When Rap Spoke Straight to God


Book Description

A book-length poem navigating belief, black lives, the tragedies of Trump, and the boundaries of being a woman. "When Rap Spoke Straight to God is utterly transporting. In language both elevated and slangy, saucy and tender, Dawson lovingly weaves the reader around her finger.” —Jennifer Egan When Rap Spoke Straight to God isn’t sacred or profane, but a chorus joined in a single soliloquy, demanding to be heard. There’s Wu-Tang and Mary Magdelene with a foot fetish, Lil’ Kim and a self-loving Lilith. Slurs, catcalls, verses, erasures—Dawson asks readers, “Just how far is it to nigger?” Both grounded and transcendent, the book is reality and possibility. Dawson’s work has always been raw; but, When Rap Spoke Straight to God is as blunt as the answer to that earlier question: “Here.” Sometimes abrasive and often abraded, Dawson doesn’t flinch. A mix of traditional forms where sonnets mash up with sestinas morphing to heroic couplets, When Rap Spoke Straight to God insists that while you may recognize parts of the poem’s world, you can’t anticipate how it will evolve. With a literal exodus of light in the book’s final moments, When Rap Spoke Straight to God is a lament for and a celebration of blackness. It’s never depression; it’s defiance—a persistent resistance. In this book, like Wu-Tang says, the marginalized “ain’t nothing to f--- with.”




Let It Go


Book Description

Shares uplifting advice about the virtues of forgiveness, offering strategic and biblically based advice on how to achieve peace and personal fulfillment by letting go of past wrongs.




Big-eyed Afraid


Book Description

'Big-Eyed Afraid' is a fast-paced, breathlessly witty and illuminating riff on the multiple effects of race, sex, biology and social pressure on who we are and how we see ourselves. Dawson's dazzling rhymes, her perfect pitch for an array of idioms ranging from the smutty to the sacred, and her extraordinary combination of metrical control and jazz-like syntactical elaboration make her work feel at one and the same time chiselled and improvised, traditional and utterly distinct. Brilliantly alert to multiple influences yet irreducibly tied to this particular poet at this particular moment in our collective history, Big-Eyed Afraid is one of the most compelling and entertaining books of poetry I've read in I don't know how long.'- Alan Shapiro 'Erica Dawson is the most exciting younger poet I've seen in years. What drive and verve! Even in lines under tight control, she can sound reckless. Her dazzling wit informs poem after poem, making each seem like a stiff drink with a dash of bitters. 'Big-Eyed Afraid' is a sensational debut. I can't recall finding this much energy between two covers since Ariel.- X. J. Kennedy Erica Dawson was born in Columbia, Maryland in 1979. After earning her Master of Fine Arts from Ohio State University in 2006, she moved to the University of Cincinnati, where she is pursuing a PhD in English and Comparative Literature as the Elliston Fellow in Poetry. Her poems have appeared or are forthcoming in Barrow Street, Blackbird, Sewanee Theological Review, Southwest Review, and Virginia Quarterly Review. She has been awarded several fellowships and prizes, including the Academy of American Poets Prize at Ohio State University. She also took second place in the 2004 Morton Marr Poetry Prize.




Living with a Wild God


Book Description

From the New York Times bestselling author of Nickel and Dimed comes a brave, frank, and exquisitely written memoir that will change the way you see the world. Barbara Ehrenreich is one of the most important thinkers of our time. Educated as a scientist, she is an author, journalist, activist, and advocate for social justice. In Living With a Wild God, she recounts her quest-beginning in childhood-to find ""the Truth"" about the universe and everything else: What's really going on? Why are we here? In middle age, she rediscovered the journal she had kept during her tumultuous adolescence, which records an event so strange, so cataclysmic, that she had never, in all the intervening years, written or spoken about it to anyone. It was the kind of event that people call a ""mystical experience""-and, to a steadfast atheist and rationalist, nothing less than shattering. In Living With a Wild God, Ehrenreich reconstructs her childhood mission, bringing an older woman's wry and erudite perspective to a young girl's impassioned obsession with the questions that, at one point or another, torment us all. The result is both deeply personal and cosmically sweeping-a searing memoir and a profound reflection on science, religion, and the human condition. With her signature combination of intellectual rigor and uninhibited imagination, Ehrenreich offers a true literary achievement-a work that has the power not only to entertain but amaze.




The Art of the Wasted Day


Book Description

“A sharp and unconventional book — a swirl of memoir, travelogue and biography of some of history's champion day-dreamers.” —Maureen Corrigan, "Fresh Air" A spirited inquiry into the lost value of leisure and daydream The Art of the Wasted Day is a picaresque travelogue of leisure written from a lifelong enchantment with solitude. Patricia Hampl visits the homes of historic exemplars of ease who made repose a goal, even an art form. She begins with two celebrated eighteenth-century Irish ladies who ran off to live a life of "retirement" in rural Wales. Her search then leads to Moravia to consider the monk-geneticist, Gregor Mendel, and finally to Bordeaux for Michel Montaigne--the hero of this book--who retreated from court life to sit in his chateau tower and write about whatever passed through his mind, thus inventing the personal essay. Hampl's own life winds through these pilgrimages, from childhood days lazing under a neighbor's beechnut tree, to a fascination with monastic life, and then to love--and the loss of that love which forms this book's silver thread of inquiry. Finally, a remembered journey down the Mississippi near home in an old cabin cruiser with her husband turns out, after all her international quests, to be the great adventure of her life. The real job of being human, Hampl finds, is getting lost in thought, something only leisure can provide. The Art of the Wasted Day is a compelling celebration of the purpose and appeal of letting go.




