Wendelien van Oldenborgh


Book Description

Amateur is the first comprehensive publication about Wendelien van Oldenborgh's moving image works, and their accompanying installations. Developed over the past ten years of her practice, these works explore communication and interaction between individuals, often against the backdrop of a unique public location, in order to cast attention on repressed, incomplete, and unresolved histories. Through the staging of these encounters on film, van Oldenborgh enables multiple perspectives and voices to coexist, and brings to light political, social, and cultural relationships and how they are manifested through social interactions. The publication is generously illustrated and brings together a wealth of texts by artists, curators, and writers who have been key interlocutors with van Oldenborgh, and who each offer in-depth observations and reflections on a work from her oeuvre. These authors include Nana Adusei-Poku, Ricardo Basbaum, Frédérique Bergholtz, Eric de Bruyn, Binna Choi, David Dibosa, Denise Ferreira da Silva, Avery F. Gordon, Tom Holert, Nataša Ilić, Charl Landvreugd, Sven Lütticken, Anna Manubens, Ruth Noack, and Grant Watson. Amateur is published in conjunction with the Heineken Prize for Art, which van Oldenborgh received in 2014 and is supported by the Mondriaan Fund. Copublished with If I Can't Dance, I Don't Want To Be Part Of Your Revolution, and The Showroom Contributors Nana Adusei-Poku, Ricardo Basbaum, Frédérique Bergholtz, Eric de Bruyn, Binna Choi, David Dibosa, Denise Ferreira da Silva, Avery F. Gordon, Tom Holert, Nataša Ilić, Charl Landvreugd, Sven Lütticken, Anna Manubens, Ruth Noack, Grant Watson




Reclaiming Artistic Research


Book Description

This expanded second edition of Reclaiming Artistic Research explores artistic research in dialogue with 24 artists worldwide, reclaiming it from academic associations of the term. Embracing artists' dynamic engagement with other fields, it foregrounds the material, spatial, embodied, organizational, choreographic, and technological ways of knowing and unknowing specific to contemporary artistic inquiry. The second edition features a new text by the author and four new artist dialogues to reflect on the changing stakes of artistic research in the wake of the global pandemic, a widespread reckoning with social justice, the growing role of artificial intelligence, and the urgent reality of climate change. LUCY COTTER (*1973, Ireland) is a writer, curator, and artist. She was Curator of the Dutch Pavilion, 57th Venice Biennale, 2017, and Curator in Residence at Oregon Center for Contemporary Art 2021–22. The inaugural director of the Master Artistic Research, Royal Academy of Art, The Hague, Cotter has lectured internationally, most recently at Portland State University. She holds a project residency at Stelo Arts and Culture Foundation 2023-24.




Vistas of Modernity


Book Description




Bauhaus Imaginista


Book Description

Featuring the latest research commissioned on the occasion of the Bauhaus centenary, this book explores the global influence of the renowned Bauhaus school of arts and its famed artists. Bauhaus Imaginista marks the centennial anniversary of this fascinating and popular school of art, which championed the idea of artists working together as a community. The Bauhaus reconnected art with everyday life and was active in the fields of architecture, performance, design, and visual art. Founded by Walter Gropius, its faculty included such luminaries as Paul Klee, Wassily Kandinsky, La´szlo´ Moholy-Nagy, and Josef Albers. Placing emphasis on the international dissemination and reception of the Bauhaus, this book expresses the Bauhaus’ influence, philosophy, and history beyond Germany. Rethinking the school from an international perspective, it sets its entanglements against a century of geopolitical change, as many of its artists fled World War II Germany. Bauhaus Imaginista takes readers on a global visual tour of Bauhaus influence from art and design museums to campus galleries and art institutes in India, Japan, China, Russia, Brazil, Berlin, and the United States.




Circular Facts


Book Description

Circular Facts is a collaborative endeavor between three European contemporary art organizations: Casco - Office for Art, Design and Theory, Utrecht; Objectif Exhibitions, Antwerp; and The Showroom, London, in partnership with Kunst Halle Sankt Gallen and Electric Palm Tree. The project acted as an informal think tank and a mutual support structure for the production and dissemination of artistic projects, and has culminated in an eponymous publication. The publication aims to gather a spectrum of perspectives to explore the roles of specific initiatives within their particular localities. The contributors have produced works that speak to their experiences within arts institutions, collaborative curatorial initiatives, and research networks, expanding on the relationship between institutions and artists, markets, local and international audiences, and current political climates. Contributors Mai Abu ElDahab, Binna Choi, Emily Pethick, Heejin Kim, Anthony Huberman, Will Bradley, Miren Jaio and Leire Veraga, Anna Colin and Melanie Boutaloup, and Gabi Ngcobo; and an interview with Kim Einarsson.




The Shape of Evidence


Book Description

The shape of evidence' examines the role and use of visual documents in contemporary art, looking at artworks in which the document is valued not only as a source of information but also as a distinctive visual and critical form. It contends that for artists who use film, photography or written sources, adopting formats derived from specific professional, industrial, scientific of or commercial contexts, the document offers a way to develop a critical reflection around issues of representation, knowledge production, art and its history. It addresses several issues that are key both in art and in general culture today: the role of the museum and the archive, the role of documents and the trust that is placed in them, the circulation of such images and the historical genealogies that can be drawn in relation to images. It is based on a close reading of a select number of works of art (e.g. Christopher Williams, Fiona Tan, Jean-Luc Moulène), which makes it approachable and engaging with the reader. The book investigates objects and ideas drawn from a wide spectrum of areas including literature, history, photography history, scientific representation, surrealism, conceptual art, commercial photography etc. Ultimately the book invites viewers to reflect upon the production and interpretation of seemingly straightforward images, and proposes that some artists can show us through their practice how to turn these deceptively simple images inside out.




