Vox Lycei 2006-2007


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Vox Lycei 2007-2008


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Vox Lycei 2005-2006


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A History of the Ottawa Collegiate Institute, 1843-1903


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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.




Lisgar Collegiate Institute


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Artists, Architects & Artisans


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At the turn of the twentieth century numerous Canadian architects, artisans and artists set out to modify the aesthetic and social environment through the integration of the arts. Painters produced murals; architects designed furniture; clubs formed to bring together writers, artists and architects; collectors and governments commissioned paintings, furnishings and sculpture for public and private buildings; photography rivaled painting; and crafts became applied design. Building on both the Beaux-Arts movement in France and the Arts and Crafts movement in Britain and the United States, Canadian art practitioners met the challenge of obtaining patronage - which had until then looked abroad - to create a unique aesthetic that shot through all aspects of daily life. Their contributions fueled the economic growth that marked these prosperous years. Punctuated with numerous illustrations, original essays detail how architecture, monumental sculpture, urban planning, mural and decorative painting, graphic design, decorative arts and photography came together in an unprecedented fashion in this young country. Featured are not only the notable achievements but also the many creative and thoughtful projects that were proposed but never realized.0Exhibition: National Gallery of Canada, Ottowa, Canada (8.11.2013-2.3.2014).




The Sustainable MBA


Book Description

Whether you are an employee, a manager, an entrepreneur or a CEO, The Sustainable MBA Second Edition provides the knowledge and tools to help you ‘green’ your job and organization, to turn sustainability talk into action for the benefit of your bottom line and society as a whole. Based on more than 150 interviews with experts in business, international organizations, NGOs and universities from around the world, this book brings together all the pieces of the business and sustainability puzzle including: What sustainability is, why you should be interested, how to get started, and what a sustainable organization looks like. A wide range of tools, guidelines, techniques and concepts that you can use to implement sustainability practices. Information on how to be a sustainability champion or intrapraneur in your organization including how to sell these ideas to your team and how to incorporate them into any job. A survey of the exciting trends in sustainable business happening around the world. A wealth of links to interesting resources for more information. The Sustainable MBA Second Edition is organized like a business school course, allowing you easy access to the relevant information you need about sustainability as it relates to Accounting, Economics, Entrepreneurship, Ethics, Finance, Marketing, Organizational Behavior and HR, Operations and Strategy. The Sustainable MBA Second Edition has been updated to reflect global developments in this evolving field to remain the definitive guide to sustainable business. Additional resources to accompany the book are available at www.thesustainablemba.com.




Mixed Beasts


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A Vulgar Art


Book Description

In A Vulgar Art, Ian Brodie uses a folkloristic approach to stand-up comedy, engaging the discipline's central method of studying interpersonal, artistic communication and performance. Because stand-up comedy is a rather broad category, people who study it often begin by relating it to something they recognize—“literature” or “theatre”; “editorial” or “morality”—and analyze it accordingly. A Vulgar Art begins with a more fundamental observation: someone is standing in front of a group of people, talking to them directly, and trying to make them laugh. So, this book takes the moment of performance as its focus, that stand-up comedy is a collaborative act between the comedian and the audience. Although the form of talk on the stage resembles talk among friends and intimates in social settings, stand-up comedy remains a profession. As such, it requires performance outside of the comedian's own community to gain larger and larger audiences. How do comedians recreate that atmosphere of intimacy in a roomful of strangers? This book regards everything from microphones to clothing and LPs to Twitter as strategies for bridging the spatial, temporal, and sociocultural distances between the performer and the audience.