The War of Art


Book Description

What keeps so many of us from doing what we long to do? Why is there a naysayer within? How can we avoid the roadblocks of any creative endeavor—be it starting up a dream business venture, writing a novel, or painting a masterpiece? The War of Art identifies the enemy that every one of us must face, outlines a battle plan to conquer this internal foe, then pinpoints just how to achieve the greatest success. The War of Art emphasizes the resolve needed to recognize and overcome the obstacles of ambition and then effectively shows how to reach the highest level of creative discipline. Think of it as tough love . . . for yourself.




War Artist


Book Description

When Brigadier James Phelan returns from Afghanistan with the body of a young soldier killed under his command, he is traumatised by the tragedy. An encounter with young Sydney tattoo artist Kira leaves him with a permanent tribute to the soldier, but it is a meeting that will change the course of his life. What he isn't expecting is a campaign of retribution from the soldiers who blame him for the ambush and threaten his career. With his marriage also on the brink, his life spirals out of control. Years later, Phelan is surprised when Kira re-enters his life seeking refuge from her own troubles and with a young son in tow. She finds a way to help him make peace with his past, but she is still on the run from her own. The War Artist is a timely and compelling novel about the legacy of war, the power of art and the possibility of redemption.




War Artist


Book Description

What is War Artist An artist who documents first-hand experiences of war through any sort of illustrative or depictive record is referred to as a war artist. This artist may be commissioned by a government or newspaper, or they may chronicle their experiences on their own initiative. Artists who work in the field of war investigate the visual and sensory aspects of combat, which are frequently lacking from written histories and other narratives of warfare. How you will benefit (I) Insights, and validations about the following topics: Chapter 1: War artist Chapter 2: Imperial War Museum Chapter 3: Australian and New Zealand Army Corps Chapter 4: Military art Chapter 5: History of the Great War Chapter 6: William Orpen Chapter 7: Will Longstaff Chapter 8: Anna Airy Chapter 9: QF 13-pounder gun Chapter 10: Arthur John Ensor (II) Answering the public top questions about war artist. Who this book is for Professionals, undergraduate and graduate students, enthusiasts, hobbyists, and those who want to go beyond basic knowledge or information for any kind of War Artist.




Artists in Times of War


Book Description

"Political power," says Howard Zinn, "is controlled by the corporate elite, and the arts are the locale for a kind of guerilla warfare in the sense that guerillas look for apertures and opportunities where they can have an effect." In Artists in Times of War, Zinn looks at the possibilities to create such apertures through art, film, activism, publishing and through our everyday lives. In this collection of four essays, the author of A People's History of the United States writes about why "To criticize the government is the highest act of patriotism." Filled with quotes and examples from the likes of Bob Dylan, Mark Twain, e. e. cummings, Thomas Paine, Joseph Heller, and Emma Goldman, Zinn's essays discuss America's rich cultural counternarratives to war, so needed in these days of unchallenged U.S. militarism.




World War I and American Art


Book Description

-World War I and American Art provides an unprecedented look at the ways in which American artists reacted to the war. Artists took a leading role in chronicling the war, crafting images that influenced public opinion, supported mobilization efforts, and helped to shape how the war's appalling human toll was memorialized. The book brings together paintings, drawings, prints, photographs, posters, and ephemera, spanning the diverse visual culture of the period to tell the story of a crucial turning point in the history of American art---




Kill for Peace


Book Description

“The book addresses chronologically the most striking reactions of the art world to the rise of military engagement in Vietnam then in Cambodia.” —Guillaume LeBot, Critique d’art The Vietnam War (1964–1975) divided American society like no other war of the twentieth century, and some of the most memorable American art and art-related activism of the last fifty years protested U.S. involvement. At a time when Pop Art, Minimalism, and Conceptual Art dominated the American art world, individual artists and art collectives played a significant role in antiwar protest and inspired subsequent generations of artists. This significant story of engagement, which has never been covered in a book-length survey before, is the subject of Kill for Peace. Writing for both general and academic audiences, Matthew Israel recounts the major moments in the Vietnam War and the antiwar movement and describes artists’ individual and collective responses to them. He discusses major artists such as Leon Golub, Edward Kienholz, Martha Rosler, Peter Saul, Nancy Spero, and Robert Morris; artists’ groups including the Art Workers’ Coalition (AWC) and the Artists Protest Committee (APC); and iconic works of collective protest art such as AWC’s Q. And Babies? A. And Babies and APC’s The Artists Tower of Protest. Israel also formulates a typology of antiwar engagement, identifying and naming artists’ approaches to protest. These approaches range from extra-aesthetic actions—advertisements, strikes, walk-outs, and petitions without a visual aspect—to advance memorials, which were war memorials purposefully created before the war’s end that criticized both the war and the form and content of traditional war memorials. “Accessible and informative.” —Art Libraries Society of North America




The Civil War and American Art


Book Description

Collects the best artwork created before, during and following the Civil War, in the years between 1859 and 1876, along with extensive quotations from men and women alive during the war years and text by literary figures, including Emily Dickinson, Mark Twain and Walt Whitman. 15,000 first printing.




