Warfare and Poetry in the Middle East


Book Description

Part of the rich legacy of the Middle East is a poetic record stretching back five millennia. This unparalleled repository of knowledge - across different languages, cultures and religions - allows us to examine continuity and change in human expression from the beginnings of writing to the present day. In Warfare and Poetry in the Middle East leading scholars draw upon this legacy to explore the ways in which poets, from the third millennium bc to the present day, have responded to effects of war. The contributors deal with material in a wide variety of languages - including Sumerian, Hittite, Akkadian, biblical and modern Hebrew, and classical and contemporary Arabic - and range from the Sumerian lament on the destruction of Ur and the Assyrian conquest of Jerusalem to the al-R?miyy?t of the poet and warrior prince Ab? Fir?s al-?amd?n?, the popular Arabic epics and romances that form the siyar, to the contemporary poetry of Hamas and Hezbollah. Some of the poems are heroic in tone celebrating victory and the prowess of warriors and soldiers; others reflect keenly on the pity and destruction of warfare, on the grief and suffering that war causes.The result is a work that provides a unique reflection upon the ways in which this most violent and pervasive of human activities has been reflected in different cultures. The history of war begins in the Middle East - the earliest reported conflict in human history was fought between the neighbouring city states of Lagash and Umma in ancient Iraq. At a time when the Middle East seems to be permanently at war and wracked by violence, it is salutary to look back at the ancient roots of modern attitudes and to see that in the past, as in the present, these attitudes are much more varied, and the emotions more subtle, than often realised.




Warfare and Poetry in the Middle East


Book Description

Part of the rich legacy of the Middle East is a poetic record stretching back five millennia. This unparalleled repository of knowledge - across different languages, cultures and religions - allows us to examine continuity and change in human expression from the beginnings of writing to the present day. In Warfare and Poetry in the Middle East leading scholars draw upon this legacy to explore the ways in which poets, from the third millennium bc to the present day, have responded to effects of war. The contributors deal with material in a wide variety of languages - including Sumerian, Hittite, Akkadian, biblical and modern Hebrew, and classical and contemporary Arabic - and range from the Sumerian lament on the destruction of Ur and the Assyrian conquest of Jerusalem to the al-R?miyy?t of the poet and warrior prince Ab? Fir?s al-?amd?n?, the popular Arabic epics and romances that form the siyar, to the contemporary poetry of Hamas and Hezbollah. Some of the poems are heroic in tone celebrating victory and the prowess of warriors and soldiers; others reflect keenly on the pity and destruction of warfare, on the grief and suffering that war causes.The result is a work that provides a unique reflection upon the ways in which this most violent and pervasive of human activities has been reflected in different cultures. The history of war begins in the Middle East - the earliest reported conflict in human history was fought between the neighbouring city states of Lagash and Umma in ancient Iraq. At a time when the Middle East seems to be permanently at war and wracked by violence, it is salutary to look back at the ancient roots of modern attitudes and to see that in the past, as in the present, these attitudes are much more varied, and the emotions more subtle, than often realised.




Rifqa


Book Description

Rifqa is Mohammed El-Kurd’s debut collection of poetry, written in the tradition of Ghassan Kanafani’s Palestinian Resistance Literature. The book narrates the author’s own experience of dispossession in Sheikh Jarrah--an infamous neighborhood in Jerusalem, Palestine, whose population of refugees continues to live on the brink of homelessness at the hands of the Israeli government and US-based settler organizations. The book, named after the author’s late grandmother who was forced to flee from Haifa upon the genocidal establishment of Israel, makes the observation that home takeovers and demolitions across historical Palestine are not reminiscent of 1948 Nakba, but are in fact a continuation of it: a legalized, ideologically-driven practice of ethnic cleansing.




