My Place


Book Description

Depicts life in Australia at different times in its development by viewing one place in different years while moving backwards from 1988 to 1788.




My Place


Book Description

My Place begins with Sally Morgan tracing the experiences of her own life, growing up in suburban Perth in the fifties and sixties. Through the memories and images of her childhood and adolescence, vague hints and echoes begin to emerge, hidden knowledge is uncovered, and a fascinating story unfolds - a mystery of identity, complete with clues and suggested solutions. Sally Morgan's My Place is a deeply moving account of a search for truth, into which a whole family is gradually drawn; finally freeing the tongues of the author's mother and grandmother, allowing them to tell their own stories.




Me on the Map


Book Description

Maps can show you where you are anywhere in the world! A beloved bestseller that helps children discover their place on the planet, now refreshed with new art from Qin Leng. Where are you? Where is your room? Where is your home? Where is your town? This playful introduction to maps shows children how easy it is to find where they live and how they fit in to the larger world. Filled with fun and adorable new illustrations by Qin Leng, this repackage of Me on the Map will show readers how easy it is to find the places they know and love with help from a map.




My Place


Book Description

In 1982, Sally Morgan travelled back to her grandmother's birthplace. What started as a tentative search for information about her family, turned into an overwhelming emotional and spiritual pilgrimage. My Place is a moving account of a search for truth into which a whole family is gradually drawn, finally freeing the tongues of the author's mother and grandmother, allowing them to tell their own stories.




My place in the world


Book Description

What leads a young lawyer to change his successful career in Madrid for a life dedicated to others in Ethiopia? For Paco Moreno, author of these moving pages, his future was well established: a graduate in law, he set up his own office and from a very young age enjoyed a privileged economic situation. However, by chance, or perhaps motivated by a need to give something back in exchange for his good fortune, he travelled as a volunteer to Ethiopia and was never the same person again. He observed there that the nomadic tribes of the region do not have enough water and that the girls can not go to school because every day they have to travel a long way along the scorching desert sand to fill their containers. And he saw how those people, babies, children, pregnant mothers and the elderly, died from malnutrition or from diseases that he believed had been totally eradicated. Paco Moreno then insisted on returning more and more frequently, and finally founded an NGO, Amigos de Silva, in Afar, the hottest region in the world. In return, he has found his place in this world. This book, winner of the first edition of the Feel Good Award, is a testimony of what it means to give something back, and it details the reasons why doing so can make us happy.




I Never Knew My Place


Book Description

AMERICAN SYSTEMS, CHURCH, EDUCATION, FAMILIES, GOVERNMENT, HOMES, NEIGHBORS, WORK This book focuses on a personal story of the multitude of struggles, survival and thriving techniques a three generational set of families met and overcame during a 100 year period. Two decades ago, someone wrote asking this question 'IS GOD DEAD?" If you could question thousand of black citizens the answer would be 'No God is alive. Without Him I would be dead.' Today a major struggle is 'What is wrong with the teachers'? Without the teachers in our lives many of us would be far worse off than it appears. Is your family falling apart today? The family still is the backbone unit especially when we have children in our society depending on the adults for guidance. Do you know your local city, county and state government officials? How do you interact with these representatives? Discover how you can do more than just vote. What are the characteristics of a good neighbor? What happen when work is not available? Imagine having faith, seeking community harmony, spreading love, offering hope, and maintaining joy, being patient, peaceful and exhibiting absolute self-control.




This is My Place


Book Description

'This is My Place' tells the story of a vigorous Maori economy interacting with settlers and the government at the then capital of Auckland. It traces also Maori resistance to colonisation, wars and debt, and the eventual loss and confiscation of vast acres of Maori land. By 1875 the wealth of Hauraki was mostly in the hands of the newcomers: European settlers and their government.




