Wenxin Duihua 文心對話


Book Description

An encounter of knowledges, cultures, literary experiences and scientific approaches, from East and West, took the shape of this multifarious and bilingual collection of papers, entitled Wenxin Duihua 文心對話: A Dialogue on The Literary Mind / The Core of Writing. This work is meant to represent a first stage in an ongoing process of confrontation, in the domain of the Chinese literary and aesthetic tradition indelibly marked by the milestone of Wenxin Diaolong 文心雕龍. The six Chinese and European authors of this work shared their research and perspectives, enriched the literary and aesthetic landscape with deep reflections and original connections, and enhanced a polyphonic dialogue stemming from Liu Xie's heritage and reaching universal themes, like the essence of writing and the strong relationship between signs and images. Their contributions, crystallized in Wenxin Duihua 文心對話: A Dialogue on The Literary Mind / The Core of Writing, reveal the enormous potential of a multicultural approach, as well as the immeasurable profoundness of the wen 文.




Variations on Metaphor


Book Description

Metaphor is a fascinating and, at the same time, complex phenomenon. It can be approached from a multitude of perspectives, and the linguistic realizations of metaphors vary not only across languages, but also across text genres, cultures, and time. This book reflects such complexity and variability by gathering a collection of studies that adopt different theoretical views and explore the actual uses of metaphors in different text types (literary, folkloric, journalistic, and scientific) and languages (Hungarian, Chinese, French, English, Italian, Latin, and Ancient Greek). By providing the reader with a view of metaphor and current metaphor research which is both diversified and coherent, this volume will provide insights for cognitive linguists, scholars involved in metaphor studies, and more generally readers interested in linguistic variation.




Discourses of Authenticity on YouTube


Book Description

This book explores the discourse of authenticity on the popular social media platform YouTube. It investigates how popular users negotiate their identity and discursively portray themselves as authentic in their videos. In so doing, it adds to the development of new perspectives on social media communication and offers an outlook on issues concerning the complexities of contemporary identity practices. Starting from the premise that authenticity is a discursive construction, the study adopts a linguistics-based approach and relies on a hybrid methodological toolkit that draws on the analytical tools provided by Social Media Critical Discourse Studies (SM-CDS), a newly-introduced framework comprised of different but interconnected levels of description. The volume presents three case studies which investigate the discursive and rhetorical strategies used by well-known users in order to come across as authentic. Videos produced by popular content creators belonging to different communities of practice (scientists, stay-at-home mothers, and makeup artists) are explored. The analysis reveals that they share a common set of identity characteristics, a common core of authentic traits famous YouTubers conventionally display to discursively depict themselves as genuine and credible.




Birth of an independent Ireland


Book Description

"Birth of an Independent Ireland" is a study of the rise of a distinctly Irish nationalist youth in the early twentieth century, which is analysed by focusing on how and to what extent the parallel advent of dedicated periodicals stimulated it. As Ireland moves through the centenary of commemoration of the War of Independence and the establishment of the Free State, it seems only right to direct our attention to the primary role played by the young in the revolutionary years between 1913 and 1923, when Irish boys and girls actively participated in the life of their country as agents of nation-building. In part, they had been taught how to do so. Although they were never mere recipients who passively absorbed pre-formed systems of values, the young had been mentored by nationalist groups and individuals to become active citizens and the builders of a free, independent Ireland. Multiple actors of nationalist sympathies impacted on their lives through social and cultural activities and cultural production ranging from historical works to popular periodical literature. Regarding the latter, a prominent part was played by Our Boys, Fianna, Young Ireland, and St. Enda’s – periodicals for juveniles that carried out a political and cultural programme by catering for both the delight and instruction of Ireland’s youth. They published creative literary work alongside political and critical commentary on pressing matters, as the imperative of these newly-formed papers was to bring their readers into the public space of politics, so that they would contribute to the nation-building process. Therefore, this volume explores how the periodicals constructed very specific images of Irish girlhood and boyhood that were designed to foster a sense of loyalty to Ireland and the nationalist cause, and how they popularised particular receptions of momentous events in Irish history, such as the First World War and the 1916 Easter Rising, so as to buttress their political agenda.