Making Art Work


Book Description

The creative collaborations of engineers, artists, scientists, and curators over the past fifty years. Artwork as opposed to experiment? Engineer versus artist? We often see two different cultural realms separated by impervious walls. But some fifty years ago, the borders between technology and art began to be breached. In this book, W. Patrick McCray shows how in this era, artists eagerly collaborated with engineers and scientists to explore new technologies and create visually and sonically compelling multimedia works. This art emerged from corporate laboratories, artists' studios, publishing houses, art galleries, and university campuses. Many of the biggest stars of the art world--Robert Rauschenberg, Yvonne Rainer, Andy Warhol, Carolee Schneemann, and John Cage--participated, but the technologists who contributed essential expertise and aesthetic input often went unrecognized.




Art & Fear


Book Description

'I always keep a copy of Art & Fear on my bookshelf' JAMES CLEAR, author of the #1 best-seller Atomic Habits 'A book for anyone and everyone who wants to face their fears and get to work' DEBBIE MILLMAN, author and host of the podcast Design Matters 'A timeless cult classic ... I've stolen tons of inspiration from this book over the years and so will you' AUSTIN KLEON, NYTimes bestselling author of Steal Like an Artist 'The ultimate pep talk for artists. ... An invaluable guide for living a creative, collaborative life.' WENDY MACNAUGHTON, illustrator Art & Fear is about the way art gets made, the reasons it often doesn't get made, and the nature of the difficulties that cause so many artists to give up along the way. Drawing on the authors' own experiences as two working artists, the book delves into the internal and external challenges to making art in the real world, and shows how they can be overcome every day. First published in 1994, Art & Fear quickly became an underground classic, and word-of-mouth has placed it among the best-selling books on artmaking and creativity. Written by artists for artists, it offers generous and wise insight into what it feels like to sit down at your easel or keyboard, in your studio or performance space, trying to do the work you need to do. Every artist, whether a beginner or a prizewinner, a student or a teacher, faces the same fears - and this book illuminates the way through them.




The War Artist


Book Description

'Excellent! Jan has written a memorable story about a war time artist that's so descriptive you are completely immersed in it. I thoroughly enjoyed it. Sybil is an extraordinary woman taking on this...' - NetGalley reviewer, 5* *** 'Excuse me,' the man interrupted her as if there was absolutely nothing she could say to comfort him. 'I have to get on with my digging.' Then he stabbed violently at her sketchbook with his finger. 'Get it all down,' he snarled. 'Every single disgusting, pathetic detail. And shove it in their faces.' London, 1940 Following a chance meeting with her former teacher, young painter Sybil Paige wins a coveted assignment from the War Artists' Advisory Committee, and so begins her journey across the length and breadth of the country, sketching everything from airfields and assembly lines to farms and factories. Sometimes it's milkmaids and poultry keepers, brave and hopeful; sometimes it's the harrowed faces of those digging through the rubble to find their loved ones and livelihoods. But armed with her sketchbook, Sybil captures it all, determined to tell the stories of the thousands of women fighting their own battles on the home front. Above all, she wants the voices of her subjects to shine through. But amidst the scenes of despair and courage, the one picture Sybil cannot paint and yet cannot purge from her brain, no matter how hard she tries, is the image of a woman folded into a chair, the crumpled telegram about her missing husband clasped in her hand. Because a self-portrait, Sybil well knows, requires the artist to find her own voice. With each new commission, Sybil grows in confidence. But, like the many people she meets and sketches, she fears the future: will it bring hope or heartbreak? *** Readers love Jan Cacey: '[A] captivating, heart wrenching saga... I adamantly recommend' - 5* reader review 'A story of courage and hope' - 5* reader review 'I love this book... This book drew me in straight away and I just wanted to keep on reading until I finished it. A lovely story' - 5* reader review 'Poignant, warm, gut wrenching and hopeful, this book is just beautiful. I stayed riveted the entire time and could not put it down' - 5* reader review 'The book is full of fervor and the characters grow from beginning to end! I could not put the book down!' - 5* reader review