Animals Out of Paper


Book Description

THE STORY: When a world-renowned origami artist opens her studio to a teenage prodigy and his school teacher, she discovers that life and love can't be arranged neatly in this drama about finding the perfect fold.




Prayers from Chautauqua


Book Description

Joan Brown Campbell offers a moving collection of prayers for any occasion. Many of the prayers included were delivered at the historic Chautauqua Institution in Southwest New York. Campbell, revered for her dedication and extraordinary leadership to the national ecumenical interfaith community, delivers powerful moments for spiritual connection. For personal reflection or public participation, each prayer offers a new connection to God and a deepened awareness of the world we live in.




My Foreign Cities: A Memoir


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Winner of the Chautauqua Prize Named one of the Best Books of the Year by the San Francisco Chronicle and Library Journal “Uplifting... it’s about savoring the present, not allowing sadness to dominate and surrendering yourself to love, for better or worse.” —San Francisco Chronicle When she was just seventeen, independent and ambitious Elizabeth Scarboro fell in love with irreverent and irresistible Stephen. She knew he had cystic fibrosis, that he was expected to live only until the age of thirty or so, and that soon she’d have a choice to make. She could set out to travel, date, and lead the adventurous life she’d imagined, or she could be with Stephen, who came with an urgency of his own. In choosing him, Scarboro embraced another kind of adventure—simultaneously joyous and heartrending—staying with Stephen and building a life in the ten years they’d have together. The illness would be present in the background of their lives and then ever-more-insistently in the foreground. Beyond the illness, though, is a breathtaking love story. In crystalline prose, Scarboro describes the pulse of her relationship with Stephen with all its illuminating quirks. Like any young couple, they agonize about career choices, attempt ill-fated road trips, bargain about whether to adopt a puppy, and host one memorably disastrous Thanksgiving. They navigate the growing pains of their twenties alongside the twists and turns of life-threatening disease; if their telephone rings at midnight, the caller might be a heartbroken friend, or the hospital offering a new set of lungs. As time goes on and trouble looms, the dangers of Stephen’s illness consume her, just as they will consume readers who feel they have come to know this extraordinary couple. Scarboro tells her story of fierce love and its limitations with humor, grace, and remarkable bravery. My Foreign Cities is a portrait of a young couple approaching mortality with reckless abandon, gleefully outrunning it for as long as they can.




The Most American Thing in America


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Winner of the 2006 Barnard Hewitt Award for Excellence in Theatre History Between 1904 and the Great Depression, Circuit Chautauquas toured the rural United States, reflecting and reinforcing its citizens’ ideas, attitudes, and politics every summer through music (the Jubilee Singers, an African American group, were not always welcome in a time when millions of Americans belonged to the KKK), lectures (“Civic Revivalist” Charles Zueblin speaking on “Militancy and Morals”), elocutionary readers (Lucille Adams reading from Little Lord Fauntleroy), dramas (the Ben Greet Players’ cleaned-up version of She Stoops to Conquer), orations (William Jennings Bryan speaking about the dangers of greed), and special programs for children (parades and mock weddings). Theatre historians have largely ignored Circuit Chautauquas since they did not meet the conventional conditions of theatrical performance: they were not urban; they produced no innovative performance techniques, stage material, design effects, or dramatic literature. In this beautifully written and illustrated book, Charlotte Canning establishes an analytical framework to reveal the Circuit Chautauquas as unique performances that both created and unified small-town America. One of the last strongholds of the American traditions of rhetoric and oratory, the Circuits created complex intersections of community, American democracy, and performance. Canning does not celebrate the Circuit Chautauquas wholeheartedly, nor does she describe them with the same cynicism offered by Sinclair Lewis. She acknowledges their goals of community support, informed public thinking, and popular education but also focuses on the reactionary and regressive ideals they sometimes embraced. In the true interdisciplinary spirit of Circuit Chautauquas, she reveals the Circuit platforms as places where Americans performed what it meant to be American.




The Chautauquan


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The Romance of Small-town Chautauquas


Book Description

In The Romance of Small-Town Chautauquas, James Schultz offers a unique pictorial study of a cultural movement that started in 1904 and spread across the country. For almost thirty years, tent shows known as "chautauquas" brought popular education and entertainment to small towns in America from coast to coast. With more than one hundred photographs and other illustrations from the era, the book presents a captivating overview of the tent chautauqua movement from its inception to its demise in 1932. These traveling chautauquas--which were an outgrowth of the lyceum movement--evolved in the early part of the twentieth century. Keith Vawter, owner of the Chicago branch of the Redpath Lyceum, came up with an idea that would bring to rural America the same quality of lectures and other forms of entertainment that were available through the lyceum. His concept was a circuit of traveling tents that moved from town to town. Vawter named his traveling circuits "chautauquas," modeling them after the Chautauqua Institution in southwestern New York State, an intellectual community with summerlong programs of lectures, seminars, and workshops. Tent chautauquas offered a variety of cultural events by politicians, writers, and theologians, filling a void in the lives of rural residents who did not have access to the array of talent available to city dwellers. The Romance of Small-Town Chautauquas contains many previously unpublished photographs that reflect the styles and customs of a bygone era, as well as photos and anecdotes about many people of prominence who toured as speakers or entertainers. These included individuals such as President Warren G. Harding, Congresswoman Jeannette Rankin, ventriloquist Edgar Bergen, journalist and historian Ida Tarbell, poet Carl Sandburg, and many others. Schultz utilizes the existing literature on chautauquas, but he contributes much new information from the files of his father and uncle, both of whom were involved in the management of the Redpath Chautauquas, as well as interviews he conducted with individuals who remember attending chautauqua performances. Celebrating a fascinating chapter of America's cultural history, The Romance of Small-Town Chautauquas will appeal to students of American history and chroniclers of the entertainment industry.







Books for Idle Hours


Book Description

The publishing phenomenon of summer reading, often focused on novels set in vacation destinations, started in the nineteenth century, as both print culture and tourist culture expanded in the United States. As an emerging middle class increasingly embraced summer leisure as a marker of social status, book publishers sought new market opportunities, authors discovered a growing readership, and more readers indulged in lighter fare. Drawing on publishing records, book reviews, readers' diaries, and popular novels of the period, Donna Harrington-Lueker explores the beginning of summer reading and the backlash against it. Countering fears about the dangers of leisurely reading—especially for young women—publishers framed summer reading not as a disreputable habit but as a respectable pastime and welcome respite. Books for Idle Hours sheds new light on an ongoing seasonal publishing tradition.