A Choice of Emblemes


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The Poets, Isabella Whitney, Anne Dowriche, Elizabeth Melville [Colville], Aemilia Lanyer, Rachel Speght, Diane Primrose and Anne, Mary and Penelope Grey


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Isabella Whitney is the earliest Englishwoman known to have written original secular poetry in English for publication. The Copy of a Letter contains four poems written in the personae of persons jilted in love. The only known copy of this volume is held at the Bodleian Library and is reproduced here. Whitney’s second collection A Sweet Nosgay contains poetry in traditional stanzas and in prose format. Reproduced here is the unique copy held at the British Library. The French Historie by Anne Dowriche takes as its subject three events from the religious wars in France: the affair of the Rue St Jacques (1557); the Martyrdom of Annas Burgeus (1559) and the St Bartholomew’s Massacre (1572). Her work takes as its source Thomas Tymme’s The Three Partes of Commentaries, Containing the whole and perfect discourse of the Civill warres in Fraunce (1574). We reproduce here the fine copy of The French Historie held at the Huntington Library and also append two short poems thought to be hers. Ane Godlie Dreame, Compylit in Scottish Meter is Elizabeth Melville’s first person account of a pilgrim who is guided through the afterworld. While many of the variations in the different editions are merely accidental, there are some substantial changes. As an aid to bibliographic study of the poem therefore, copies of the following four editions are reproduced here: 1603 National Library of Scotland; 1604 National Library of Scotland; 1606 Huntington Library; 1620 British Library. Aemilia Lanyer was the first woman writing in English to produce a substantial volume of poetry designed to be printed and to attract patrongage. The Salve Deus Rex Judaeorum was published in 1611 and contains a series of poems to individual patrons, two short prose dedications, a title poem on Christ’s passion and the first country house poem printed in English. The volume is arguably the first genuinely feminist publication in England: all its dedicatees are women and the poem on the passion argu




Visual Words and Verbal Pictures


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Emblematics in Hungary


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The main aim of the work is to present emblematics in Hungary in its European context, and to show the reciprocal influence between that phenomenon and mainstream literature. The description of the theoretical and historical development in Hungary is supplemented by a series of case studies examining the effect of emblematics upon various literary genres. The final chapter analyzes the link between literary emblematics and the visual arts by looking at a specific example. As in most European countries, emblematics in Hungary is part of a complex labyrinth of literary modes of thought and expression. A relative poverty of theoretical writing went hand in hand with a considerable range of emblematic practice. The emblem proved to be a transitional form between the period when signs and motifs were regarded as having specific and fixed meanings and the modern period when we have developed a different and shifting concept of language and meaning. At the same time as emblems began to penetrate the more popular levels of national culture and literature, they also became more specialized. Hungarian emblematics used, for the most part, existing pictorial and textual combinations of pictures and texts. They employed the emblem notably in genres and texts of the genus demonstrativum, which referred to matters which were topical at the time.




Shakespeare's Sonnets & Poems


Book Description

A bestselling, beautifully designed edition of William Shakespeare’s sonnets and poems, complete with valuable tools for educators. The authoritative edition of Shakespeare’s Sonnets and Poems from The Folger Shakespeare Library, the trusted and widely used Shakespeare series for students and general readers, includes: -Full explanatory notes conveniently linked to the text of each sonnet and poem -A brief introduction to each sonnet and poem, providing insight into its possible meaning -An index of first lines -Illustrations from the Folger Shakespeare Library’s vast holdings of rare books -An essay by a leading Shakespeare scholar providing a modern perspective on the sonnets The Folger Shakespeare Library in Washington, DC, is home to the world’s largest collection of Shakespeare’s printed works, and a magnet for Shakespeare scholars from around the globe. In addition to exhibitions open to the public throughout the year, the Folger offers a full calendar of performances and programs. For more information, visit Folger.edu.




Alchemy, Paracelsianism, and Shakespeare’s The Winter’s Tale


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This book explores the role of alchemy, Paracelsianism, and Hermetic philosophy in one of Shakespeare’s last plays, The Winter’s Tale. A perusal of the vast literary and iconographic repertory of Renaissance alchemy reveals that this late play is imbued with several topoi, myths, and emblematic symbols coming from coeval alchemical, Paracelsian, and Hermetic sources. It also discusses the alchemical significance of water and time in the play’s circular and regenerative pattern and the healing role of women. All the major symbols of alchemy are present in Shakespeare’s play: the intertwined serpents of the caduceus, the chemical wedding, the filius philosophorum, and the so-called rex chymicus. This book also provides an in-depth survey of late Renaissance alchemy, Paracelsian medicine, and Hermetic culture in the Elizabethan and Jacobean ages. Importantly, it contends that The Winter’s Tale, in symbolically retracing the healing pattern of the rota alchemica and in emphasising the Hermetic principles of unity and concord, glorifies King James’s conciliatory attitude.




Living in Posterity


Book Description

Living in Posterity, presented to Bart Westerweel on his retirement as Professor of Early Modern English literature at the University of Leiden, brings together thirty-nine essays on a wide variety of subjects and themes. The contributors, scholars from the Netherlands end abroad, have drawn inspiration from the many dualities that are characteristic of Westerweel's work, such as word/image, Anglo/Dutch, familiar/other, traditional/modern, and form/function. The result is a colourful mosaic of essays on history, culture, art and literature from the first century to the modern era. The binding theme of this richly diverse book lies in the idea of the continuity between the past and the present, the cohesion between what was and what is. As such, Living in Posterity is part of the larger project of the humanities to engage sympathetically with the past - to speak with the dead and keep history alive.




The Oxford Encyclopedia of British Literature


Book Description

From folk ballads to film scripts, this new five-volume encyclopedia covers the entire history of British literature from the seventh century to the present, focusing on the writers and the major texts of what are now the United Kingdom and the Republic of Ireland. In five hundred substantial essays written by major scholars, the Encyclopedia of British Literature includes biographies of nearly four hundred individual authors and a hundred topical essays with detailed analyses of particular themes, movements, genres, and institutions whose impact upon the writing or the reading of literature was significant. An ideal companion to The Oxford Encyclopedia of American Literature, this set will prove invaluable for students, scholars, and general readers. For more information, including a complete table of contents and list of contributors, please visit www.oup.com/us/ebl