Architectural Record


Book Description







Marie of France


Book Description

Countess Marie of Champagne is primarily known today as the daughter of Louis VII of France and Eleanor of Aquitaine and as a literary patron of Chrétien de Troyes. In this engaging biography, Theodore Evergates offers a more rounded view of Marie as a successful ruler of one of the wealthiest and most vibrant principalities in medieval France. From the age of thirty-four until her death, Marie ruled almost continuously, initially for her husband, Henry the Liberal, during his journey to Jerusalem, then for her underage son, Henry II, and after his majority, during his absence on the Third Crusade and extended residence in the Levant. Presiding at the High Court of Champagne and attending to the many practical duties of governance, Marie acted with the advice of her court officers but without limitation by either the king or a regency council. If Henry the Liberal created the county of Champagne as a dynamic and prosperous state, it was Marie who expertly preserved and sustained it. Evergates mines Marie's letters patent and the literary and religious texts associated with her to glean a fuller picture of her life and work. He situates Marie within the regional institutions and external events that influenced her life as well as within her extended families of royal half-siblings—including King Philip II of France and her Plantagenet brothers—and her many in-laws, including the queen mother Adele and Archbishop William of Reims. Those who knew Marie best describe her as determined, gracious, and pious, as well as an effective ruler in the face of several external threats.




Ancient Greek Art and European Funerary Art


Book Description

This book charts a significant aspect of European heritage: cemeteries. Cemeteries are nowadays considered as formal cultural sites and open-air museums attracting a great number of visitors; while cemetery records, memorial monuments, epitaph inscriptions and symbols provide useful data, attracting the interest of an increasing number of scholars from various disciplines and backgrounds. This collective volume consists of selected papers, presented at the ASCE (Association of Significant Cemeteries in Europe) Conference: “Ancient Greek Art and European Funerary Art” organized by the Harokopio University of Athens-Greece on October 5-7 2017, aiming to highlight various cultural aspects of cemeteries. The authors present funerary art and its classical origin, investigate theoretical and historical approaches, plan cultural and educational routes, design technological applications concerning the use of cemeteries as cultural sites, and propose multiple ways for promoting cemetery heritage and public engagement; while the majority of the papers is based on field and archival research and is accompanied by original images. The multicultural character of death heritage is highlighted through the variety of case-studies presented in this volume, introducing different perspectives and interpretations on art, history, heritage and cultural tourism, laying the groundwork for the public discussion on our common heritage as appeared in cemeteries, appealing to both the wider public and the academic community.




The Four Modes of Seeing


Book Description

Borrowing its title from Madeline Harrison Caviness's influential work on the modes of seeing articulated by the twelfth-century cleric Richard of Saint Victor, this interdisciplinary collection brings together the work of thirty scholars from England, France, Germany, Italy, Switzerland, and the United States. Each author has contributed an original article that engages with ideas formulated in Caviness's wide-ranging scholarship. The historiographic introduction discusses themes in Caviness's publications and their importance for art historical and medieval studies today. The book's thematic matrix groups together essays concerned with: The Material Object, Documentary Reconstruction, Post-Disciplinary Approaches, Multiple Readings, Gender and Reception, Performativity, Text and Image, Collecting and Consumption, and Politics and Ideology. The contributors include curators, art historians, historians, and literary scholars. Their subjects range from medieval stained glass to the nineteenth-century Gothic Revival, the Sachsenspiegel, and Mel Gibson's The Passion of the Christ. Many foreground issues of gender, reception, and textuality, which have permeated Caviness's scholarship. Some also present approaches to sites that have been the subject of important studies by Caviness, including Canterbury, Chartres, Reims, Saint-Denis, Sens, and Troyes. The volume offers a broad range of methodological approaches to key topics in the study of medieval imagery and thus highlights the vitality of the field today.




Radiance and Reflection


Book Description