My Place in the Sun


Book Description

The son of a celebrated Hollywood director emerges from his father's shadow to claim his own place as a visionary force in American culture. George Stevens, Jr. tells an intimate and moving tale of his relationship with his Oscar-winning father and his own distinguished career in Hollywood and Washington. Fascinating people, priceless stories and a behind-the-scenes view of some of America's major cultural and political events grace this riveting memoir. George Stevens, Jr. grew up in Hollywood and worked on film classics with his father and writes vividly of his experience on the sets of A Place in the Sun (1951), Shane (1953), Giant (1956) and The Diary of Anne Frank (1959). He explores how the magnitude of his father's talent and achievements left him questioning his own creative path. The younger Stevens began to forge his unique career when legendary broadcaster Edward R. Murrow recruited him to elevate the Motion Picture Service at the United States Information Agency in John F. Kennedy's Washington. Stevens' trailblazing efforts initiated what has been called the "golden era" of USIA filmmaking and a call to respect motion pictures as art. His appointment as founding director of the American Film Institute in 1967 placed him at the forefront of culture and politics, safeguarding thousands of endangered films and training a new generation of filmmakers. Stevens' commitment to America's cultural heritage led to envisioning the prestigious Kennedy Center Honors and propelled a creative life of award-winning films and television programs that heightened attention to social justice, artistic achievement, and the American experience. Stevens provides a rare look at a pioneering American family spanning five generations in entertainment: from the San Francisco stage in the 19th century to silent screen comedies, Academy Award-winning films, Emmy Award-winning television programs and a Broadway play in the 21st century. He reveals the private side of the dazzling array of American presidents, first ladies, media moguls, and luminaries who cross his path, including Elizabeth Taylor, Sidney Poitier, the Kennedys, Yo-Yo Ma, Cary Grant, James Dean, Bruce Springsteen, Barack and Michelle Obama, and many more. In My Place in the Sun, George Stevens, Jr. shares his lifelong passion for advancing the art of American film, enlightening audiences, and shining a spotlight on notable figures who inspire us. He provides an insightful look at Hollywood's Golden Age and an insider's account of Washington spanning six decades, bringing to life a sparkling era of American history and culture.




My Place at the Table


Book Description

In this debut memoir, a James Beard Award-winning writer, whose childhood idea of fine dining was Howard Johnson's, tells how he became one of Paris's most influential food critics Until Alec Lobrano landed a job in the glamorous Paris office of Women's Wear Daily, his main experience of French cuisine was the occasional supermarket éclair. An interview with the owner of a renowned cheese shop for his first article nearly proves a disaster because he speaks no French. As he goes on to cover celebrities and couturiers and improves his mastery of the language, he gradually learns what it means to be truly French. He attends a cocktail party with Yves St. Laurent and has dinner with Giorgio Armani. Over a superb lunch, it's his landlady who ultimately provides him with a lasting touchstone for how to judge food: "you must understand the intentions of the cook." At the city's brasseries and bistros, he discovers real French cooking. Through a series of vivid encounters with culinary figures from Paul Bocuse to Julia Child to Ruth Reichl, Lobrano hones his palate and finds his voice. Soon the timid boy from Connecticut is at the epicenter of the Parisian dining revolution and the restaurant critic of one of the largest newspapers in the France. A mouthwatering testament to the healing power of food, My Place at the Table is a moving coming-of-age story of how a gay man emerges from a wounding childhood, discovers himself, and finds love. Published here for the first time is Lobrano's "little black book," an insider's guide to his thirty all-time-favorite Paris restaurants.




I Stand in My Place With My Own Day Here


Book Description

I Stand in My Place with My Own Day Here features essays by more than fifty renowned international writers who consider thirteen monumental works of art created for The New School between 1930 and the present. The nucleus of The New School's Art Collection, these commissions—ranking among the finest site-specific works in New York City—range from murals by José Clemente Orozco and Thomas Hart Benton to installations by Agnes Denes, Kara Walker, Alfredo Jaar, Glenn Ligon, Sol LeWitt, and Martin Puryear + Michael Van Valkenburgh, among others. Providing a kaleidoscopic view into these works, this richly illustrated volume explores each installation through three to four essays written by critics, poets, and scholars from diverse fields including anthropology, mathematics, art history, media studies, and design. Their texts are complemented by three additional essays reflecting on each piece's art historical significance; the architectural contexts in which the works reside on the university's campus; and The New School's relationship to adventurous art practice. Also included is a roundtable discussion among leading arts educators and artists who reflect on the pedagogical potential of a campus-based contemporary art collection. The book's final section presents a history of each commissioned work, highlighted by archival images never before published. Published by The New School. Distributed by Duke University Press. Contributors. Saul Anton, Daniel A. Barber, Stefano Basilico, Carol Becker, Naomi Beckwith, Omar Berrada, Gregg Bordowitz, Tisa Bryant, Holland Cotter, Mónica de la Torre, Aruna D'Souza, Elizabeth Ellsworth, Julia L. Foulkes, Andrea Geyer, Kathleen Goncharov, Jennifer A. González, Michele Greet, Randall Griffey, Victoria Hattam, Pablo Helguera, Jamer Hunt, Anna Indych-López, Luis Jaramillo, Jeffrey Kastner, Robert Kirkbride, Lynda Klich, Carin Kuoni, Sarah E. Lawrence, Tan Lin, Lucy R. Lippard, Laura Y. Liu, Reinhold Martin, Shannon Mattern, Lydia Matthews, Maggie Nelson, Olu Oguibe, G. E. Patterson, Hugh Raffles, Claudia Rankine, Jasmine Rault, Heather Reyes, Frances Richard, Silvia Rocciolo, Carl Hancock Rux, Luc Sante, Mira Schor, Eric Stark, Radhika Subramaniam, Edward J. Sullivan, Roberto Tejada, Otto von Busch, Wendy S. Walters, Jennifer Wilson, Mabel O. Wilson