Warren MacKenzie, an American Potter


Book Description

Fifth in Kodansha's award-winning series on American craftspersons. Warren MacKenzie has spent his life working in a wide-ranging folkcraft tradition that draws inspiration from the great potter Bernard Leach in Britain and the mingei movement of postwar Japan.




Warren Mackenzie


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Warren MacKenzie


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A Chosen Path


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Renowned ceramic artist Karen Karnes has created some of the most iconic pottery of the late twentieth and early twenty-first centuries. The body of work she has produced in her more than sixty years in the studio is remarkable for its depth, personal voice, and consistent innovation. Many of her pieces defy category, invoking body and landscape, pottery and sculpture, male and female, hand and eye. Equally compelling are Karnes's experiences in some of the most significant cultural settings of her generation: from the worker-owned cooperative housing of her childhood, to Brooklyn College under modernist Serge Chermayeff, to North Carolina's avant-garde Black Mountain College, to the Gate Hill Cooperative in Stony Point, New York, which Karnes helped establish as an experiment in integrating art, life, family, and community. This book, designed to accompany an exhibit of Karnes's works organized by Peter Held, curator of ceramics for the Arizona State University Art Museum's Ceramic Research Center, offers a comprehensive look at the life and work of Karnes. Edited by highly regarded studio potter Mark Shapiro, it combines essays by leading critics and scholars with color reproductions of more than sixty of her works, providing new perspectives for understanding the achievements of this extraordinary artist.




A Potter's Book


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Examines the standards of and the various clays, pigments, and glazes used in Japanese raku, English slipware, stoneware, and Oriental porcelain, showing students how to adapt designs to local conditions




The Unknown Craftsman


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Mr. Yanagi sees folk art as a manifestation of the essential world from which art, philosophy, and religion arise and in which the barriers between them disappear. The implications of the author's ideas are both far-reaching and practical.




Craft in America


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Illustrated with 200 stunning photographs and encompassing objects from furniture and ceramics to jewelry and metal, this definitive work from Jo Lauria and Steve Fenton showcases some of the greatest pieces of American crafts of the last two centuries. Potter Craft




What Makes a Potter


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Why are people still handmaking utilitarian pottery in the 21st century? Doesn't industrial production take care of all our storage and cooking and serving needs? Yet, in all corners of the US, pottery is being discovered, studied, developed, produced, sold, collected, used, displayed, preserved, and passed down. Answers to these questions are vividly realized in the words of potters themselves--funny, philosophical, intense, and inspiring life narratives captured by Janet Koplos, an award-winning art critic who has followed American studio ceramics for the last four decades. The depth and breadth of this book is unprecedented in American craft history. Fifty individuals or pairs of potters offer their experiences, their thoughts, and their lessons learned. When art is at home in the kitchen, dining room, or living room, as is the case with functional pottery, the impact on our lives can be profound.




Warren MacKenzie, Potter


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A Potter's Workbook


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In A Potter's Workbook, renowned studio potter and teacher Clary Illian presents a textbook for the hand and the mind. Her aim is to provide a way to see, to make, and to think about the forms of wheel-thrown vessels; her information and inspiration explain both the mechanics of throwing and finishing pots made simply on the wheel and the principles of truth and beauty arising from that traditional method. Each chapter begins with a series of exercises that introduce the principles of good form and good forming for pitchers, bowls, cylinders, lids, handles, and every other conceivable functional shape. Focusing on utilitarian pottery created on the wheel, Illian explores sound, lively, and economically produced pottery forms that combine an invitation to mindful appreciation with ease of use. Charles Metzger's striking photographs, taken under ideal studio conditions, perfectly complement her vigorous text.