Casco Issues XII - Generous Structures


Book Description

Casco Issues is a magazine published by Casco - Office for Art, Design and Theory, which explores recurring issues that emerge from Casco's program. The twelfth edition of Casco Issues, Generous Structures, is a playful enquiry into "playfulness" as a value in critical cultural practice. It positions alternative notions of playing against the grain of neoliberal ideologies of "lifelong learning" and "work as play." By taking the idea of playing and the metaphor of the game as a starting point, the publication addresses what might be called a "ludic turn"--the impact of the notion of play and gaming methods in various research fields and cultural work. Most prominent in the Internet industries and interactive media landscapes, but also in theoretical reflections, historical research, and the work of artists and designers, we are experiencing an interest in play as an educational tool or model for participation. However, with the conscious exception of the game per se, the publication attempts to trace its current impact and critical capacity, and explores various notions as well as concrete modes of play including activities such as learning, sharing, and group work, in relation to space, art, and design. It is driven from a methodological interest in the structure of playing, in its dialectics of rules and possibilities, planning and non-planning, collectivity and individuality. A game, in this sense, is not only characterized by its rules--or, on the contrary, by the liberty of the playing individuals--but is rather a construction of conscious interaction, application and transgression. Co-published with Casco - Office for Art, Design and Theory Contributors Zayne Armstrong, Ei Arakawa, Bob Black, Augusto Boal, Ruth Buchanan, Binna Choi, common room, Paul Elliman, ifau & Jesko Fezer, Zachary Formwalt, Beatrice Gibson with Will Holder and John Tilbury, Kleines postfordistisches Drama, Mattin, Hwayeon Nam, Merijn Oudenampsen, Nam June Paik, Anne Querrien, David Reinfurt, Margit Rosen, Katerina Sed , Axel Wieder




+ QUE 20 ANS APRÈS


Book Description

"Director of the Generali Foundation from 2008 to 2014, Sabine Folie helped establish the institution's reputation for generating new critical discussion on contemporary art through revisiting modernism. This survey publication, illustrated with photographs and source materials, documents the collection of works acquired during Folie's tenure. Essays by theorists and artists reflect on contemporary art themes exploring areas such as linguistic devices, the dismantling of representation and the reorganization of pictorial space, the changing role of artist and museums, the relationship between subject and environment due to globalization and post-colonialism, artistic processing of history and the production of memorial culture. Included are commentary and artworks by Lothar Baumgarten, Marcel Broodthaers, Ernst Caramelle, Peter Downsbrough, Harun Farocki, Morgan Fisher, Stéphane Mallarmé, Klaus Scherübel, Josef Strau, Ana Torfs, Joëlle Tuerlinckx, and Ian Wallace, among others."--Publisher.




Politics of Memory


Book Description

The anthology Politics of Memory investigates the changing relationship between artistic practices and the documentary. The documentoffered as an objective trace left by events, as material proof or as the creation of realitycan transform a state of memory into state memory through historical removal which, ultimately challenges permanent or temporary forgetting, casting memory into the future. Bringing together the work of international artists and filmmakers including Hito Steyerl, Eric Baudelaire and Clemens von Wedemeyer and others who attended the cycle of conferences held between 2009 and 2013 at Nuova Accademia di Belle Arti Milano, this illustrated softcover publication is the result of a multi-year research project promoted by NABAs Visual Arts and Curatorial Studies program. It begins with the idea of memory as a critical exercise and act of resistance and compares a variety of artistic expressions investigating forms of documentary making and archiving.




Art, History, and Anachronic Interventions Since 1990


Book Description

This book examines contemporary artistic practices since 1990 that engage with, depict, and conceptualize history. Examining artworks by Kader Attia, Yael Bartana, Zarina Bhimji, Michael Blum, Matthew Buckingham, Tacita Dean, Harun Farocki and Andrei Ujica, Omer Fast, Andrea Geyer, Liam Gillick and Philippe Parreno, Hiwa K, Amar Kanwar, Bouchra Khalili, Deimantas Narkevičius, Wendelien van Oldenborgh, Walid Raad, Dierk Schmidt, Erika Tan, and Apichatpong Weerasethakul, Art, History, and Anachronic Interventions since 1990 undertakes a thorough methodological reexamination of the contribution of art to history writing and to its theoretical foundations. The analytical instrument of anachrony comes to the fore as an experimental method, as will (para)fiction, counterfactual history, testimonies, ghosts and spectres of the past, utopia, and the "juridification" of history. Eva Kernbauer argues that contemporary art—developing its own conceptual approaches to temporality and to historical research—offers fruitful strategies for creating historical consciousness and perspectives for political agency. The book will be of interest to scholars working in art history, historiography, and contemporary art. The Open Access version of this book, available at http://www.taylorfrancis.com, has been made available under a Creative Commons Attribution-Non Commercial 4.0 license.