When You Catch an Adjective, Kill It


Book Description

What do you get when you mix nine parts of speech, one great writer, and generous dashes of insight, humor, and irreverence? One phenomenally entertaining language book. In his waggish yet authoritative book, Ben Yagoda has managed to undo the dark work of legions of English teachers and libraries of dusty grammar texts. Not since School House Rock have adjectives, adverbs, articles, conjunctions, interjections, nouns, prepositions, pronouns, and verbs been explored with such infectious exuberance. Read If You Catch an Adjective, Kill It and: Learn how to write better with classic advice from writers such as Mark Twain (“If you catch an adjective, kill it”), Stephen King (“I believe the road to hell is paved with adverbs”), and Gertrude Stein (“Nouns . . . are completely not interesting”). Marvel at how a single word can shift from adverb (“I did okay”), to adjective (“It was an okay movie”), to interjection (“Okay!”), to noun (“I gave my okay”), to verb (“Who okayed this?”), depending on its use. Avoid the pretentious preposition at, a favorite of real estate developers (e.g., “The Shoppes at White Plains”). Laugh when Yagoda says he “shall call anyone a dork to the end of his days” who insists on maintaining the distinction between shall and will. Read, and discover a book whose pop culture references, humorous asides, and bracing doses of discernment and common sense convey Yagoda’s unique sense of the “beauty, the joy, the artistry, and the fun of language.”




When You Catch an Adjective, Kill it


Book Description

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Geese to a Poor Market


Book Description

Geese to a Poor Market is a geographic slice of Americana with an ensemble cast of crooks, moonshiners, preachers, lawyers, and odd-ball characters. It has one leg that wants to boogie and the other firmly planted on a pew.




A Lifetime with Mark Twain


Book Description

This book, which was first published in 1925, is a transcription of an informal account by Katy Leary of her thirty years’ service to the household of Samuel Langhorne Clemens (1835-1910), the 19th century American writer, humourist, entrepreneur, publisher and lecturer, better known by his pen name Mark Twain, who became world-famous for novels such as Adventures of Tom Sawyer (1876) and its sequel, Adventures of Huckleberry Finn (1885). It was Mark Twain who suggested that the faithful Katy tell the world all she knew about him. Her reminiscences were locked away in her memory until Miss Mary Lawton, who had known Mr. and Mrs. Clemens for many years, persuaded Katy to reveal them. Katy Leary began to talk and, pencil in hand, Miss Lawton recorded while the old servant poured forth the inimitable words in which she related many a chapter as yet unknown to those outside the family circle. A fascinating read.




How to Read Like a Writer


Book Description

When you Read Like a Writer (RLW) you work to identify some of the choices the author made so that you can better understand how such choices might arise in your own writing. The idea is to carefully examine the things you read, looking at the writerly techniques in the text in order to decide if you might want to adopt similar (or the same) techniques in your writing. You are reading to learn about writing. Instead of reading for content or to better understand the ideas in the writing (which you will automatically do to some degree anyway), you are trying to understand how the piece of writing was put together by the author and what you can learn about writing by reading a particular text. As you read in this way, you think about how the choices the author made and the techniques that he/she used are influencing your own responses as a reader. What is it about the way this text is written that makes you feel and respond the way you do?




The Accidental Life


Book Description

An Amazon Best Book of 2016 A celebration of the writing and editing life, as well as a look behind the scenes at some of the most influential magazines in America (and the writers who made them what they are). You might not know Terry McDonell, but you certainly know his work. Among the magazines he has top-edited: Outside, Rolling Stone, Esquire, and Sports Illustrated. In this revealing memoir, McDonell talks about what really happens when editors and writers work with deadlines ticking (or drinks on the bar). His stories about the people and personalities he’s known are both heartbreaking and bitingly funny—playing “acid golf” with Hunter S. Thompson, practicing brinksmanship with David Carr and Steve Jobs, working the European fashion scene with Liz Tilberis, pitching TV pilots with Richard Price. Here, too, is an expert’s practical advice on how to recruit—and keep—high-profile talent; what makes a compelling lede; how to grow online traffic that translates into dollars; and how, in whatever format, on whatever platform, a good editor really works, and what it takes to write well. Taking us from the raucous days of New Journalism to today’s digital landscape, McDonell argues that the need for clear storytelling from trustworthy news sources has never been stronger. Says Jeffrey Eugenides: “Every time I run into Terry, I think how great it would be to have dinner with him. Hear about the writers he's known and edited over the years, what the magazine business was like back then, how it's changed and where it's going, inside info about Edward Abbey, Jim Harrison, Annie Proulx, old New York, and the Swimsuit issue. That dinner is this book.”