The Dangers of Poetry


Book Description

Poetry has long dominated the cultural landscape of modern Iraq, simultaneously representing the literary pinnacle of high culture and giving voice to the popular discourses of mass culture. As the favored genre of culture expression for religious clerics, nationalist politicians, leftist dissidents, and avant-garde intellectuals, poetry critically shaped the social, political, and cultural debates that consumed the Iraqi public sphere in the twentieth century. The popularity of poetry in modern Iraq, however, made it a dangerous practice that carried serious political consequences and grave risks to dissident poets. The Dangers of Poetry is the first book to narrate the social history of poetry in the modern Middle East. Moving beyond the analysis of poems as literary and intellectual texts, Kevin M. Jones shows how poems functioned as social acts that critically shaped the cultural politics of revolutionary Iraq. He narrates the history of three generations of Iraqi poets who navigated the fraught relationship between culture and politics in pursuit of their own ambitions and agendas. Through this historical analysis of thousands of poems published in newspapers, recited in popular demonstrations, and disseminated in secret whispers, this book reveals the overlooked contribution of these poets to the spirit of rebellion in modern Iraq.




Language for a New Century


Book Description

An extensive collection of contemporary Asian and Middle Eastern poetry includes the work of four hundred contributors from a variety of backgrounds, in a thematically organized anthology that is complemented by personal essays.




Kill Class


Book Description

"Kill class is based on two years of fieldwork the author conducted within combat trainings in simulated Middle Eastern villages erected by the US military across America"--




19 Varieties of Gazelle


Book Description

EM"Tell me how to live so many lives at once ..."/em Fowzi, who beats everyone at dominoes; Ibtisam, who wanted to be a doctor; Abu Mahmoud, who knows every eggplant and peach in his West Bank garden; mysterious Uncle Mohammed, who moved to the mountain; a girl in a red sweater dangling a book bag; children in velvet dresses who haunt the candy bowl at the party; Baba Kamalyari, age 71; Mr. Dajani and his swans; Sitti Khadra, who never lost her peace inside. EMMaybe they have something to tell us./em Naomi Shihab Nye has been writing about being Arab-American, about Jerusalem, about the West Bank, about family all her life. These new and collected poems of the Middle East -- sixty in all -- appear together here for the first time.




Welcome to FOB Haiku


Book Description

"Sherpatude no. 26: 'Humor is a combat multiplier ...' Has your war become workaday? Does life on the Forward Operating Base (FOB) now seem commonplace? Armed with deadpan snark and poker-faced patriotism -- and rooted in the coffee-black soil and plain-spoken voice of the American Midwest -- journalist-turned-poet Randy Brown reveals behind-the-scenes stories of U.S. soldier-citizenship. From Boot Camp to Bagram, Afghanistan. And back home again." --




Modern Arabic Poetry


Book Description

Cover -- modern arabic poetry -- Title -- Copyright -- Dedication -- CONTENTS -- Acknowledgments -- Note on Translation and Transliteration -- Introduction -- CHAPTER 1 The Politics and Poetics of the Modern Arab World -- CHAPTER 2 From Iltizām to Metapoetry: ʻAbd al-Wahhāb al-Bayātī -- CHAPTER 3 From Iltizām to the Arab Uprising: Aḥmad ʻAbd al-Muʻṭī Ḥijāzī -- CHAPTER 4 From Militant Iltizām to Humanist: Maḥmūd Darwīsh -- Conclusion: The Poets and Their Vocation in the Modern World -- Appendix: Interview with Aḥmad ʻAbd al-Muʻṭī Ḥijāzī -- Notes -- Bibliography -- Index




We Are Iraqis


Book Description

While the occupation of Iraq and its aftermath has received media and political attention, we know very little about the everyday lives of Iraqis. Iraqi men, women, and children are not merely passive victims of violence, vulnerable recipients of repressive regimes, or bystanders of their country’s destruction. In the face of danger and trauma, Iraqis continue to cope, preparing food, sending their children to school, socializing, telling jokes, and dreaming of a better future. Within the realm of imagination and creative expression, the editors find that many Iraqi artists have not only survived but have also sought healing. In We Are Iraqis, Al-Ali and Al-Najjar showcase written and visual contributions by Iraqi artists, writers, poets, filmmakers, photographers, and activists. Contributors explore the way Iraqis retain, subvert, and produce art and activism as ways of coping with despair and resisting chaos and destruction. The first anthology of its kind, We Are Iraqis brings into focus the multitude of ethnicities, religions, and experiences that are all part of Iraq.