Voodoo and Politics in Haiti


Book Description

Not only does this book give a well-researched account of the politicization of Haitian Voodoo and the Voodooization of Haitian politics, it also lays the ground for the development of creative policies by the state vis-a-vis the cult. It is an indispensable research tool for the students of Afro-American, Caribbean and African societies in particular, and for religionists and political scientists in general.




Voodoo Politics


Book Description

The lives of four unrelated people are caught up in changing events as Haiti is again racked by corruption and violence during a few days of a brutal struggle for power and regime change. A fast-paced novel that covers the tragic impact on a poor Haitian boy and his family who fight to survive in a world of unbelievable violence. A visiting businessman is kidnapped for ransom whilst an indulgent Catholic Bishop has to face his own demons and a dedicated local priest pays a heavy price. These seemingly unrelated events are initiated by a sadistic Haitian security officer whose own world gradually falls apart. Whilst all this unfolds Miami based drug cartels are determined to maintain their supply lines through Haiti from an unlikely alliance with the CIA. This is unknown to the US State Department and other well-meaning but conflicted international organisations during this period of confusion, chaos and violence.




Voodoo and Power


Book Description

The racialized and exoticized cult of Voodoo occupies a central place in the popular image of the Crescent City. But as Kodi A. Roberts argues in Voodoo and Power, the religion was not a monolithic tradition handed down from African ancestors to their American-born descendants. Instead, a much more complicated patchwork of influences created New Orleans Voodoo, allowing it to move across boundaries of race, class, and gender. By employing late nineteenth and early twentieth-century first-hand accounts of Voodoo practitioners and their rituals, Roberts provides a nuanced understanding of who practiced Voodoo and why. Voodoo in New Orleans, a melange of religion, entrepreneurship, and business networks, stretched across the color line in intriguing ways. Roberts's analysis demonstrates that what united professional practitioners, or "workers," with those who sought their services was not a racially uniform folk culture, but rather the power and influence that Voodoo promised. Recognizing that social immobility proved a common barrier for their patrons, workers claimed that their rituals could overcome racial and gendered disadvantages and create new opportunities for their clients. Voodoo rituals and institutions also drew inspiration from the surrounding milieu, including the privations of the Great Depression, the city's complex racial history, and the free-market economy. Money, employment, and business became central concerns for the religion's practitioners: to validate their work, some began operating from recently organized "Spiritual Churches," entities that were tax exempt and thus legitimate in the eyes of the state of Louisiana. Practitioners even leveraged local figures like the mythohistoric Marie Laveau for spiritual purposes and entrepreneurial gain. All the while, they contributed to the cultural legacy that fueled New Orleans's tourist industry and drew visitors and their money to the Crescent City.




Voodoo Politics


Book Description




The Spirits and the Law


Book Description

Vodou has often served as a scapegoat for Haiti’s problems, from political upheavals to natural disasters. This tradition of scapegoating stretches back to the nation’s founding and forms part of a contest over the legitimacy of the religion, both beyond and within Haiti’s borders. The Spirits and the Law examines that vexed history, asking why, from 1835 to 1987, Haiti banned many popular ritual practices. To find out, Kate Ramsey begins with the Haitian Revolution and its aftermath. Fearful of an independent black nation inspiring similar revolts, the United States, France, and the rest of Europe ostracized Haiti. Successive Haitian governments, seeking to counter the image of Haiti as primitive as well as contain popular organization and leadership, outlawed “spells” and, later, “superstitious practices.” While not often strictly enforced, these laws were at times the basis for attacks on Vodou by the Haitian state, the Catholic Church, and occupying U.S. forces. Beyond such offensives, Ramsey argues that in prohibiting practices considered essential for maintaining relations with the spirits, anti-Vodou laws reinforced the political marginalization, social stigmatization, and economic exploitation of the Haitian majority. At the same time, she examines the ways communities across Haiti evaded, subverted, redirected, and shaped enforcement of the laws. Analyzing the long genealogy of anti-Vodou rhetoric, Ramsey thoroughly dissects claims that the religion has impeded Haiti’s development.




Farewell, Fred Voodoo


Book Description

Winner of the National Book Critics Circle Award for Autobiography, this is a brilliant writer’s account of a long, painful, ecstatic—and unreciprocated—affair with a country that has long fascinated the world. A foreign correspondent on a simple story becomes, over time and in the pages of this book, a lover of Haiti, pursuing the heart of this beautiful and confounding land into its darkest corners and brightest clearings. Farewell, Fred Voodoo is a journey into the depths of the human soul as well as a vivid portrayal of the nation’s extraordinary people and their uncanny resilience. Haiti has found in Amy Wilentz an author of astonishing wit, sympathy, and eloquence.




