War Rug


Book Description

What is War Rug Afghanistan has a long-standing practice of using war rugs, which can be traced back to the decade of Soviet occupation of Afghanistan, which began in 1979. This custom has persisted through the subsequent wars, which have been military, political, and social in nature. After the Soviet Union invaded Afghanistan, Afghan rug producers started infusing the apparati of war into their designs very immediately after the invasion. They are still doing so today, despite the fact that the United States invasion of Afghanistan in 2001, which resulted in the removal of the Taliban regime led by Mullah Omar, has not been successful in putting a stop to the violence that has been occurring in the nation. How you will benefit (I) Insights, and validations about the following topics: Chapter 1: War rug Chapter 2: Rug making Chapter 3: Carpet Chapter 4: Persian carpet Chapter 5: Knot density Chapter 6: Ushak carpet Chapter 7: Tabriz rug Chapter 8: Oriental rug Chapter 9: Bergama carpet Chapter 10: Anatolian rug (II) Answering the public top questions about war rug. Who this book is for Professionals, undergraduate and graduate students, enthusiasts, hobbyists, and those who want to go beyond basic knowledge or information for any kind of War Rug.




War Rugs


Book Description

A presentation of twentieth century Afghan rugs through the illustration of more than 100 articles. The purpose of this volume is to provide a versatile and comprehensive presentation of Afghan rugs of the 20th century through the illustration and commenting of more than 100 original articles, now at the centre of a busy international trade. In addition to a very lively text, the book contains the complete profile of each carpet, examined both from the point of view of how it was made and as regards its iconographic content. The subjects are often of dramatic topicality. The concluding glossary is indispensable and comprehensive.




The Carpet Wars


Book Description

THE CARPET WARS is foreign correspondent Christopher Kremmer's riveting and timely account of a decade spent living, travelling and reporting from Asia and the Middle East. During his time reporting from Asia and the Middle East he formed an obsession with carpets and the 'perfect rug' - an obsession that saw him trace the threads of the carpet-making trade through the Islamic nations of Pakistan, Afghanistan, Iran, Iraq and the former Soviet republics of Central Asia. Along the way he made lifelong friendships, but he also discovered societies ripped apart by war, religion and fratricide, and ruled over by warlords like 'the Lion of Panjsher' Ahmed Shah Massoud - and terrorist mastermind Osama bin Laden. tHE CARPEt WARS tells the story of Kremmer's amazing journey and his fascinating but fraught experiences in one the most ancient, misunderstood and least-touristed parts of the world.




War Imagery in Women's Textiles


Book Description

Through the centuries, women have used textiles to express their ideas and political opinions, creating items of utility that also function as works of art. Beginning with medieval European embroideries and tapestries such as the Bayeux Tapestry, this book examines the ways in which women around the world have recorded the impact of war on their lives using traditional fabric art forms of knitting, sewing, quilting, embroidery, weaving, basketry and rug making. Works from the United States, Canada, Latin America, Asia, the Middle and Near East, and Oceania are analyzed in terms of content and utility, and cultural and economic implications for the women who created them are discussed. Traditional women's work served to document the upheaval in their lives and supplemented their family income. By creating textiles that responded to the chaos of war, women developed new textile traditions, modified old traditions and created a vehicle to express their feelings.




The World Is a Carpet


Book Description

An unforgettable portrait of a place and a people shaped by centuries of art, trade, and war. In the middle of the salt-frosted Afghan desert, in a village so remote that Google can’t find it, a woman squats on top of a loom, making flowers bloom in the thousand threads she knots by hand. Here, where heroin is cheaper than rice, every day is a fast day. B-52s pass overhead—a sign of America’s omnipotence or its vulnerability, the villagers are unsure. They know, though, that the earth is flat—like a carpet. Anna Badkhen first traveled to this country in 2001, as a war correspondent. She has returned many times since, drawn by a land that geography has made a perpetual battleground, and by a people who sustain an exquisite tradition there. Through the four seasons in which a new carpet is woven by the women and children of Oqa, she immortalizes their way of life much as the carpet does—from the petal half-finished where a hungry infant needs care to the interruptions when the women trade sex jokes or go fill in for wedding musicians scared away by the Taliban. As Badkhen follows the carpet out into the world beyond, she leaves the reader with an indelible portrait of fates woven by centuries of art, war, and an ancient trade that ultimately binds the invaded to the invader.




Oriental Rugs Today


Book Description

Demystifying a confusing and intimidating subject, Oriental Rugs Today is the first book devoted exclusively to new pieces. It discusses issues of dye and finish, looks country by country at examples from every major contemporary source, and profiles the artisans who revived the use of handspun wool and natural dyes. Written for both aficionado and novice, this edition includes 20 percent more material and new information on Nepalese and Iranian rugs, making this must-have guide to the subject. 100color photos are included.




Two Afternoons in the Kabul Stadium


Book Description

An exciting social history of Afghanistan told through art




Young Castro


Book Description

This intimate, revisionist portrait of Fidel Castro, showing how an unlikely young Cuban led his country in revolution and transfixed the world, is “sure to become the standard on Castro’s early life” (Publishers Weekly). Until now, biographers have treated Castro’s life like prosecutors, scouring his past for evidence to convict a person they don’t like or don’t understand. Young Castro challenges us to put aside the caricature of a bearded, cigar-munching, anti-American hothead to discover how Castro became the dictator who acted as a thorn in the side of US presidents for nearly half a century. In this “gripping and edifying narrative…Hansen brings imposing research and notable erudition” (Booklist) to Castro’s early life, showing Castro getting his toughness from a father who survived Spain’s class system and colonial wars to become one of the most successful independent plantation owners in Cuba. We see a boy running around that plantation more comfortable playing with the children of his father’s laborers than his own classmates at elite boarding schools in Santiago de Cuba and Havana. We discover a young man who writes flowery love letters from prison and contemplates the meaning of life, a gregarious soul attentive to the needs of strangers but often indifferent to the needs of his own family. These pages show a liberal democrat who admires FDR’s New Deal policies and is skeptical of communism, but is also hostile to American imperialism. They show an audacious militant who stages a reckless attack on a military barracks but is canny about building an army of resisters. In short, Young Castro reveals a complex man. The first American historian in a generation to gain access to the Castro archives in Havana, Jonathan Hansen was able to secure cooperation from Castro’s family and closest confidants. He gained access to hundreds of never-before-seen letters and interviewed people he was the first to ask for their impressions of the man. The result is a nuanced and penetrating portrait of a man at once brilliant, arrogant, bold, vulnerable, and all too human: a man who, having grown up on an island that felt like a colonial cage, was compelled to lead his country to independence.




Everyone Is Someone


Book Description

This beautifully illustrated book includes simple rhymes that teaches children that we are all more similar than different from one another; that everyone is someone.




The Tiger-Skin Rug


Book Description

It's amazing how easy it is for the tiger to pass himself off as a rug - he enjoys a life of luxury with the rajah's family, snacking on midnight feasts and playing with his children. He goes entirely undetected, until one night, when he risks expulsion from his comfortable abode as burglars break into the palace and he has to decide whether to stay in disguise as a rug - or save the rajah from a horrible beating. However, tigers who live in houses can have happy endings, as seen in this utterly brilliant picture book.