Shrapnel Maps


Book Description

Writing into the wounds and reverberations of the Israel/Palestine conflict, Philip Metres’ fourth book of poems, Shrapnel Maps, is at once elegiac and activist, an exploratory surgery to extract the slivers of cartography through palimpsest and erasure. A wedding in Toura, a suicide bombing in Jerusalem, uneasy interactions between Arab and Jewish neighbors in University Heights, the expulsion of Palestinians in Jaffa, another bombing in Gaza: Shrapnel Maps traces the hurt and tender places, where political noise turns into the voices of Palestinians and Israelis. Working with documentary flyers, vintage postcards, travelogues, cartographic language, and first person testimonies, Shrapnel Maps ranges from monologue sonnets to prose vignettes, polyphonics to blackouts, indices to simultaneities, as Palestinians and Israelis long for justice and peace, for understanding and survival.




The Wind That Lays Waste


Book Description

A taut, lyrical portrait of four people thrown together on a single day in rural Argentina The Wind That Lays Waste begins in the great pause before a storm. Reverend Pearson is evangelizing across the Argentinian countryside with Leni, his teenage daughter, when their car breaks down. This act of God or fate leads them to the workshop and home of an aging mechanic called Gringo Brauer and a young boy named Tapioca. As a long day passes, curiosity and intrigue transform into an unexpected intimacy between four people: one man who believes deeply in God, morality, and his own righteousness, and another whose life experiences have only entrenched his moral relativism and mild apathy; a quietly earnest and idealistic mechanic’s assistant, and a restless, skeptical preacher’s daughter. As tensions between these characters ebb and flow, beliefs are questioned and allegiances are tested, until finally the growing storm breaks over the plains. Selva Almada’s exquisitely crafted debut, with its limpid and confident prose, is profound and poetic, a tactile experience of the mountain, the sun, the squat trees, the broken cars, the sweat-stained shirts, and the destroyed lives. The Wind That Lays Waste is a philosophical, beautiful, and powerfully distinctive novel that marks the arrival in English of an author whose talent and poise are undeniable.




Alligator Zoo-park Magic


Book Description

Fiction. Is Jeffers an Alligator Zoo-Park magician or the Messiah? Two friends live unapologetically on the edge of poverty in the rugged, un-decorous part of the South. Jimmy, a single father with an addict ex, and Jeffers, a magician whose tricks are closer to miracles--both are immersed in a place where trailers and Hot Pockets dominate the landscape, and alligators roam free. When Jimmy witnesses "losing" his best friend to his biggest trick gone awry, he reflects on their lifelong friendship and what it really means to escape. "C.H. Hooks' mesmerizing novel, ALLIGATOR ZOO-PARK MAGIC, hovers in the boundaries between city boys and country boys, businessmen and truck drivers, a van named NAILR and a radiator-busting deer drinking beer. The world is both nature untamed and twisted in a theme park of mermaids and crispy-fried reptile bites. Yet, Hooks does so much more than create a new spin on the mystical, mythical South. This fascinating debut delves into the true nature of the heart: everyone's need to belong to someone, to some place, and, most importantly, to oneself."--Erica Dawson "Mr. Hooks has produced a magic show of the highest order."--Jensen Beach "I've died and been born anew! C.H. Hooks is a damned wizard, and ALLIGATOR ZOO-PARK MAGIC is a holy hell of a book."--Harrison Scott Key "AZPM is in the best tradition of Southern literature--it's fast and funny, dark and desperate."--Shane Hinton "Draw a direct line from Larry Brown and Harry Crews to Chris Hooks."--Jeff Parker




Hell of Birds


Book Description

"hell of birds is ferocious in its energy and acrobatics. With arresting images and unexpected enjambment, the poems twist and turn, often coming to a halt so surprising, you're left reeling in the white space, out of breath. Kimberly writes, "One day the world will sing through your blood." After reading this collection, you'll feel the earth in your bones." -Erica Dawson, author of When Rap Spoke Straight to God "You've not read a collection like hell of birds before. This is wild new work by a poet with a vision and a voice-and with wings. The rapture is contagious: it's our lives. These poems net all of it-the heaven and the hell of it in these fearless and music-filled poems." -Laura Kasischke, National Book Critics Circle Award Winner




Shook One


Book Description

Charlamagne Tha God, New York Times bestselling author of Black Privilege and always provocative cohost of Power 105.1’s The Breakfast Club, reveals his blueprint for breaking free from your fears and anxieties. Being “shook” is more than a rap lyric for Charlamagne, it’s his mission to overcome. While it may seem like he’s ahead of the game, he is actually plagued by anxieties, such as the fear of losing his roots, the fear of being a bad dad, and the fear of being a terrible husband. In the national bestseller Shook One, Charlamagne chronicles his journey to beat those fears and shows a path that you too can take to overcome the anxieties that may be holding you back. Ironically, Charlamagne’s fear of failure—of falling into the life of stagnation or crime that caught up so many of his friends and family in his hometown of Moncks Corner—has been the fuel that has propelled him to success. However, even after achieving national prominence as a radio personality, Charlamagne still found himself paralyzed by anxiety and distrust. Here, in Shook One, he is working through these problems—many of which he traces back to cultural PTSD—with help from mentors, friends, and therapy. Being anxious doesn’t serve the same purpose anymore. Through therapy, he’s figuring out how to get over the irrational fears that won’t take him anywhere positive. Charlamange hopes Shook One can be a call to action: Getting help is your right. His second book “cements the radio personality’s stance in making sure he’s on the right side of history when it comes to society’s growing focus on mental health, while helping remove the negative stigma” (Billboard).