Kanaval


Book Description

"Leah Gordon has been photographing Jacmel Carnival and recording oral histories with its participants since 1995. Her photographs are stripped of kinesis and exuberance. Leagues away from the sequinned, sanitised, corporate-sponsored carnivals found elsewhere in the Americas, the Madigra troupes of the Haitian port town of Jacmel enact and subvert myth, legends and the nation's own histories, their improvisational costumes and surreal narratives a Vodou-charged blend of folk memory, political satire and personal revelation."--Printed Matter, Inc. website (viewed on June 6, 2022)




Voodoo Histories


Book Description

"Meticulous in its research, forensic in its reasoning, robust in its argument, and often hilarious in its debunking... a highly entertaining rumble with the century's major conspiracy theorists and their theories." --John Lahr, National Book Critics Circle Award-winning author of Tennessee Williams From an award-winning journalist, a history so funny, so true, so scary, it's bound to be called a conspiracy. Our age is obsessed by the idea of conspiracy. We see it everywhere- from Pearl Harbor to 9/11, from the assassination of Kennedy to the death of Diana. In this age of terrorism we live in, the role of conspiracy is a serious one, one that can fuel radical or fringe elements to violence. For David Aaronovitch, there came a time when he started to see a pattern among these inflammatory theories. these theories used similarly murky methods with which to insinu­ate their claims: they linked themselves to the supposed conspiracies of the past (it happened then so it can happen now); they carefully manipulated their evidence to hide its holes; they relied on the authority of dubious aca­demic sources. Most important, they elevated their believers to membership of an elite- a group of people able to see beyond lies to a higher reality. But why believe something that entails stretching the bounds of probabil­ity so far? In this entertaining and enlightening book, he examines why people believe conspiracy theories, and makes an argument for a true skepticism: one based on a thorough knowledge of history and a strong dose of common sense.




Rainy Season


Book Description

Considered the best book ever written about Haiti, now updated with a New Introduction, “After the Earthquake,” features first hand-reporting from Haiti weeks after the 2010 earthquake. Through a series of personal journeys, each interwoven with scenes from Haiti’s extraordinary past, Amy Wilentz brings to life this turbulent and fascinating country. Opening with her arrival just days before the fall of Haiti’s President-for-Life, Jean-Claude “Baby Doc” Duvalier, Wilentz captures a country electric with the expectation of change: markets that bustle by day explode with gunfire at night; outlaws control country roads; farmers struggle to survive in a barren land; and belief in voodoo and the spirits of the ancestors remains as strong as ever. The Rainy Season demystifies Haiti—a country and a people in cruel and capricious times. From the rebel priest Father Aristide and the street boys under his protection to the military strongmen who pass through the revolving door of power into the gleaming white presidential palace—and the buzzing international press corps members who jet in for a coup and leave the minute it’s over—Wilentz’s Haiti haunts the imagination.




Voodoo Fire In Haiti


Book Description

"A valuable anthropological artifact...readers come to realize Haiti's connections with Louisiana, especially the River Parishes." --L'Observateur "A long-lost charmer about a trip within the Haitian interior of another era. . . [contains] very evocative woodcuts by the author that add to the total otherness of what and where he is, going from the wild 20's jazz scene in New York to the all-but-unbelievable scenes he was witness to in the cacophonous darkness of a voodoo ceremony." --The Courier-Gazette (Rockland, ME) "The drums took on a different rhythm, rattling out a sharp staccato message, accompanied by the heavy pounding of the bass. Faster and faster flew the feet of the dancers as they whirled round the fire. Their smooth muscles writhed and cramped as under the blows of an invisible whip." From his steamer voyage from Jazz Age New York to Cap Haitien to his punishing trek through the island's interior jungle to his rapt, yet fearful, attendance at an authentic voodoo ceremony, Richard A. Loederer captures the sights, sounds, and sensations of this mysterious Caribbean republic. Originally published in German in 1932, Loederer's eyewitness account of his adventures in Haiti has long been out of print. The author's own art-deco-style woodcuts add to the exotic appeal of this volume, which chronicles the vanishing African traditions of the island's people.