Dying to Tell


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Weep for The Living


Book Description

A survivor's firsthand account of attempted murder in St. Francisville, Louisiana. A former warden of Angola Prison shoots his wife five times with a pistol, then sits down to watch her die on her plantation home porch. The victim, author Anne Butler, survives to tell this true crime story, detailing the unraveling of her seven-year marriage and how it led to her near-murder. Interspersed with simple black and white snapshots, this stranger-than-fiction story of murder, survival, and forgiveness offers keen insights into the mind of both victim and criminal.




Weep for The Living


Book Description

A survivor's firsthand account of attempted murder in St. Francisville, Louisiana. A former warden of Angola Prison shoots his wife five times with a pistol, then sits down to watch her die on her plantation home porch. The victim, author Anne Butler, survives to tell this true crime story, detailing the unraveling of her seven-year marriage and how it led to her near-murder. Interspersed with simple black and white snapshots, this stranger-than-fiction story of murder, survival, and forgiveness offers keen insights into the mind of both victim and criminal.




Angola


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Death Without Weeping


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When lives are dominated by hunger, what becomes of love? When assaulted by daily acts of violence and untimely death, what happens to trust? Set in the lands of Northeast Brazil, this is an account of the everyday experience of scarcity, sickness and death that centres on the lives of the women and children of a hillside "favela". Bringing her readers to the impoverished slopes above the modern plantation town of Bom Jesus de Mata, where she has worked on and off for 25 years, Nancy Scheper-Hughes follows three generations of shantytown women as they struggle to survive through hard work, cunning and triage. It is a story of class relations told at the most basic level of bodies, emotions, desires and needs. Most disturbing - and controversial - is her finding that mother love, as conventionally understood, is something of a bourgeois myth, a luxury for those who can reasonably expect, as these women cannot, that their infants will live.




Littell's Living Age


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Poetry of Life


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The Living Age


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Let the Willows Weep


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Birddog Harlin is a willful and bitter woman whose husband leaves suddenly one morning. She is left with her sad and angry daughter. Birddog, feeling the detachment from her only child, recalls her own difficult past filled with the hurt of death, abandonment and loneliness. Painful memories flood her mind, forcing Birddog, who is teetering between self-destruction and redemption, to choose whether she will rise above her pain or whether she will fall.