Dream of the Red Chamber


Book Description

This edited volume contains an excellent collection of contributions and presents various informative topics under the central theme: literary and translation approaches to China’s greatest classical novel Hongloumeng. Acclaimed as one of the Four Great Classical Novels of Chinese literature, Hongloumeng (known in English as The Dream of the Red Chamber or The Story of the Stone) epitomizes 18th century Chinese social and cultural life. Owing to its kaleidoscopic description of Chinese life and culture, the novel has also exerted a significant impact on world literature. Its various translations, either full-length or abridged, have been widely read by an international audience. The contributors to this volume provide a renewed perspective into Hongloumeng studies by bringing together scholarship in the fields of literary and translation studies. Specifically, the use of corpora in the framework of digital humanities in a number of chapters helps re-address many issues of the novel and its translations, from an innovative angle. The book is an insightful resource for both scholars of Chinese literature and for linguists with a focus on translation studies.




What Happened After Mañjuśrī Migrated to China?


Book Description

The chapters in this book explore the transcultural, multi-ethnic, and cross-regional contexts and connections between the Buddhāvataṃsaka-sūtra, Mount Wutai and the veneration of Mañjuśrī that contributed to the establishment and successive transformations of the cult centered on Mount Wutai – and reduplications elsewhere. The contributions reflect on the literature, architecture, iconography, medicine, society, philosophy and several other aspects of the Wutai cult and its significant influence across several Asian cultures, such as Chinese, Japanese, Tibetan, Mongolian and Korean. This book is a significant new contribution to the study of the Wutai cult, and will be a great resource for academics, researchers, and advanced students of Religion, Philosophy, History, Architecture, Literature and Art. The chapters in this book were originally published in the journal Studies in Chinese Religions.




Annual Report


Book Description




Drama Box and the Social Theatre of Singapore


Book Description

This pioneering study provides an essential guide to the formative years of Drama Box, a leading Chinese-language theatre company in Singapore. How Wee Ng presents a compelling narrative of how Drama Box has emerged as a prominent force in the field of theatre for social intervention, effectively amplifying the voices of marginalised communities and establishing itself as a foremost advocate of cutting-edge, socially oriented artistic practice. Ng’s in-depth analysis of Drama Box’s most influential works during this pivotal period, and his meticulous examination of the social, political, and economic contexts of their productions, illuminate the remarkable balance the company has achieved in its engagement with government policy, censorship, and financial imperatives, while fiercely defending its artistic autonomy. As well as unveiling the remarkable history of Drama Box, the book offers readers a unique lens through which to understand the complex relationship between the arts and state authority, and the broader socio-cultural and political landscape of contemporary Singapore.




Afterlives of Letters


Book Description

When East Asia opened itself to the world in the nineteenth century, Chinese, Japanese, and Korean intellectuals had shared notions of literature because of the centuries-long cultural exchanges in the region. As modernization profoundly destabilized cultural norms, they ventured to create new literature for the new era. Satoru Hashimoto offers a novel way of understanding the origins of modern literature in a transregional context, drawing on Chinese-, Japanese-, and Korean-language texts in both classical and vernacular forms. He argues that modern literature came into being in East Asia through writerly attempts at reconstructing the present’s historical relationship to the past across the cultural transformations caused by modernization. Hashimoto examines writers’ anachronistic engagement with past cultures deemed obsolete or antithetical to new systems of values, showing that this transnational process was integral to the emergence of modern literature. A groundbreaking cross-cultural excavation of the origins of modern literature in East Asia featuring remarkable linguistic scope, Afterlives of Letters bridges Asian studies and comparative literature and delivers a remapping of world literature.




The Qing Dynasty and Traditional Chinese Culture


Book Description

The Qing dynasty (1636–1912)—a crucial bridge between “traditional” and “modern” China—was remarkable for its expansiveness and cultural sophistication. This engaging and insightful history of Qing political, social, and cultural life traces the complex interaction between the Inner Asian traditions of the Manchus, who conquered China in 1644, and indigenous Chinese cultural traditions. Noted historian Richard J. Smith argues that the pragmatic Qing emperors presented a “Chinese” face to their subjects who lived south of the Great Wall and other ethnic faces (particularly Manchu, Mongolian, Central Asian, and Tibetan) to subjects in other parts of their vast multicultural empire. They were attracted by many aspects of Chinese culture, but far from being completely “sinicized” as many scholars argue, they were also proud of their own cultural traditions and interested in other cultures as well. Setting Qing dynasty culture in historical and global perspective, Smith shows how the Chinese of the era viewed the world; how their outlook was expressed in their institutions, material culture, and customs; and how China’s preoccupation with order, unity, and harmony contributed to the civilization’s remarkable cohesiveness and continuity. Nuanced and wide-ranging, his authoritative book provides an essential introduction to late imperial Chinese culture and society.