Whose Word is It?


Book Description

In Whose Word Is It? Bart Ehrman tells the story behind the mistakes and changes that ancient scribes made to the New Testament and shows the great impact they had on the Bible we use today. He makes the provocative case that many of our cherished biblical stories and widely held beliefs concerning the divinity of Jesus, the Trinity and the divine origins of the Bible itself stem from intentional and accidental alterations by scribes - alterations that dramatically affected all subsequent versions of the Bible.




Whose Word is It?


Book Description

Leading biblical scholar Bart Ehrman reveals the many challenging and even disturbing early variations of our cherished biblical stories.




Misquoting Jesus


Book Description

When world-class biblical scholar Bart Ehrman first began to study the texts of the Bible in their original languages he was startled to discover the multitude of mistakes and intentional alterations that had been made by earlier translators. In Misquoting Jesus, Ehrman tells the story behind the mistakes and changes that ancient scribes made to the New Testament and shows the great impact they had upon the Bible we use today. He frames his account with personal reflections on how his study of the Greek manuscripts made him abandon his once ultraconservative views of the Bible. Since the advent of the printing press and the accurate reproduction of texts, most people have assumed that when they read the New Testament they are reading an exact copy of Jesus's words or Saint Paul's writings. And yet, for almost fifteen hundred years these manuscripts were hand copied by scribes who were deeply influenced by the cultural, theological, and political disputes of their day. Both mistakes and intentional changes abound in the surviving manuscripts, making the original words difficult to reconstruct. For the first time, Ehrman reveals where and why these changes were made and how scholars go about reconstructing the original words of the New Testament as closely as possible. Ehrman makes the provocative case that many of our cherished biblical stories and widely held beliefs concerning the divinity of Jesus, the Trinity, and the divine origins of the Bible itself stem from both intentional and accidental alterations by scribes -- alterations that dramatically affected all subsequent versions of the Bible.




Whose Bible Is It?


Book Description

Jaroslav Pelikan, widely regarded as one of the most distinguished historians of our day, now provides a clear and engaging account of the Bible’s journey from oral narrative to Hebrew and Greek text to today’s countless editions. Pelikan explores the evolution of the Jewish, Protestant, and Catholic versions and the development of the printing press and its effect on the Reformation, the translation into modern languages, and varying schools of critical scholarship. Whose Bible Is It? is a triumph of scholarship that is also a pleasure to read.





Book Description




Revelation


Book Description

The final book of the Bible, Revelation prophesies the ultimate judgement of mankind in a series of allegorical visions, grisly images and numerological predictions. According to these, empires will fall, the "Beast" will be destroyed and Christ will rule a new Jerusalem. With an introduction by Will Self.




Whose Right It Is


Book Description

If Jesus is King and reigns from His throne in Heaven, can the Church abandon the world to satan and wait for their escape from tribulation? Here Pastor Varner carefully examines the Scriptures for a proper perspective on Christ's Lordship and dispensationalism.




The Jefferson Bible


Book Description

Jefferson regarded Jesus as a moral guide rather than a divinity. In his unique interpretation of the Bible, he highlights Christ's ethical teachings, discarding the scriptures' supernatural elements, to reflect the deist view of religion.




Whose Knees are These?


Book Description

Takes a loving look at knees from the vantage point of a mother's lap.




Whose Art is It?


Book Description

Whose Art Is It? is the story of sculptor John Ahearn, a white artist in a black and Hispanic neighborhood of the South Bronx, and of the people he cast for a series of public sculptures commissioned for an intersection outside a police station. Jane Kramer, telling this story, raises one of the most urgent questions of our time: How do we live in a society we share with people who are, often by their own definitions, "different?" Ahearn's subjects were "not the best of the neighborhood." They were a junkie, a hustler, and a street kid. Their images sparked a controversy throughout the community--and New York itself--over issues of white representations of people of color and the appropriateness of particular images as civic art. The sculptures, cast in bronze and painted, were up for only five days before Ahearn removed them. This compelling narrative raises questions about community and public art policies, about stereotypes and multiculturalism. With wit, drama, sympathy, and circumspection, Kramer draws the reader into the multicultural debate, challenging our assumptions about art, image, and their relation to community. Her portrait of the South Bronx takes the argument to its grass roots--provocative, surprising in its contradictions and complexities and not at all easy to resolve. Accompanied by an introduction by Catharine R. Stimpson exploring the issues of artistic freedom, "political correctness," and multiculturalism, Whose Art Is It? is a lively and accessible introduction to the ongoing debate on representation and private expression in the public sphere.