Illustrated Handbook of Western European Costume


Book Description

This valuable survey uses theatrical costumes as contemporary clues to the clothing that was in vogue throughout much of western Europe from 1260 to 1840. 176 black-and-white illustrations.




Crime, Jews and News


Book Description

Crimes committed by Jews, especially ritual murders, have long been favorite targets in the antisemitic press. This book investigates popular and scientific conceptualizations of criminals current in Austria and Germany at the turn of the last century and compares these to those in the contemporary antisemitic discourse. It challenges received historiographic assumptions about the centrality of criminal bodies and psyches in late nineteenth- and early twentieth-century criminology and argues that contemporary antisemitic narratives constructed Jewish criminality not as a biologico-racial defect, but rather as a coolly manipulative force that aimed at the deliberate destruction of the basis of society itself. Through the lens of criminality this book provides new insight into the spread and nature of antisemitism in Austria-Hungary around 1900. The book also provides a re-evaluation of the phenomenon of modern Ritual Murder Trials by placing them into the context of wider narratives of Jewish crime.




Crime, Jews and News


Book Description

Examines the discourse in the press on Jewish crime at the turn of the 19th century - in an epoch when criminal and court-room reports became very popular and attracted a wide audience. The period 1895-1914 was marked by the development of criminal science, which attempted to find psychological and physical abnormalities identifying the "born" criminal, and by a rise in racist antisemitism. Theories of a Jewish propensity to crime were circulated. Remarkably, racial antisemitism affected the press accounts on Jewish criminals, or Jewish "accomplices" (defense attorneys, etc.) of non-Jewish criminals, only to a small degree. Of all the antisemitic narratives on Jewish criminality, the antisemitic press used mainly the image of the Jew as a rational and cunning criminal actor, coolly acting out a crime that was collective and conspiratorial in nature. Even when reporting on sexual crimes and "white slave trafficking", the papers never stressed sexual motives of Jewish defendants but only their callous greed. Dwells on the ritual murder trial of Hilsner in Bohemia, and shows the extent to which the perception of this case and even the course of the trial were affected by the press. The reports of the antisemitic press on Jewish criminality was intended for antisemitic "believers" and did not affect non-antisemites; however, this press had a great number of readers. In the Nazi period, the narrative on Jewish criminality acquired blatantly racial motifs.







National Union Catalog


Book Description

Includes entries for maps and atlases.







Ottoman Empire and European Theatre Vol. I


Book Description

The first volume of the book series Ottoman Empire and European Theatre focuses on the period between 1756 and 1808, the era of W. A. Mozart (1756-1791) and Sultan Selim III (1761-1808). These historical personalities, whose life-spans overlap, were towering figures of their time: Mozart as an extraordinary composer and Selim III as both a politician and a composer. Inspired by the structure of opera, the forty-four contributions of Volume I are arranged in eight sections, entitled Ouverture, Prologue, Acts I-V and Epilogue. The Ouverture includes the opening speeches of diplomats, politicians, and scholars as well as a memorial text for the "Genius of Opera", Turkish prima donna Leyla Gencer (1928-2008). The Prologue, "The Stage of Politics", features texts by distinguished historians who give an historical overview of the Ottoman Empire and Europe in the late eighteenth century, from both Turkish and Austrian points of view. Act I features texts concerning "Diplomacy and Theatre", and Act II takes the reader to "Europe South, West and North". Act III has contributions concerning theatre in "Central Europe", while Act IV deals with "Mozart" and the world of the seraglio. Act V turns our attention to the Ottoman "Sultan Selim III", and the Epilogue considers literary and theatrical adventures of "The Hero in the Sultan's Harem". Contributions by Metin And, Emre Araci, Tülay Artan, Esin Akalin, Thomas Betzwieser, Annemarie Bönsch, Emil Brix, Christian Brunmayr, Bertrand Michael Buchmann, Aysin Candan, Helga Dostal, Erich Duda, Wolfgang Greisenegger, Heidemaria Gürer, Matthew Head, Caroline Herfert, Bent Holm, Frank Huss, Michael Hüttler, Nadja Kayali, Hans-Peter Kellner, Alexandre Lhâa, Isabelle Moindrot, Ilber Ortayli, Zeynep Oral, Cemal Öztas, William F. Parmentier, Matthias J. Pernerstorfer, Gabriele C. Pfeiffer, Walter Puchner, Günsel Renda, Mustafa Fatih Salgar, Ulrike Schneider, Selin Ipek, Käthe Springer-Dissmann, Suna Suner, Marianne Travén, B. Babür Turna, Derek Weber, Mehmet Alaaddin Yalçinkaya, Selim Yenel.







The Craftsmen of Dionysus


Book Description

(Applause Acting Series). This book, by Jerome Rockwood and endorsed by actors such as Bruce Willis and Burgess Meredith, has been praised as the best acting textbook on the market today. It covers auditioning, blocking, relaxing, improvisation, standard stage speech, dialects and accents, movement in period plays, and much more.