Watched


Book Description

An extraordinary and timely novel, a Walter Dean Myers Award Honor Book, examines what it’s like to grow up under surveillance in America. Be careful what you say and who you say it to. Anyone might be a watcher. Naeem is a Bangledeshi teenager living in Queens who thinks he can charm his way through anything. But then mistakes catch up with him. So do the cops, who offer him an impossible choice: spy on his Muslim neighbors and report back to them on shady goings-on, or face a police record. Naeem wants to be a hero—a protector. He wants his parents to be proud of him. But as time goes on, the line between informing and entrapping blurs. Is he saving or betraying his community? Inspired by actual surveillance practices in New York City and elsewhere, Marina Budhos’s extraordinary and timely novel examines what it’s like to grow up with Big Brother always watching. Naeem’s riveting story is as vivid and involving as today’s headlines. Walter Dean Myers Award Honor Book, We Need Diverse Books Asian/Pacific American Award for Literature Honor Book YALSA Best YA Fiction for Young Adults “A fast-moving, gripping tale.” —SLJ, Starred




Watched


Book Description

It takes more than a school trip to Washington, D.C. to change fifteen-year-old Christy's life. it takes murder. A witness to the brutal slaying of a Senator's aide, Christy finds herself watched not only by the killers and the FBI but also by two hot boys. She discovers that if she can't help the FBI, who want to protect her, it will cost her and her new friends their lives.




The Man Who Watched the Trains Go By


Book Description

A brilliant new translation of one of Simenon's best loved masterpieces. 'A certain furtive, almost shameful emotion ... disturbed him whenever he saw a train go by, a night train especially, its blinds drawn down on the mystery of its passengers' Kees Popinga is a respectable Dutch citizen and family man. Then he discovers that his boss has bankrupted the shipping firm he works for - and something snaps. Kees used to watch the trains go by to exciting destinations. Now, on some dark impulse, he boards one at random, and begins a new life of recklessness and violence. This chilling portrayal of a man who breaks from society and goes on the run asks who we are, and what we are capable of. 'Classic Simenon ... extraordinary in its evocative power' Independent 'What emerges is the bare human animal' John Gray 'Read him at your peril, avoid him at your loss' Sunday Times




Watched


Book Description

When hackers can hijack any cellphone or computer webcam, no one is safe— including Jesse Jesse seems like a normal sixteen-year-old, but he isn't. He is a victim of King—a ruthless hacker who has been blackmailing Jesse with incriminating screen photos and videos. So far, Jesse's given in to King's demands in order to protect his family. But now King wants something that's too horrible to contemplate— and if he doesn't get it, King will kill Jesse's little sister. Terrified and helpless, the answer to Jesse's prayers arrives in the form of a plain manila envelope. Inside there's a phone number and a note: I can help.




People Watching


Book Description

The scientific study of the human body has burgeoned in recent years, and scholars from wide-ranging disciplines are now seeking to understand just how much information can be conveyed by the human body in motion. This volume sheds light on the potency of the human body to inform our most basic perceptions of one another.




Being Watched


Book Description

How Yvonne Rainer's art shaped new ways of watching as well as performing; how it connected 1960s avant-garde art to politics and activism. In her dance and performances of the 1960s, Yvonne Rainer famously transformed the performing body—stripped it of special techniques and star status, traded its costumes and leotards for T-shirts and sneakers, asked it to haul mattresses or recite texts rather than leap or spin. Without discounting these innovations, Carrie Lambert-Beatty argues in Being Watched that the crucial site of Rainer's interventions in the 1960s was less the body of the performer than the eye of the viewer—or rather, the body as offered to the eye. Rainer's art, Lambert-Beatty writes, is structured by a peculiar tension between the body and its display. Through close readings of Rainer's works of the 1960s—from the often-discussed dance Trio A to lesser-known Vietnam war-era protest dances—Lambert-Beatty explores how these performances embodied what Rainer called “the seeing difficulty.” (As Rainer said: “Dance is hard to see.”) Viewed from this perspective, Rainer's work becomes a bridge between key episodes in postwar art. Lambert-Beatty shows how Rainer's art (and related performance work in Happenings, Fluxus, and Judson Dance Theater) connects with the transformation of the subject-object relation in minimalism and with emerging feminist discourse on the political implications of the objectifying gaze. In a spectacle-soaked era, moreover—when images of war played nightly on the television news—Rainer's work engaged the habits of viewing formed in mass-media America, linking avant-garde art and the wider culture of the 1960s. Rainer is significant, argues Lambert-Beatty, not only as a choreographer, but as a sculptor of spectatorship.