Vex, Hex, Smash, Smooch: Let Verbs Power Your Writing


Book Description

"Vex, Hex, Smash, Smooch is more than just a writing handbook; it’s a key to unlocking every writer’s innate creativity by offering countless paths to verbal expressiveness." —San Francisco Chronicle Great sentences pivot on great verbs. In Vex, Hex, Smash, Smooch, Constance Hale, best-selling author of Sin and Syntax, zeroes in on verbs that make bad writing sour and good writing sing. Each chapter in Vex, Hex, Smash, Smooch features four sections: “Vex” tackles tough syntax, “Hex” debunks myths about verbs, “Smash” warns of bad writing habits, and “Smooch” showcases exemplary writing. A veteran journalist and writing teacher, Hale peppers her advice with pop-culture references and adapts her expertise for writers of every level. With examples ranging from the tangled clauses of Henry James and the piercing insight of Joan Didion to the punchy gerunds of the Coen brothers and the passive verbs of CEOs on trial, Vex, Hex, Smash, Smooch offers a reenergized take on the “little despot of the sentence.”




Collected Nonfiction of Mark Twain, Volume 1


Book Description

The first of two hardcover volumes collecting the major nonfiction by the "father of American literature": more than 150 letters, essays, and speeches selected to showcase the dazzling range of his interests and passions. An Everyman's Library Original. Whether crossing the Atlantic and Pacific Oceans or blazing through Europe and the Americas, Twain turned his trademark wit, candor, and acerbic sarcasm on all his experiences. We can trace his personal evolution through his ambition-filled missives home to Missouri after moving out West to be a fledgling reporter, his raucous stories of navigating a steamboat down the Mississippi, his romantic-turned-elegiac sentiments for his wife, Livy, and, later in life, his darker reflections on the ills of society. Often too outrageous not to be true, Twain’s real-life adventures added to his enduring legend, while his clear-eyed view of humanity has provided an unmatched blend of entertainment and moral integrity for generations of readers.




Sizzling Style: Every Word Matters


Book Description

Sizzling Style is what distinguishes a spellbinding book from an ordinary one. The writer who understands the fundamentals of fictional writing style knows how to capture readers and never let them go. Too often aspiring writers are frustrated by rejection, not realizing that the problem is not the story but the way they are telling it. In this book, bestselling author William Bernhardt brings his down-to-earth approach to the subject of style, revealing everything you need to know to write with the art and craft of a seasoned professional. Bernhardt goes beyond memorizing rules to a fresh approach, a philosophy of writing that will transform your work and take it to a higher level. Because as William Goldman famously said, “No one really knows what will be commercial, but everyone knows good writing from bad writing.” The book also includes exercises designed to help writers apply this approach to their own writing.




Solutions for Writers


Book Description

Whether you are a beginner or an accomplished professional, whether your field is fiction, nonfiction or journalism, Sol Stein's Solutions for Writers is an indispensable guide to enhancing your work. In Stein's own words, 'This is not a book of theory': just practical, immediately useful solutions to help with every type of writing problem. From shaping an opening sentence that hooks the reader to the secret of successful revision, deft character development to pumping up pacing, Solutions for Writers contains a wealth of wisdom from one of publishing's most storied editors. Packed with ideas, examples of techniques in practice, and advice that shines a new light on craft, Sol Stein's writing guide is a timeless classic - a book for writers to mark up, dog-ear, and cherish.