Walt Whitman and the Civil War


Book Description

"The Fletcher Jones Foundation humanities imprint"--Prelim. p.




Walt Whitman's Civil War


Book Description

In 1863 Walt Whitman first proposed to the publisher John Redpath a book about his Civil War experiences. It was never published. But in a draft prospectus Whitman described ”a new book . . . with its framework jotted down on the battlefield, in the shelter tent, by the wayside amid the rubble of passing artillery trains or the moving cavalry in the streets of Washington . . . a book full of the blood and vitality of the American people.” Walter Lowenfels has edited the book Whitman could only envision. From a mosaic of materials—newspaper dispatches, letters, notebooks, published and unpublished works—as well as thirty-six of Whitman's great war poems, Lowenfels has created a thrilling and unique document. Sixteen pages of drawings by Winslow Homer, another distinguished eyewitness, are reproduced here from the artist's field sketches. The result is a book that produces in the reader exactly what Whitman had hoped, one that captures ”part of the actual distraction, heat, smoke, and excitement of those times.”




Memoranda During the War


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During the Civil War, from 1862-1865, Walt Whitman spent much of his time with wounded soldiers, both in the field and in the hospitals. The 40 notebooks he filled became the basis for the extraordinary diary of a medic in the Civil War.




Civil War Poetry and Prose


Book Description

Poems, letters, and prose from the war years include "O Captain! My Captain!" "When Lilacs Last in the Dooryard Bloom'd," "Adieu to a Soldier," and many other moving works.




Walt Whitman in Washington, D.C.


Book Description

Walt Whitman was already famous for Leaves of Grass when he journeyed to the nation's capital at the height of the Civil War to find his brother George, a Union officer wounded at the Battle of Fredericksburg. Whitman eventually served as a volunteer "hospital missionary," making more than six hundred hospital visits and serving over eighty thousand sick and wounded soldiers in the next three years. With the 1865 publication of Drum-Taps, Whitman became poet laureate of the Civil War, aligning his legacy with that of Abraham Lincoln. He remained in Washington until 1873 as a federal clerk, engaging in a dazzling literary circle and fostering his longest romantic relationship, with Peter Doyle. Author Garrett Peck details the definitive account of Walt Whitman's decade in the nation's capital.




"This Mighty Convulsion"


Book Description

This is the first book exclusively devoted to the Civil War writings of Walt Whitman and Herman Melville, arguably the most important poets of the war. The essays brought together in this volume add significantly to recent critical appreciation of the skill and sophistication of these poets; growing recognition of the complexity of their views of the war; and heightened appreciation for the anxieties they harbored about its aftermath. Both in the ways they come together and seem mutually influenced, and in the ways they disagree, Whitman and Melville grapple with the casualties, complications, and anxieties of the war while highlighting its irresolution. This collection makes clear that rather than simply and straightforwardly memorializing the events of the war, the poetry of Whitman and Melville weighs carefully all sorts of vexing questions and considerations, even as it engages a cultural politics that is never pat. Contributors: Kyle Barton, Peter Bellis, Adam Bradford, Jonathan A. Cook, Ian Faith, Ed Folsom, Timothy Marr, Cody Marrs, Christopher Ohge, Vanessa Steinroetter, Sarah L. Thwaites, Brian Yothers




LEAVES OF GRASS


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Song of Ourselves


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In the midst of a crisis of democracy, we have much to learn from Walt Whitman’s journey toward egalitarian selfhood. Walt Whitman knew a great deal about democracy that we don’t. Most of that knowledge is concentrated in one stunning poem, Song of Myself. Esteemed cultural and literary thinker Mark Edmundson offers a bold reading of the 1855 poem, included here in its entirety. He finds in the poem the genesis and development of a democratic spirit, for the individual and the nation. Whitman broke from past literature that he saw as “feudal”: obsessed with the noble and great. He wanted instead to celebrate the common and everyday. Song of Myself does this, setting the terms for democratic identity and culture in America. The work captures the drama of becoming an egalitarian individual, as the poet ascends to knowledge and happiness by confronting and overcoming the major obstacles to democratic selfhood. In the course of his journey, the poet addresses God and Jesus, body and soul, the love of kings, the fear of the poor, and the fear of death. The poet’s consciousness enlarges; he can see more, comprehend more, and he has more to teach. In Edmundson’s account, Whitman’s great poem does not end with its last line. Seven years after the poem was published, Whitman went to work in hospitals, where he attended to the Civil War’s wounded, sick, and dying. He thus became in life the democratic individual he had prophesied in art. Even now, that prophecy gives us words, thoughts, and feelings to feed the democratic spirit of self and nation.




Leaves of Grass


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Civil War Poetry


Book Description

A superb selection of poems from both sides of the American Civil War features more than 75 inspired works by Melville, Emerson, Longfellow, Whittier, Whitman, and many others.