Postwar Modern


Book Description

This landmark volume offers a major re-assessment of the art that emerged in Britain in the twenty years following the end of the Second World War: a period of anxiety, profound social change and explosive creativity. Published to coincide with the Barbican Centre’s 40th anniversary, it draws together the work of fifty artists, exploring a period straddled precariously between the horror of the past and the promise of the future. Spanning painting, sculpture, architecture, ceramics and photography, Postwar Modern will explore a rich field of experiment which challenges the idea that Britain was a cultural backwater at this time. Through new texts by Jane Alison, Hilary Floe, Ben Highmore, Hammad Nassar and Greg Salter, the book looks afresh at celebrated artists such as Francis Bacon, David Hockney, Lucian Freud and Eduardo Paolozzi, shown in dialogue with lesser-known figures. These will include those, like Francis Newton Souza, Avinash Chandra and Robert Adams, who were acclaimed by contemporaries but neglected in subsequent history-making; others, like Kim Lim, Anwar Jalal Shemza and Franciszka Themerson, are only now attracting the attention they deserve. Throughout their work, vital shared preoccupations become visible: gender, class, race and nationhood; the body, the bombsite, and the home. It is a period resonating strongly with our own: as the UK emerges from more than a decade of austerity and confronts the challenges of post-pandemic reconstruction, society is asking similarly deep questions about who we want and need to be.







Apollo's Swan and Lyre


Book Description

The colourful history of the Worshipful Company of Musicians, from its medieval beginnings to the present day.




New Library World


Book Description




Toyin Ojih Odutola


Book Description

Lotte Johnson, Toyin Ojih Odutola, Zadie Smith




Antiquarian Book Monthly


Book Description




Contested Urban Spaces


Book Description

This book takes the urban space as a starting point for thinking about practices, actors, narratives, and imaginations within articulations of memory. The social protests and mobilizations against colonial statues are examples of how past injustice and violence keep on shaping debates in the present. Following an interdisciplinary approach, the contributions to this book focus on the in/visibility and affective power of monuments and traces through political, activist, and artistic contestations in different geographical settings. They show that memories are shaped in contact zones, most often in conflict and within hierarchical social relations. The notion of decentered memory shifts the perspective to relationships between imperial centers and margins, remembrance and erasure, nationalistic tendencies and migration. This plurality of connections emerges around unfinished histories of violence and resistance that are reflected in monuments and traces.




Building Utopia: The Barbican Centre


Book Description

A beautifully designed celebration of the 40th birthday of the Barbican Arts Centre, in the heart of the City of London. It is the largest multi-arts centre in Europe, encompassing an art gallery, theatres, concert halls, cinemas and a much-loved conservatory, and regular collaborators include the London Symphony Orchestra and the Royal Shakespeare Company. Compiled by Nicholas Kenyon, the Barbican Centre's Managing Director 2007–2021, this is an in-depth exploration of the centre, drawing on the vast array of material available in its archives, much of which has never been seen before. It includes plans and photographs from the centre's design and construction, original signage and branding, and brochures and programmes. All this is accompanied by a wealth of photographs of the huge range of performances and exhibitions that have taken place over the years, from early RSC performances to the popular Rain Room installation of 2012 to today's impressive programme of events put together in conjunction with schools and the local community. The book's authoritative and evocative text includes: Foreword by Fiona Shaw Introduction by Sir Nicholas Kenyon Cultural historian Robert Hewison on how the centre came into being Architectural historian Elain Harwood on its architecture Music critic Fiona Maddocks on music Writer and theatre critic Lyn Gardner on theatre Editor and creative director Tony Chambers on visual art Author and film critic Sukhdev Sandhu on film With listings of Barbican events from 1982 to the present day, and snippets of oral history from some of the many people associated with the centre over the years, this sumptuous book is an invaluable companion to one of the world's most important cultural spaces.




Managing Information


Book Description