The Red Man's Bones: George Catlin, Artist and Showman


Book Description

The first biography in over sixty years of a great American artist whose paintings are more famous than the man who made them. George Catlin has been called the “first artist of the West,” as none before him lived among and painted the Native American tribes of the Northern Plains. After a false start as a painter of miniatures, Catlin found his calling: to fix the image of a “vanishing race” before their “extermination”—his word—by a government greedy for their lands. In the first six years of the 1830s, he created over six hundred portraits—unforgettable likenesses of individual chiefs, warriors, braves, squaws, and children belonging to more than thirty tribes living along the upper Missouri River. Political forces thwarted Catlin’s ambition to sell what he called his “Indian Gallery” as a national collection, and in 1840 the artist began three decades of self-imposed exile abroad. For a time, his exhibitions and writings made him the most celebrated American expatriate in London and Paris. He was toasted by Queen Victoria and breakfasted with King Louis-Philippe, who created a special gallery in the Louvre to show his pictures. But when he started to tour “live” troupes of Ojibbewa and Iowa, Catlin and his fortunes declined: He changed from artist to showman, and from advocate to exploiter of his native performers. Tragedy and loss engulfed both. This brilliant and humane portrait brings to life George Catlin and his Indian subjects for our own time. An American original, he still personifies the artist as a figure of controversy, torn by conflicting demands of art and success.




Grand Themes


Book Description

"Explores history painting in the United States during the middle decades of the nineteenth century, as exemplified by Emanuel Leutze's Washington Crossing the Delaware (1851). Includes the work of artists such as Daniel Huntington, Lilly Martin Spencer, and Eastman Johnson"--Provided by publisher.




Culture Care


Book Description

We all have a responsibility to care for culture. Artist Makoto Fujimura issues a call to cultural stewardship, in which we feed our culture's soul with beauty, creativity, and generosity. This is a book for artists and all "creative catalysts" who understand how much the culture we all share affects human thriving today and shapes the generations to come.




The Many Faces of George Washington


Book Description

George Washington's face has been painted, printed, and engraved more than a billion times since his birth in 1732. And yet even in his lifetime, no picture seemed to capture the likeness of the man who is now the most iconic of all our presidents. Worse still, people today often see this founding father as the "old and grumpy" Washington on the dollar bill. In 2005 a team of historians, scientists, and artisans at Mount Vernon set out to change the image of our first president. They studied paintings and sculptures, pored over Washington's letters to his tailors and noted other people s comments about his appearance, even closely examined the many sets of dentures that had been created for Washington. Researchers tapped into skills as diverse as 18th-century leatherworking and cutting-edge computer programming to assemble truer likenesses. Their painstaking research and exacting processes helped create three full-body representations of Washington as he was at key moments in his life. And all along the way, the team gained new insight into a man who was anything but "old and grumpy." Join award-winning author Carla Killough McClafferty as she unveils the statues of the three Georges and rediscovers the man who became the face of a new nation.







Booker T. Washington and the Art of Self-representation


Book Description

Booker T. Washington embraced photography as the artistic medium to represent himself and Tuskegee Institute because it was economical, technical, utilitarian, and aesthetic: an apt form for a man who preached a gospel of thrift, industry, self-sufficiency, and beauty. Advancements in photography at the end of the nineteenth century allowed Washington to be simultaneously better known and more elusive - an international celebrity with a multitude of identities. Washington produced and directed photographic images by considering region, race, and class. Initially, he crafted an image of Victorian grace as a fund-raising strategy which appealed to elite white America's belief in gradual reform. As Washington entered the last decade of his life, he gradually shifted his efforts toward speaking directly to black audiences with the support of black photographers. He shed the passive role he presented to the white world and challenged racist popular culture by visually demonstrating social and cultural equality. Washington should be credited with not only launching the careers of several black photographers but also with establishing the early aesthetic of the «New Negro». From 1895-1915, Washington was the central figure in African American culture, supporting black artists telling black stories in the contemporary Victorian aesthetic, and showing how blacks could equal whites artistically and culturally.




American Art to 1900


Book Description

From the simple assertion that "words matter" in the study of visual art, this comprehensive but eminently readable volume gathers an extraordinary selection of words—painters and sculptors writing in their diaries, critics responding to a sensational exhibition, groups of artists issuing stylistic manifestos, and poets reflecting on particular works of art. Along with a broad array of canonical texts, Sarah Burns and John Davis have assembled an astonishing variety of unknown, little known, or undervalued documents to convey the story of American art through the many voices of its contemporary practitioners, consumers, and commentators. American Art to 1900 highlights such critically important themes as women artists, African American representation and expression, regional and itinerant artists, Native Americans and the frontier, popular culture and vernacular imagery, institutional history, and more. With its hundreds of explanatory headnotes providing essential context and guidance to readers, this book reveals the documentary riches of American art and its many intersecting histories in unprecedented breadth, depth, and detail.




Revolutionary


Book Description

From an acclaimed military historian, a bold reappraisal of young George Washington, an ambitious if reckless soldier destined to become the legendary general who took on the British and, through his leadership, defined the American character How did George Washington become an American icon? Robert L. O’Connell, the New York Times bestselling author of Fierce Patriot and The Ghosts of Cannae, introduces us to Washington before he was Washington: a young soldier champing at the bit for a commission in the British army, frustrated by his position as a minor Virginia aristocrat. Fueled by ego, Washington led a disastrous expedition in the Seven Years’ War, but then the commander grew up. We witness George Washington take up politics and join Virginia’s colonial governing body, the House of Burgesses, where he became ever more attuned to the injustices of life under the British Empire and the paranoid, revolutionary atmosphere of the colonies. When war seemed inevitable, he was the right man—the only man—to lead the nascent American army. We would not be here without George Washington, and O’Connell proves that Washington the general was at least as significant to the founding of the United States as Washington the president. He emerges here as cunning and manipulative, a subtle puppeteer among intimates, and a master cajoler—but all in the cause of rectitude and moderation. Washington became the embodiment of the Revolution itself. He draped himself over the revolutionary process and tamped down its fires. As O’Connell writes, the war was decisive because Washington managed to stop a cycle of violence with the force of personality and personal restraint. In his trademark conversational, witty style, Robert L. O’Connell has written a compelling reexamination of General Washington and his revolutionary world. He cuts through the enigma surrounding Washington to show how the general made all the difference and became a new archetype of revolutionary leader in the process. Revolutionary is a masterful character study of America’s founding conflict filled with lessons about conspiracy, resistance, and leadership that resonate today. Advance praise for Revolutionary “Given the amount of ink spilled over the years, it is not easy to offer a fresh look at George Washington’s leadership role during the war for American independence. But Robert L. O’Connell has done it in Revolutionary. The title announces the insight, which is the otherwise uncontrollable political and military energies released by the war that Washington was able to orchestrate.”—Joseph J. Ellis, author of American Dialogues: The Founders and Us




George Washington


Book Description

It is also an image that has resisted fundamental revision over the course of two centuries because of the force of Washington's character, the clarity of his political purposes, and the intensity of his charisma.