Westernness


Book Description

The word "West" is omnipresent and often unquestioned. The goal of this volume is to elaborate a critical reflection on this concept and make these implicit processes explicit. The articles focus on spatio‐temporal practices regarding the production and representation of westernness. Taking critical perspectives, which view the West from the inside and the outside, they address issues of highest political and social relevance.




Westernness


Book Description

A first-person meditation on the literary and visual arts of the American West, Westernness: A Meditation explores how this region has developed its own distinct culture, in literature and painting, from the point of view of someone who has been, at different times in his life, both a westerner and an easterner. An engaging and astute reader and observer, Alan Williamson uses his poetic lens to examine the new connections, notably with the Far East, that have been forged in the West, but also the fear, anxiety, and sense of cultural vacancy that western artists have had to overcome in confronting their new landscape, much as the writers of the American Renaissance did a century earlier. Writing as a displaced easterner with significant western roots, Williamson looks at writers and poets such as Cather, Lawrence, Steinbeck, Jefferes, Silko, and Snyder, as well as artists such as the Yosemite painters, Georgia O'Keeffe, and Wayne Thiebaud, to show how, despite the inflated optimism of many western patriots, the work of these individuals relates to the anxieties suffered by their eastern predecessors. By revealing what he sees as the repetition of the evolution of American literature in the rise of western literature, Williamson provides us with a fresh vantage point from which we can appreciate western literature, art, and culture and simultaneously dismantle the literary war between East and West. A tribute to the author's lifelong engagement with a particular landscape and its writers, Westernness speaks to the general reader who is curious about his or her native place and relationship to it, as well as to scholars in literary and ecocritical studies.




A Companion to the American West


Book Description

A Companion to the American West is a rigorous, illuminating introduction to the history of the American West. Twenty-five essays by expert scholars synthesize the best and most provocative work in the field and provide a comprehensive overview of themes and historiography. Covers the culture, politics, and environment of the American West through periods of migration, settlement, and modernization Discusses Native Americans and their conflicts and integration with American settlers




A Theory of Cultural Heritage


Book Description

A Theory of Cultural Heritage provides a structured and comprehensive picture of the concept of cultural heritage (CH) and its theoretical and practical derivatives. Arguing that the expanded notion of CH brings with it a number of unresolved conceptual tensions, Muñoz-Viñas summarizes the strong and weak points of the current discourse. Gathering together a range of existing views on cultural heritage and its practices, the book provides a dynamic overview of the theoretical underpinnings behind the notion and also considers how these could evolve in the future. By analyzing the conflicting meanings of the term ‘cultural heritage’ and establishing a more nuanced ontological taxonomy, this book challenges some well-established views and outlines a framework that will allow the reader to better grasp the theoretical and practical complexities of this fascinating notion. A Theory of Cultural Heritage is a thought-provoking and valuable contribution to the existing literature, written in an engaging, clear style that will make it accessible to academics, students and heritage professionals alike.




Westernness


Book Description

The word "West" is omnipresent and often unquestioned. The goal of this volume is to elaborate a critical reflection on this concept and make these implicit processes explicit. The articles focus on spatio‐temporal practices regarding the production and representation of westernness. Taking critical perspectives, which view the West from the inside and the outside, they address issues of highest political and social relevance.




Landscapes of the New West


Book Description

In the early 1970s, empowered by the civil rights and women's movements, a new group of women writers began speaking to the American public. Their topic, broadly defined, was the postmodern American West. By the mid-1980s, their combined works made for a bona fide literary groundswell in both critical and commercial terms. However, as Krista Comer notes, despite the attentions of publishers, the media, and millions of readers, literary scholars have rarely addressed this movement or its writers. Too many critics, Comer argues, still enamored of western images that are both masculine and antimodern, have been slow to reckon with the emergence of a new, far more "feminine," postmodern, multiracial, and urban west. Here, she calls for a redesign of the field of western cultural studies, one that engages issues of gender and race and is more self-conscious about space itself_especially that cherished symbol of western "authenticity," open landscape. Surveying works by Joan Didion, Wanda Coleman, Maxine Hong Kingston, Leslie Marmon Silko, Barbara Kingsolver, Pam Houston, Louise Erdrich, Sandra Cisneros, and Mary Clearman Blew, Comer shows how these and other contemporary women writers have mapped new geographical imaginations upon the cultural and social spaces of today's American West.




The American West


Book Description

"Those who appreciate the impact of history will be impressed with the selection of articles." —Nebraska History Designed for survey courses—yet in-depth enough to support intensive discussion—these seventeen classic essays traverse the history of the American West, from women's property rights in Spanish-Mexican California to the Sand Creek Massacre of 1864, from homesteading and mining to the Great Depression and World War II. Provocative and illuminating.




Westerns


Book Description

At every turn in the development of what we now know as the western, women writers have been instrumental in its formation. Yet the myth that the western is male-authored persists. Westerns: A Women's History debunks this myth once and for all by recovering the women writers of popular westerns who were active during the late nineteenth and early twentieth centuries when the western genre as we now know it emerged. Victoria Lamont offers detailed studies of some of the many women who helped shape the western. Their novels bear the classic hallmarks of the western--cowboys, schoolmarms, gun violence, lynchings, cattle branding--while also placing female characters at the center of their western adventures and improvising with western conventions in surprising and ingenious ways. In Emma Ghent Curtis's The Administratrix a widow disguises herself as a cowboy and infiltrates the cowboy gang responsible for lynching her husband. Muriel Newhall's pulp serial character, Sheriff Minnie, comes to the rescue of a steady stream of defenseless female victims. B. M. Bower, Katharine Newlin Burt, and Frances McElrath use cattle branding as a metaphor for their feminist critiques of patriarchy. In addition to recovering the work of these and other women authors of popular westerns, Lamont uses original archival analysis of the western-fiction publishing scene to overturn the long-standing myth of the western as a male-dominated genre.




Russia and the West from Alexander to Putin


Book Description

Covering two centuries of Russian history, this book shows how a sense of honor has affected Russia's foreign policy decision-making.




How the West Was Lost


Book Description

Westerners love an existential crisis. Each decade since the First World War has raised up prophets of doom proclaiming the end of the Western world as we know it. But this time it's real. Weighed down by economic woes, the seemingly endless war on terror, and the declining power of religion as a unifying force, the West has been limping along. With the public sphere fraying and authoritarian politics rising, this deep-seated crisis is now urgent, and potentially fatal. How did we get here? Ben Ryan's diagnosis is simple: the West is a myth, and it is dying. Its own people are no longer convinced or united by its defining ideal--a sense of universal morals, and of constant progress towards them. Following a series of 'system failures', Westerners--from urban millennials to post-industrial workers-- have lost faith in the West as a moral force. Yet there is a chance for redemption, if we can forge a new common myth of the West: one reviving its great values, and reshaping its ideals for a diverse, forward-looking world. This smart and thoughtful book explores what the West is, what has happened to it, and how we might save it.