Welsh Poems and Ballads (Classic Reprint)


Book Description

Excerpt from Welsh Poems and Ballads In a collection of unedited odds and ends from Borrow's papers bearing upon Wales, and dating from various periods of his career, there is one insignificant-looking sheet on whose back some lines are pencilled, beginning "The mountain snow." They are reproduced in the text, but deserve notice here because of the evidence they bring of Borrow's long-continued Welsh obsession and his long practice as a Welsh translator. Apparently they date from the time when he was writing "Lavengro," since the other side of the leaf contains a draft in ink of the preface to that book. Other sheets of blue foolscap in the same bundle - folded small for the pocket - are devoted to unnumbered chapters of "Wild Wales." Yet another scrap, from a much earlier period, is so closely packed in a microscopic hand that it reminds one at a first glance of the painfully minute script of the Bronte sisters in their earliest attempts. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.




Welsh Poems and Ballads


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The Four Ancient Books of Wales Containing the Cymric Poems Attributed to the Bards of the Sixth Century; Volume 2


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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.




Print and the Celtic Languages


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This book is a study of the print cultures of the four principal Celtic languages — Irish, Welsh, Gaelic and Breton — in the crucial period between 1700 and 1900. Over the past four centuries, the Celtic languages of northwest Europe have followed contrasting paths of maintenance and decline. This was despite their common lack of official recognition and use, and their common distance from the centres of political power. This volume analyses publishing, circulation and reading in the four languages, particularly at a popular level, showing the different levels of overall activity as well as the distinctions in the types of printed texts between regions. The approach is a broad one, considering all printed books down to very small cheap formats. It explores the interactions between the different regions and the continuation of print culture within diasporic communities. This volume will appeal to book historians, to scholars of the four languages and their literature, and to students of Celtic studies.




The New Penguin Book of English Folk Songs


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One of the Spectator's Books of the Year 2012 'Farewell and adieu to you fair Spanish ladies Farewell and adieu to you ladies of Spain For we've received orders for to sail for old England But we hope in a short while to see you again' One of the great English popular art forms, the folk song can be painful, satirical, erotic, dramatic, rueful or funny. They have thrived when sung on a whim to a handful of friends in a pub; they have bewitched generations of English composers who have set them for everything from solo violin to full orchestra; they are sung in concerts, festivals, weddings, funerals and with nobody to hear but the singer. This magical new collection brings together all the classic folk songs as well as many lesser-known discoveries, complete with music and annotations on their original sources and meaning. Published in cooperation with the English Folk Dance and Song Society, it is a worthy successor to Ralph Vaughan Williams and A.L.Lloyd's original Penguin Book of English Folk Songs. 'Her keen eye did glitter like the bright stars by night The robe she was wearing was costly and white Her bare neck was shaded with her long raven hair And they called her pretty Susan, the pride of Kildare' In association with EFDSS, the English Folk Dance and Song Society




Useless Magic


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Lyrics and never-before-seen poetry and sketches from the iconic musician of Florence and the Machine Songs can be incredibly prophetic, like subconscious warnings or messages to myself, but I often don't know what I'm trying to say till years later. Or a prediction comes true and I couldn't do anything to stop it, so it seems like a kind of useless magic.




The Open Shelf


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