When I Am Playing With My Cat, How Do I Know She Is Not Playing With Me?


Book Description

In the year 1570, at the age of thirty-seven, Michel de Montaigne gave up his job as a magistrate and retired to his château to brood on his own private grief - the deaths of his best friends, his father, his brother, and most recently his first-born child. But finding his mind agitated rather than settled by this idleness, Montaigne began to write, giving birth to the Essays - short prose explorations of an amazing variety of topics. And gradually, over the course of his writing Montaigne began to turn his back upon his stoical pessimism, and engage in a new philosophy of life, in which living is to be embraced in all its sensory, exuberant vitality - the smell of his doublet, the pleasures of friendship, the intelligence of his cat and the flavour of his wine. Saul Frampton offers a celebration of perhaps the most joyful and yet profound of all Renaissance writers, whose work went on to have a huge impact on Shakespeare, and whose writings offer a user's guide to existence even to the present day.




When I Am Playing with My Cat, How Do I Know That She Is Not Playing with Me?


Book Description

A celebration of Montaigne, the most enjoyable and yet profound of all Renaissance writers. In the year 1570, at the age of thirty-seven, Michel de Montaigne gave up his job as a magistrate and retired to his château to brood on the deaths of his best friend, his father, his brother, and his firstborn child. But finding his mind agitated, rather than settled, by idleness, Montaigne began to write, giving birth to the Essays—a series of reflections on life in all its profundity and triviality. And, gradually, over the course of his writing, Montaigne turned from a philosophy of death to a philosophy of life, finding consolation in the most unlikely places—the touch of a hand, the smell of his doublet, the flavor of his wine, and the playfulness of his cat.




The Trainable Cat


Book Description

"I have to hand it to Bradshaw and Ellis: Once you suss out their basic cat-training philosophy, their methods totally work." -- Slate We often assume that cats can't be trained, and don't need to be. But in The Trainable Cat, bestselling anthrozoologist John Bradshaw and cat expert Sarah Ellis show that cats absolutely must be trained in order to enrich the bond between pet and owner. Full of training tips and exercises -- from introducing your cat to a new baby to helping them deal with visits to the vet -- The Trainable Cat is the essential cat bible for cat owners and lovers. "I doubt you'll find a more well-informed or scientific book on cats that better shows you how feline thinking works." -- Times (UK)




The Way of Cats


Book Description

The Way of Cats is a way of playing games with our cat. These communication, training, and affection games are fun and easy to learn. Then we have well-behaved and happy cats.




Cat Daddy


Book Description

Cat behaviorist and star of Animal Planet's hit television show "My Cat from Hell," Galaxy, a.k.a. "Cat Daddy," isn't what readers might expect for a cat expert. Yet his ability to connect with even the most troubled felines--not to mention their owners--is awe-inspiring.




Dictionary of World Biography


Book Description

Jones, Barry Owen (1932– ). Australian politician, writer and lawyer, born in Geelong. Educated at Melbourne High School and Melbourne University, he was a public servant, high school teacher, television and radio performer, university lecturer and lawyer before serving as a Labor MP in the Victorian Parliament 1972–77 and the Australian House of Representatives 1977–98. He took a leading role in reviving the Australian film industry and abolishing the death penalty in Australia, and was the first politician to raise public awareness of global warming, the ‘post‑industrial’ society, the IT revolution, biotechnology, the rise of ‘the Third Age’ and the need to preserve Antarctica as a wilderness. In the *Hawke Government, he was Minister for Science 1983–90, Prices and Consumer Affairs 1987, Small Business 1987–90 and Customs 1988–90. He became a member of the Executive Board of UNESCO, Paris 1991–95 and National President of the Australian Labor Party 1992–2000, 2005–06. He was Deputy Chairman of the Constitutional Convention 1998. His books include Decades of Decision 1860– (1965), Joseph II (1968) and Age of Apocalypse (1975), and he edited The Penalty Is Death (1968, revised and expanded 2022). Sleepers, Wake! Technology and the Future of Work was published by Oxford University Press in 1982, became a bestseller and has been translated into Chinese, Japanese, Korean, Swedish and braille. The fourth edition was published in 1995. Knowledge Courage Leadership: Insights & Reflections, a collection of speeches and essays, appeared in 2016. He received a DSc in 1988 for his services to science and a DLitt in 1993 for his work on information theory. Elected FTSE (1992), FAHA (1993), FAA (1996) and FASSA (2003), he is the only person to have become a Fellow of four of Australia’s five learned Academies. Awarded an AO in 1993, named as one of Australia’s 100 ‘living national treasures’ in 1997, he was elected a Visiting Fellow Commoner of Trinity College, Cambridge in 1999. His autobiography, A Thinking Reed, was published in 2006 and The Shock of Recognition, about music and literature, in 2016. In 2014 he received an AC for services ‘as a leading intellectual in Australian public life’. What Is to Be Done was published by Scribe in 2020.




