Medieval Wall Paintings in English & Welsh Churches


Book Description

Surveying the images and iconography that made the medieval church a riot of colour, this book brings together many of the best surviving examples of medieval church wall paintings. It uses new technologies to allow us to visualise these works as the artists first intended. Rosewell's text accompanies the images.







Medieval Wall Paintings


Book Description

The medieval wall paintings that remain in English churches are for the most part shadows of their former selves – the rare fragments of this beautiful art to have survived not only the Reformation but also successive waves of iconoclastic zeal and unsympathetic restoration. The whitewashed walls of most parish churches belie the riot of colour and decoration that once adorned them, but the remnants of paintings tucked into corners or rescued from later layers of paint help us to understand the role of art in medieval religion. Roger Rosewell here offers a guide to the role played by medieval wall paintings, as religious, didactic and commemorative works of art, telling the stories of those who created them and those who used them on a daily basis. He also compares and contrasts religious and domestic wall paintings, using beautiful colour photography throughout.




Studies in Late Medieval Wall Paintings, Manuscript Illuminations, and Texts


Book Description

This volume is an interdisciplinary consideration of late medieval art and texts, falling into two parts: first, the iconography and context of the great Doom wall painting over the tower arch at Holy Trinity Church, Coventry, and second, Carthusian studies treating fragmentary wall paintings in the Carthusian monastery near Coventry; the devotional images in the Carthusian Miscellany; and meditation for “simple souls” in the Carthusian Nicholas Love’s Mirror of the Blessed Life of Jesus Christ. Emphasis is on such aspects as memory, participative theology, devotional images, meditative practice, and techniques of constructing patterns of sacred imagery.




Western Medieval Wall Paintings


Book Description




Medieval Wall Paintings


Book Description

The medieval wall paintings that remain in English churches are for the most part shadows of their former selves – the rare fragments of this beautiful art to have survived not only the Reformation but also successive waves of iconoclastic zeal and unsympathetic restoration. The whitewashed walls of most parish churches belie the riot of colour and decoration that once adorned them, but the remnants of paintings tucked into corners or rescued from later layers of paint help us to understand the role of art in medieval religion. Roger Rosewell here offers a guide to the role played by medieval wall paintings, as religious, didactic and commemorative works of art, telling the stories of those who created them and those who used them on a daily basis. He also compares and contrasts religious and domestic wall paintings, using beautiful colour photography throughout.




Medieval Wall Paintings in Transylvanian Orthodox Churches


Book Description

"This book deals with the religious painting related to the upper class of the Romanians who lived in medieval Transylvania and thhe neighboring western regions. Because of their social standing and historical chance, some of them left traces in the written sources and material culture of the Hungarian kingdom that survive to this day. Their world was at a crossroads. Socially, they were situated between peasants and full nobles, striving for and sometimes reaching the latter's status. Religiously, they lived close to the eastern frontiers of Hungary, a situation that enhanced their military role and therefore favored their social ascent. Artistically, Eastern and Western trends met in this border region. Artistic evidence contributes to our knowledge about the ways these people responded to a diverse and challenging environment."--




Monastic Visions


Book Description

The book reproduces the cleaned paintings for the first time. It also describes and analyzes their amalgam of Coptic (Egyptian Christian), Byzantine, and Arab styles and motifs as well as the religious culture to which they belong. In 1996, funded by the United States Agency for International Development and at the request of the Monastery of St. Antony, the Antiquities Development Project of the American Research Center in Egypt began the conservation of the paintings in the church. The paintings revealed by the conservators are of extremely high quality, both stylistically and conceptually. While rooted in the Christian tradition of Egypt, they also reveal explicit connections with Byzantine and Islamic art of the twelfth and thirteenth centuries. Some newly discovered paintings can even be dated back to the sixth or seventh century.




Medieval Art in the Christian West


Book Description

September 4, 476 A. D. marked the end of the Western Roman Empire. After several centuries of prosperity, Europe sank into chaos. With Charlemagne, a new dynamic begins that of a civilising reconstruction. The Romanesque period is part of the rediscovery of this Roman Empire, lost in memories, but living on in the architectural testimonies of the cities and the countryside. In art history, Romanesque art refers to the period between the beginning of the 11th and the end of the 12th century. This era was characterised by a great diversity of regional schools, each practising their own unique style. In architecture as well as in sculpture, Romanesque art is marked by raw forms. Through its rich iconography and captivating text, this work endeavours to restore the importance of this art which is often overshadowed by the later Gothic style. Gothic art is defined by the powerful architecture of the cathedrals of northern France. It is a medieval art movement that evolved throughout Europe over 200 years. Abandoning curved Roman forms, the architects started using flying buttresses and pointed arches to open cathedrals to daylight. A period of great economic and social change, the Gothic era incorporated new iconography celebrating the Holy Mary — a drastic contrast to the dismal themes of Roman times. Full of rich changes in all of the various art forms (architecture, sculpture, painting, etc.), Gothic art paved the way for the Italian Renaissance and the International Gothic movement.




Medieval Wall Paintings in Transylvanian Orthodox Churches


Book Description

"This book deals with the religious painting related to the upper class of the Romanians who lived in medieval Transylvania and thhe neighboring western regions. Because of their social standing and historical chance, some of them left traces in the written sources and material culture of the Hungarian kingdom that survive to this day. Their world was at a crossroads. Socially, they were situated between peasants and full nobles, striving for and sometimes reaching the latter's status. Religiously, they lived close to the eastern frontiers of Hungary, a situation that enhanced their military role and therefore favored their social ascent. Artistically, Eastern and Western trends met in this border region. Artistic evidence contributes to our knowledge about the ways these people responded to a diverse and challenging environment."--