings


Book Description

(Keyboard Instruction). The jazz idiom can often appear mysterious and difficult for musicians who were trained to play other types of music. Long-time performer and educator Rob Mullins helps players enter the jazz world by providing voicings that will help the player develop skills in the jazz genre and start sounding professional right away without years of study! Includes a "Numeric Voicing Chart," chord indexes in all 12 keys, info about what range of the instrument you can play chords in, and a beginning approach to bass lines.




Jazz Guitar Voicings -


Book Description

Have you ever wondered how guitarists like Joe Pass, Jim Hall and Wes Montgomery find such full, luscious voicings for their chord melody playing? Well, much of that sound is based on the "Drop 2" principle of chord voicings. In this book, veteran guitarist Randy Vincent explains exactly how you can get that same sound too. Endorsed by Julian Lage, John Stowell, Larry Koonse, etc.




Three-note Voicings and Beyond


Book Description

This book provides discussion and exercises for the use of three-note voicings in jazz guitar. The book also includes some four and five-note voicings. Includes chapters on shell voicings, walking guitar, triad pairs, quartal and secundal harmony, and more. With an introduction.




Modern Jazz Voicings


Book Description

(Berklee Guide). The definitive text used for the time-honored Chord Scales course at Berklee College of Music, this book concentrates on scoring for every possible ensemble combination and teaches performers and arrangers how to add color, character and sophistication to chord voicings. Topics covered include: selecting appropriate harmonic tensions, understanding jazz harmony, overcoming harmonic ambiguity, experimenting with unusual combinations and non-traditional alignments, and many more. The accompanying audio includes performance examples of several different arranging techniques.




Voicing Modes


Book Description

Introduction.Modes are often at first understood in relation to a parent scale. While this can be helpful as a starting point and for developing muscle memory, in practice it doesn't always point the player to the right chord tones in relation to the sound. In other words, it doesn't help make the changes.To use modes to make the changes, one must be able to relate the scale shape to a chord voicing - a chord voicing that outlines the essential few tones in a sea of seven notes. These voicings can vary depending on the amount of color desired. The color desired is dependent on musical style/genre, and whether or not the chord is functional in a progression or static in its modality.These essential tones are not always 1,3,5,7 (tertian harmony - stacked in 3rds).While most chords in jazz and improv-based music are expressed in one of four tertian-voicing archetypes (Major, Minor, Dominant, or Diminished) - this is a false tetrachotomy. There are more than four.To capture some other sounds that many composers intend, especially in compositions written in the last 50 years (and in Classical music, 150 years) one must add a few other archetypes. While those indicated in this book are not exhaustive, they will open your ears to other ways of expressing harmony while still staying true to the key center.While exploring other ways to voice the modes, keep in mind that these are not just for comping and soloing. Feel free to use them as a starting point for composition and reharmonization. The use of "pivot voicings" instead of just pivot chords can open up your understanding of harmonic relationships in multiple ways. Enjoy exploring.-NoelP. S. This book is way more fun if you use a looper pedal.Second edition notes: Typo corrections, clarifications, TAB added to all edudesThird edition notes: Additional etudes, expanded modal subs section, added blues chapterMore more info, charts, videos, and free web app: http: //noeljohnston.com/voicingmodes.ph




The Jazz Piano Chord Book


Book Description

Contains over 1700 jazz piano chord voicings, ideal for use with fake/real books.




Mel Bay's Complete Book of Harmony, Theory & Voicing


Book Description

"This is a very comprehensive text that combines theory, harmony and voicing material with emphasis placed on voice leading. Although this book's primary focus is on four-note chord voicings on the middle strings of the guitar, much of the knowledge conveyed here can be appreciated and used by all jazz musicians, not only guitarists. Topics covered include: Tensions, Voice Leading Chord Scales, Enharmonic Chordal Substitutions, Fourth Voicings, Chromatic Guide Lines, Triad Over Bass Voicings, and much more! The best part of this book, however, is the unique and practical way the author takes modern harmonic concepts and shows you how to apply them in real music situations! Written for the intermediate to advanced music theory enthusiast who wishes to master this facet of music."