Binding the Ghost


Book Description

Binding the Ghost is both manifesto and example of a new variety of reading that centers a theological perspective in considering what literature actually does. Neither dogmatic nor apologetic, sectarian or denominational, this mode of reading acknowledges the inherently charged strangeness of writing and fiction, whereby authors have the ability to seemingly create entire universes from words alone. Ed Simon considers the theological depth, resonance, and mystery of the acts of reading and writing. His lyrical, incisive essays cover subjects such as the incarnational poetics of reading a physical book as opposed to reading online, the historical relationship between monotheism and the development of the alphabet, how the novel and Protestantism developed interiority within people, the occult significance of punctuation, and the functional similarities between poetry and prayer. Binding the Ghost presents a humane sacralization of reading and writing that takes into account the wonder, enchantment, and mystery of the very idea of poetry and fiction.




After Montaigne


Book Description

Writers of the modern essay can trace their chosen genre all the way back to Michel de Montaigne (1533-92). But save for the recent notable best seller How to Live: A Life of Montaigne by Sarah Bakewell, Montaigne is largely ignored. After Montaigne--a collection of twenty-four new personal essays intended as tribute-- aims to correct this collective lapse of memory and introduce modern readers and writers to their stylistic forebear. Though it's been over four hundred years since he began writing his essays, Montaigne's writing is still fresh, and his use of the form as a means of self-exploration in the world around him reads as innovative--even by modern standards. He is, simply put, the writer to whom all essayists are indebted. Each contributor has chosen one of Montaigne's 107 essays and has written his/her own essay of the same title and on the same theme, using a quote from Montaigne's essay as an epigraph. The overall effect is akin to a covers album, with each writer offering his or her own interpretation and stylistic verve to Montaigne's themes in ways that both reinforce and challenge the French writer's prose, ideas, and forms. Featuring a who's who of contemporary essayists, After Montaigne offers a startling engagement with Montaigne and the essay form while also pointing the way to the genre's potential new directions. Contributors: Marcia Aldrich, Chris Arthur, Robert Atwan, Barrie Jean Borich, Mary Cappello, Steven Church, Judith Ortiz Cofer, Danielle Cadena Deulen, Brian Doyle, Lina M. Ferreira C. V., Vivian Gornick, Robin Hemley, Wayne Koestenbaum, Shannon Lakanen, David Lazar, E. J. Levy, Phillip Lopate, Bret Lott, Patrick Madden, Desirae Matherly, Maggie Nelson, José Orduña, Elena Passarello, Lia Purpura, Kristen Radtke, Amy Lee Scott, Jerald Walker, Nicole Walker




Aunt Lee's Library


Book Description

This is basically what our English teachers called an "annotated bibliography," morphed into grandeur as curated e-content for the digital age.I obsessively cross-checked "Best Books Ever" lists with public domain e-books, obtained reprint permission from wonderful online book reviewers and inserted a link to my meta-search engine that searches the best of the free e-book sites, and this e-book is the result.Think of a browsing in a bookstore/coffee house where friendly, literate folk have gathered to argue the merits of great books -- and then they just give them to you -- armfuls of great, free books.




The Rhetoric of the Page


Book Description

This wide-ranging and entertaining book explores blank space from incunabula to Google books. Blanks are a paradox—simultaneously nothing and something, gesturing to what was once there or might be there. They are also a creative opportunity for readers as well as writers: readers respond to what is not there and writers come to anticipate that response. Thus, blank space develops literary and ludic applications. Each chapter focuses on one typographical form of what is not there on the page: physical gaps (Chapter One), marks of incompletion such as &c (Chapter Two), and the asterisk as a stand-in for things that cannot be said (Chapter Three). By looking at the early-modern page as a visual unit as well as a verbal unit, this volume shows how the relationship between textual layout and textual content is as productive for writers as it is for readers. Mise-en-page influences readers in the same way that rhetoric influences readers. It is thus possible to speak of 'the rhetoric of the page'.