The mediated Arctic


Book Description

The mediated Arctic analyses the multiple relations between geography and cultural production that have long shaped – and are currently transforming – the circumpolar world. It explores how twenty-first-century cultural practitioners imagine and poeticise various elements of Arctic geography, and in doing so negotiate pressing environmental, (geo)political, and social concerns. From the plasmatic force of ice in Disney’s Frozen films to the spatial vocabulary of circumpolar Indigenous hip hop, it addresses Arctic geographical imaginaries in a wide range of media, including literature, cinema, comic books, music videos, and cartographic art. The book brings together a plurality of voices from within and outside the circumpolar North, both in terms of the works analysed and in its own collaborative scholarly practice. The book bridges Indigenous and Southern mediations of the Arctic and combines different epistemologies to do justice to these imaginaries in their diversity.



















Island Genres, Genre Islands


Book Description

'Island Genres, Genre Islands' moves the debate about literature and place onto new ground by exploring the island settings of bestsellers. Through a focus on four key genres—crime fiction, thrillers, popular romance fiction, and fantasy fiction—Crane and Fletcher show that genre is fundamental to both the textual representation of real and imagined islands and to actual knowledges and experiences of islands. The book offers broad, comparative readings of the significance of islandness in each of the four genres as well as detailed case studies of major authors and texts. These include chapters on Agatha’s Christie’s islands, the role of the island in ‘Bondspace,’ the romantic islophilia of Nora Roberts’s Three Sisters Island series, and the archipelagic geography of Ursula Le Guin’s Earthsea. Crane and Fletcher’s book will appeal to specialists in literary studies and cultural geography, as well as in island studies.




Dracomantium V. 1


Book Description

The 1st in the Dracomantium Collection, featuring 3 codices in 1 tome:* 6. Dracomeroth {Codex Satani}: Written as a result of study and experimentation in The Occult, combining various traditions and "Satanizing" them, truly giving The Devil His due. The rites written therein are a result of both meditation & the application of Greater & Lesser Magical principles which have proven by results to work. Includes The Black Book of Shadows.* 6. The Devil's Scroll {Codex Diaboli}: A collection of misanthropic, Satanically-philosophical essays providing insights into human motivations, social commentary, as well as counter-culture thought.* 6. Satanic Serenades {Codex Noctum}: Infernal Reflections upon both vital existence and mythology, written in a beautiful, sometimes terrifying polemical, imaginative Gothic style, inspiring contemplation & darkest entertainment for those who resonate to The Satanic perspective, and appreciate the sinister aesthetic.Includes previous covers.




The Reception of Classical German Literature in England, 1760-1860, Volume 2


Book Description

The extensive scope of this collection means that this documentary record of the reception of German literature in England is a valuable scholarly resource. One of the most important features of British literary and intellectual history over the past 250 years is the influence of German literature. From the second half of the 18th Century, through the first decades of the 19th, German books and ideas attracted, then gained the attention of a nation. Despite the acknowledged importance of the influence on writers such as Coleridge and Carlyle the subject, though often alluded to, was rarely studied. This collection provides a guidebook through the masses of periodical and allows the English side of the Anglo-German literary relationship to be explored in detail. In order to make the collection useful to scholars with a wide range of interest, it has been divided into three parts: Part 1 is a chronological presentation of commentary on German literature in general. It also contains collective reviews of multiple German authors, notices of important anthologies and reactions to influential works about Germany and its culture. Part 2 collects reviews of 18th Century individual German authors and Part 3 is devoted to the English reception of Goethe and Schiller. Parts 2 & 3 contain cross-references to the collective reviews of Part 1. Containing over 200 British serials and articles and reviews from all the major English literary periodicals, the collection also includes a broad sampling of opinion from the more general magazines, including some popular religious publications.




Yule-Tide Stories


Book Description