When Watched


Book Description

A National Book Foundation 5 Under 35 Honoree Whiting Award Winner PEN/Hemingway Award Finalist Lambda Literary Award Finalist Longlisted for the PEN/Robert W. Bingham Prize for Debut Fiction & The Story Prize “Core captures a precious slice of what it is to be human. . . . She reaches moments of extraordinary grace.” —The New York Times Book Review “Pick up this book and prepare to face sublime recognition.” —Rookie “Full of dazzling insight and empathy.” —Refinery 29 Refreshing, witty, and absolutely close to the heart, Core’s twenty stories, set in and around New York City, have an other-worldly quality along with a deep seriousness—even a moral seriousness. What we know of identity is smashed and in its place, true individuals emerge, each bristling with a unique sexuality, a belief-system all their own. Reminiscent of Jane Bowles, William Burroughs, and Colette, her writing glows with an authenticity that is intoxicating and rare.




Watch Your Head


Book Description

A warning, a movement, a collection borne of protest. In Watch Your Head, poems, stories, essays, and artwork sound the alarm on the present and future consequences of the climate emergency. Ice caps are melting, wildfires are raging, and species extinction is accelerating. Dire predictions about the climate emergency from scientists, Indigenous land and water defenders, and striking school children have mostly been ignored by the very institutions – government, education, industry, and media – with the power to do something about it. Writers and artists confront colonization, racism, and the social inequalities that are endemic to the climate crisis. Here the imagination amplifies and humanizes the science. These works are impassioned, desperate, hopeful, healing, transformative, and radical. This is a call to climate-justice action. Edited by Madhur Anand, Stephen Collis, Jennifer Dorner, Catherine Graham, Elena Johnson, Canisia Lubrin, Kim Mannix, Kathryn Mockler, June Pak, Sina Queyras, Shazia Hafiz Ramji, Rasiqra Revulva, Yusuf Saadi, Sanchari Sur, and Jacqueline Valencia Proceeds will be donated to RAVEN and Climate Justice Toronto.




A Man & His Watch


Book Description

“I’ve paged through stacks of books on the history of watches. . . . But I hadn’t come across a book that actually moved me until I picked up A Man and His Watch. The volume is filled with heartfelt stories.” —T: The New York Times Style Magazine "There are a bunch of beautifully illustrated watch books out there, but A Man & His Watch by Matt Hranek is more than that. It speaks to the nature of watches as deeply personal items." —Gear Patrol, Coffee Table Books Our Staff Can’t Live Without Paul Newman wore his Rolex Daytona every single day for 35 years until his death in 2008. The iconic timepiece, probably the single most sought-after watch in the world, is now in the possession of his daughter Clea, who wears it every day in his memory. Franklin Roosevelt wore an elegant gold Tiffany watch, gifted to him by a friend on his birthday, to the famous Yalta Conference where he shook the hands of Joseph Stalin and Winston Churchill. JFK’s Omega worn to his presidential inauguration, Ralph Lauren’s watch purchased from Andy Warhol’s personal collection, Sir Edmund Hillary’s Rolex worn during the first-ever summit of Mt. Everest . . . these and many more compose the stories of the world’s most coveted watches captured in A Man and His Watch. Matthew Hranek, a watch collector and NYC men’s style fixture, has traveled the world conducting firsthand interviews and diving into exclusive collections to gather the never-before-told stories of 76 watches, completed with stunning original photography of every single piece. Through these intimate accounts and Hranek’s storytelling, the watches become more than just timepieces and status symbols; they represent historical moments, pioneering achievements, heirlooms, family mementos, gifts of affection, and lifelong friendships.




Watch This!


Book Description

An analysis of African American televangelists as cultural icons Through their constant television broadcasts, mass video distributions, and printed publications, African American religious broadcasters have a seemingly ubiquitous presence in popular culture. They are on par with popular entertainers and athletes in the African American community as cultural icons even as they are criticized by others for taking advantage of the devout in order to subsidize their lavish lifestyles. For these reasons questions abound. Do televangelists proclaim the message of the gospel or a message of greed? Do they represent the "authentic" voice of the black church or the Christian Right in blackface? Does the phenomenon reflect orthodox "Christianity" or ethnocentric "Americaninity" wrapped in religious language? Watch This! seeks to move beyond such polarizing debates by critically delving into the dominant messages and aesthetic styles of African American televangelists and evaluating their ethical implications.