Three-Note Voicings and Beyond


Book Description

Randy Vincent's second Sher Music Co. book covers every aspect of the crucial three-note voicings every guitarist needs to know. It has received glowing endorsements from Pat Metheny, Jim Hall, Mike Stern, Ben Monder, Vic Juris, Gene Bertoncinni, Julian Lage, etc. Three-Note Voicings and Beyond is for everyone from intermediate newcomers to jazz guitar to very advanced players. The book develops a unique dynamic concept of harmony where three independently moving lines team up to create beautiful harmonies that are valuable for comping, chord melodies and chordal jazz improvisations. Topics include: Three-note shell voicings and special derived comp voicings Compete triad review including all close and open inversions on all strings A section on developing walking guitar voicings, harmonized bass lines perfect for accompaniments in situations where no bass or keyboard is present Sections on triad applications such as slash chords, upper structures, hexatonic triad-pairs and special hybrid voicings Quartal and secundal voicings perfect for modal comping and soloing Drop-2 reductions perfect for melody harmonizations A complete method to develop a realistic simulation of Shearing-style block-chord voicings on guitar. Plus much more!




UPPER STRUCTURES, SYNONYMS & SLASH VOICINGS FOR JAZZ GUITAR


Book Description

A JAZZ GUITAR BOOK FOR GUITARISTS LOOKING TO UNDERSTAND THE POWER OF UPPER VOICINGS At over three hundred and sixty pages, Upper Structures, Synonyms & Slash Voicings For Jazz Guitar takes a wide ranging and in-depth look at the subject of upper voicings and their application with respect to the guitar. Slash voicings and synonyms are also cover in great detail with numerous examples showing how these musical concepts connect and work om individual examples both played and explained in text and narration, to lick ideas and then full blown solos, this book covers a huge amount of material that will help you understand how upper structures work. WHAT LEVEL OF GUITAR PLAYER SHOULD CONSIDER THIS BOOK? This book is aimed at experienced guitar players and will act as a practical reference and technical guide for players, teachers, educationalists and music conservatoires. With hundreds of musical examples, chord progressions, music and chord diagrams, lick ideas and solo examples as well as in depth theoretical explanation, this book is a must for every aspiring jazz and contemporary guitarist. SECTION ONE - FOUR CHAPTERS INCLUDE THE FOLLOWING TOPICS: Stacking Chords, Chord formulae, Chord extension & alteration, Triads as upper structures, Pseudo scales, Inferring altered dominants, Generating chords across the neck, Chord & line superimposition, Voice leading, Vagrant harmony, Inferring altered dominants, Single line solo ideas, Tri-tones & flat five concepts, Chromatic movement, Deconstructing altered dominants, Synonyms, Movable solo lines, Cascading chords, Motif development, Sidestep line movement. SECTION TWO: A three chapter lick library of 70 original lick ideas that demonstrate each upper structure voicing category. All licks are offered in mp3 format as well as including narration from the author on the points of interest and technical challenges of the line. Each lick is provided in musical and TAB notation. Every chord type includes arpeggio patterns across the fretboard with large format easy to view chords included with each lick example. SECTION THREE: Three chapters offering original jazz guitar solo examples over three well known jazz standard progressions. Full analysis from a comparative, melodic and harmonic viewpoint is included. Solos are fully notated in music and TAB with chords provided in large easy to view format. SUPPORTING DOWNLOAD Over one and a half hours of mp3 files included. Section 1 music examples, Section 2 demonstration licks with author's technical narration and Section 3 which includes complete solo demonstrations as well as a wide range of backing tracks for you to practice over the three included sequences. There are one hundred and sixty nine mp3 files in total.




The Jazz Pianist


Book Description

"...[Fred Hughes teaches how to:] 1. perform all chords and variations of major, minor, diminished & augmented triads; six, seven, nine, elevin & thirteenth chords 2. provide the harmonic structure and foundation with the left hand 3. learn the theory of chord construction 4. practice patterns for mastery..."--back cover.