Washington Irving's Critique of American Culture


Book Description

Washington Irving's Critique of American Culture argues that Irving offers not only a critique of a culture losing rootedness, but also positive multi-cultural vision of world citizenship in the new Republic. American Romantic art contemporary to Irving sheds light on his critique and positive vision of what America could be.




Washington Irving’s Critique of American Culture


Book Description

Washington Irving’s Critique of American Culture: Sketching a Vision of World Citizenship challenges long-standing views of Washington Irving. He has been portrayed as writing in the 18th century style of Addison and Goldsmith, without having much substance of his own. Irving has also been accused of being insufficiently American and adrift in an identity crisis. The author argues that Irving addressed the American cultural context very extensively—he was a writer of substance who articulated an ethic of world citizenship that was found in the philosophy of ancient Greek cynics and stoics. This ethic was united with a love of picturesque travel, which emphasized variety and texture in experience, resulting in an extraordinary affirmation of the value of cultural diversity in the new Republic. Irving was, in fact, a liminal figure straddling Romantic and neoclassical modes of writing and acting. The author draws attention to Irving’s success as a writer in the pictorial mode. Irving also expressed a critique of cultural loss and environmental destruction like that articulated by the artist Thomas Cole. The work embraces an interdisciplinary approach, where insights from philosophy, religion, art history, and social history shed light on an underestimated writer.




The Original Knickerbocker


Book Description

Washington Irving-author, ambassador, Manhattanite, and international celebrity-has largely slipped from America's memory, and yet, his creations are still very well known. With a historian's eye for scope and significance, Andrew Burstein returns Irving to the context of his native nineteenth century where he was a major celebrity-both a colorful comic genius and the first name in our national literature. Though he gave his young nation such enduring tales as “The Legend of Sleepy Hollow” and “Rip Van Winkle,” he was far more than one of our nation's most outsized literary talents. Irving was an American original and a citizen of the world.




A Tour on the Prairies


Book Description

Account of an expedition in Oct. and Nov. 1832 through a part of the unorganized Indian country now the state of Oklahoma.







Washington Irving


Book Description

Brian Jay Jones crafts a deft biography of the author of “The Legend of Sleepy Hollow” and “Rip van Winkle”: quintessential New Yorker, presidential confidant, diplomat, lawyer, and fascinating charmer. The first American writer to make his pen his primary means of support, Washington Irving rocketed to fame at the age of twenty-six. In 1809 he published A History of New York under the pseudonym Diedrich Knickerbocker, to great acclaim. The public’s appetite for all things Irving was insatiable; his name alone guaranteed sales. At the time, he was one of the most famous men in the world, a friend of Dickens, Hawthorne, and Longfellow, as well as Astor, van Buren, and Madison. But his sparkling public persona was only one side of this gentleman author. In brilliant, meticulous strokes, Brian Jay Jones renders Washington Irving in all his flawed splendor—someone who fretted about money and employment, suffered from writer’s block, and doggedly cultivated his reputation. Jones offers a very human portrait of the often contrasting public and private lives of this true American original.




The Rise and Fall of Early American Magazine Culture


Book Description

Countering assumptions about early American print culture and challenging our scholarly fixation on the novel, Jared Gardner reimagines the early American magazine as a rich literary culture that operated as a model for nation-building by celebrating editorship over authorship and serving as a virtual salon in which citizens were invited to share their different perspectives. The Rise and Fall of Early American Magazine Culture reexamines early magazines and their reach to show how magazine culture was multivocal and presented a porous distinction between author and reader, as opposed to novel culture, which imposed a one-sided authorial voice and restricted the agency of the reader.




Colonizing the Past


Book Description

After the Revolution, Americans realized they lacked the common, deep, or meaningful history that might bind together their loose confederation of former colonies into a genuine nation. They had been conquerors yet colonials, now politically independent yet culturally subordinate to European history and traditions. To resolve these paradoxes, some early republic "historians" went so far as to reconstruct pre-Columbian, transatlantic adventures by white people that might be employed to assert their rights and ennoble their identities as Americans. In Colonizing the Past, Edward Watts labels this impulse "primordialism" and reveals its consistent presence over the span of nineteenth-century American print culture. In dozens of texts, Watts tracks episodes in which varying accounts of pre-Columbian whites attracted widespread attention: the Welsh Indians, the Lost Tribes of Israel, the white Mound Builders, and the Vikings, as well as two ancient Irish interventions. In each instance, public interest was ignited when representations of the group in question became enmeshed in concurrent conversations about the nation’s evolving identity and policies. Yet at every turn, counternarratives and public resistance challenged both the plausibility of the pre-Columbian whites and the colonialist symbolism that had been evoked to create a sense of American identity. By challenging the rhetoric of primordialism and empire building, dissenting writers from Washington Irving to Mark Twain exposed the crimes of conquest and white Americans’ marginality as ex-colonials.




The Islamic Lineage of American Literary Culture


Book Description

Uncovering Islam's formative impact on U.S. literary origins, this book traces the influence of Arabic and Persian literature in America, from the Revolution beginnings to Reconstruction. Focusing on informal engagements and intimate exchanges, Jeffrey Einboden excavates fresh witnesses to early American engagement with the Muslim world.